Shop The Hottest Collectibles On Your Holiday Gift List at Walmart

This article is presented in partnership with Walmart.

Whether you’re a fan of rare coins or are shopping for that special comic book collector on your list, Den of Geek has compiled the hottest deals and options for your holiday wishlist from our friends at Walmart. Now’s the chance to find the perfect Pokémon booster set with complementary foil cards featuring Zactian V and Zamazenta V, or to spin out in style with a 2022 era Monster Jam truck rocking some mean Triceratops horns that are out of this world. Need a Labubu for the big energy monster lover? We got ya covered.

From premium collections and booster boxes to deluxe comic-based figurines, we picked our fan-favorite collectibles for the geeks in your life.

Maximus (Fallout TV Series) 7’’ Deluxe Action Figure

Based on the role-playing video game, Fallout boasts a two season run full of versatile characters and futuristic world building. This holiday season, fans of the TV series or the game can move Maximus out of the Wasteland and onto their shelves. This adjustable figurine comes with a collectible art card, alternate head and hands from his second season getup and would be a stellar edition to any Fallout figurine collection. Price: $34.99

Lincoln Coin and Chronicles Proof Set

For those looking to memorialize the discontinued penny, it only takes 8,999 of them to purchase this Lincoln-embossed bullion coin. The Commemorative Proof silver dollar is accompanied by four copper one-cent coins, all enclosed in a U.S. Mint box that has a home in any coin collectors reserve. Price: $89.99

Pop Mart The Monsters (Labubu) Big Into Energy Blind Box V3

Few objects have dominated the culture of 2025 quite like the Labubu. These collectible dolls come in all shapes and colors, including the six options in this blind box. Each box contains a half-foot tall toy from the Big Into Energy series, all assigned a different pastel color and quality (love, hope and serenity, to name a few). With each purchase, shoppers also have a chance to find a secret “chase” figure. Price: $32.99

Comic Lot of 25, Mixed Publishers

This assemblage of prequel, first, one-shot and annual comic book issues, dating from the ‘90s to the present and comprising a variety of publishers, is a jackpot present for superhero comic collectors. Including the stories of DC and Marvel Comics, all 25 issues in this smorgasbord of action and adventure are exciting reads and will help round out any collection. Price: $23.99

Amazing Spider-Man #314 – CGC 9.8 Comic Book

Spider-Man in a Santa Hat. Mary Jane and Santa Claus. Queens dusted with a wintery mix. And a Todd McFarlane cover with a 9.8 CGC grade. Honestly, you better snatch this book up before we do. Price: 142.99

Wonder Woman by John Byrne Omnibus (Hardcover)

This collection of John Byrne’s complete run of Wonder Woman stories was released earlier this year and aided in the completion of comic collections en masse. The hardcover edition features Wonder Woman Issues #101-136, Annuals #5-6 and select additional stories. The omnibus not only commemorates the powerful Amazonian character, but also the legendary DC creator. Price: $47.82

Scorpion vs Raiden (Mortal Kombat Klassic) Figures

This deluxe two-pack contains a lot more than just movable figurines of the titular characters. The Mortal Kombat original God and ninja are accompanied by alternate hands, heads, face plates, lighting effects and tools. Both figurines can be placed on their provided flight stands, designed for fight scene recreations complete with reversible backdrops. Price: $69.99

Pokémon Legendary Warriors Premium Collection

Price: $139.89 

This premium collection of special edition Pokémon includes two foil cards featuring Zactian V and Zamazenta V, two foil cards featuring Zactian and Zamazenta, one oversize foil card featuring Zacian V, 14 Pokémon TCG booster packs and a code card for Pokémon TCG Live. Not only do these cards make for legendary trades, but they provide a code for online play and open up a multi-dimensional trading world. 

Monster Jam 2022 Spin Master Diecast Truck: Jurassic Attack

Whether you are looking for a rugged addition to a Jurassic shelf display or want to off-road on your living room floor, you can’t go wrong with the Monster Jam Jurassic Attack miniature monster truck series. Each purchase comes with a chance to add the Grave Digger, Megalodon, El Toro Loco or Max-D trucks to your collection, all including an exclusive collector poster. Price: $11.79 

Pokémon Mega Evolution Booster Box

These 180 cards not only include over 50 Pokémon and Trainer cards with special illustrations, but also a collection of Mega Evolution Pokémon ex. The extra powerful, high HP cards were designed for the Pokémon TCG Mega Evolution series, which expands the realm of battle and teamwork in the quest to “catch ‘em all.” Price: $264.27

The Biggest Upcoming Games of 2026

This article appears in the new issue of DEN OF GEEK magazine. You can read all of our magazine stories here.

Between the Nintendo Switch 2 entering its first full year on shelves and developers looking to max out everything they can do with PlayStation 5 and Xbox Series X|S ahead of the next generation of consoles, 2026 is shaping up to be a massive year for gaming. Even with plenty of titles still to be announced, we’re looking forward to exciting new entries in some of gaming’s biggest franchises, along with brand new titles looking to make names for themselves. So far these are looking to be the six biggest games of 2026.

Resident Evil Requiem

February 27

Resident Evil Requiem, the ninth game in the long-running series, looks to be an interesting mix of classic ideas and more modern sensibilities. After the last two titles moved to first-person perspective, Requiem will let you play in either first-or third-person as new character Grace Ashcroft, a FBI technical analyst who returns to the ruins of Raccoon City 30 years after its destruction 

We still don’t know exactly what she’ll encounter there, but Capcom has promised a new unstoppable stalking monster similar to previous baddies like Mr. X and Lady Dimitrescu.

007 First Light

March 26

If you haven’t yet played the Hitman World of Assassination trilogy, you absolutely need to stop what you’re doing and play through them all immediately. They’re a fantastic collection of missions that allow for near limitless strategies that mix both stealth and action. Honestly, all IO Interactive really needs to do is build on that foundation for 007 First Light to be a surefire hit. The game features a young James Bond (played by Patrick Gibson) as he ventures off on early MI6 missions that will grant him his legendary 00 status. Bond has had a mixed legacy in gaming, but with IO Interactive’s recent history, 007 First Light could be the start of a gaming renaissance for the super spy.

Grand Theft Auto VI

It’s not an exaggeration to say that Grand Theft Auto VI isn’t just the most-anticipated gaming release of 2026 but quite possibly the biggest release of the decade. So the question isn’t “will GTA VI be good?” but more, “How mind-bogglingly amazing and genre-defining will it be?” We know the game stars a Bonnie and Clyde-style couple on the loose in a huge map based on the state of Florida, and the graphics look better than almost any other game currently out there. But beyond that, confirmed details are relatively sparse at the moment. Still, it’s a lock that GTA VI will sell millions, dominate the pop culture conversation, and quite probably win numerous Game of the Year awards. 

Marvel’s Wolverine

Fall 2026

After making a trio of Spider-Man games widely considered to be the wallcrawler’s very best efforts, Insomniac Games is now turning its attention to the ol’ Canucklehead himself, Wolverine. The gameplay shown off so far looks absolutely brutal, with Logan digging his adamantium claws into skulls and chest cavities with impunity. Marvel’s Wolverine may be based on the comic books, but this definitely isn’t a kids’ game. And speaking of comics, with Insomniac working on an original story that will dive deep into X-Men lore and feature characters like Omega Red and Mystique, the game is already shaping up to at least be on par with the Spidey titles. 

The Duskbloods

TBA

While FromSoftware’s Switch 2 exclusive The Duskbloods looks to be aesthetically similar to its classic Bloodborne, the studio is promising a very different gameplay experience.

Players will choose from eight different characters called Bloodsworn—who are similar to vampires but not quite the classic bloodsuckers of fiction—to take on a variety of challenges in both PvP and PvE. A lot of gamers are still waiting on a killer app to pick up a Switch 2, and given the studio’s recent track record, this could be the title that makes the hybrid console a must-buy.

Fable

TBA

Amidst a litany of high-profile cancellations, Microsoft’s upcoming slate of first-party games is looking a little light, but the long-awaited Fable reboot is still on track for release in 2026. The last time the game was shown off, it featured impressive graphics, the series’ trademark cheeky humor, and if the game isn’t fully open-world, the levels at least look much larger than what we explored in the older Fable titles. Developer Playground Games has consistently put out some of the very best games on Xbox through the Forza Horizon series, and if they can bring that level of quality to Fable, it could be the game that changes Microsoft’s fortunes. 

Ranking the Knives Out Movies: The Best of Benoit Blanc

Is three movies enough for a ranking? Absolutely. Ask any Star Wars fan old enough to have lower back pain, some memory of watching live-action Ewok adventures on VHS, and a suspiciously disappointing pension fund. They’ll usually tell you that their Original Trilogy ranking hasn’t changed in decades: Empire at one, New Hope at two, and Jedi at three. Not a very controversial ranking, but they did it. Some will even mix it up by switching Empire and New Hope. A few absolute renegades will put Jedi in first place. Always keep one eye open.

Anyway, we feel fine about ranking Rian Johnson’s Knives Out trilogy now that all three movies are available to stream. If you disagree with the ranking itself, that’s fine. It’s just our opinion, and others are available, including the most important one: your own!

Here it is, then…

3. Glass Onion: A Knives Out Mystery

Back in 2022, Johnson brought his Knives Out sequel to streaming, and there was plenty of fun to be had with it because Glass Onion is a legitimately entertaining romp.

It’s great to see Benoit Blanc (Daniel Craig) again as he rolls up to a private Greek island owned by Miles Bron, a flamboyant, infuriating tech billionaire who might as well be called “Mlon Eusk.” Bron pulls in Blanc, along with a gang of his closest friends (who invariably can’t stand him), for a lovely weekend on his island, where they are set to play a puzzle game that tests their intelligence and loyalty. Of course, the twists and laughs are often to be found in how unintelligent and disloyal pretty much everyone is, with Bron finally singled out as the biggest and most twisted fool of all.

While still critically acclaimed, Glass Onion proved quite divisive. It has a broader comedic tone that sometimes feels a bit too broad, and that tone occasionally overpowers the real grief and loss at the heart of the story, deftly retold by Blanc’s helpful assistant on the island, Helen Brand (Janelle Monáe). By the time the end credits roll, it all feels like a lot of spectacle with not enough focus on the core mystery. Glass Onion is a fun film, but, as Blanc quite succinctly puts it when calling out Bron, “It’s just dumb!”

2. Wake Up Dead Man: A Knives Out Mystery

Wake Up Dead Man is both the latest installment of Knives Out and the most ambitious one yet. The movie’s story shows a lot more maturity than the two previous entries, but, much like Glass Onion, Johnson’s decision to do something different – this time by exploring deeper themes and making Blanc more of a side character – has delighted some and disappointed others who would prefer a more lighthearted flick.

The movie follows Josh O’Connor’s Reverend Jud Duplenticy before and after he arrives as the new associate priest at Our Lady of Perpetual Fortitude church. Duplenticy represents the more spiritual side of the film, while Craig’s Blanc is the one who will use logic and reason to try and solve the murder of Monsignor Wicks (Josh Brolin), who may or may not have been miraculously resurrected after being stabbed in the back during a sermon.

The dynamics between Duplenticy and Blanc are definitely compelling, as is O’Connor’s fantastic central performance. Wake Up Dead Man genuinely feels like an evolution of the Knives Out franchise. Still, it lacks the pure charm of the other two movies, and the central murder mystery falls a bit flat, playing second fiddle to Johnson’s more thoughtful exploration of religion and belief. That said, one moment that spotlights a brief connection between Duplenticy and a woman whose mother is dying is so devastating that it achieves an emotional effectiveness that the other movies never really aspire to.

1. Knives Out

The original Knives Out still stands as the undisputed benchmark. Back when it was released, critics and audiences praised it for its clever plotting, tightly woven mystery, and its perfect balance of suspense and humor. Nothing’s changed in that respect, and we certainly wouldn’t be here talking about the “Knives Out trilogy” six years later if it hadn’t been a standout movie!

Knives Out ended up being part of a slew of “eat the rich” movies coming out of Hollywood of late, including The Menu and Ready or Not. Released in the same year as Bong Joon Ho’s Parasite won Best Picture at the Oscars, Knives Out captured a time in our zeitgeist just before the pandemic, which was perceived in some ways as a kind of “equalizer” among the classes. Following the entitled Thrombeys, who are feuding at their mansion after the family patriarch’s death and his decision to bequeath the family fortune upon humble nurse Marta. Good for her!

The introduction of Craig’s Foghorn Leghorn-accented Blanc was like a breath of fresh air for the tired murder-mystery genre, with Craig himself seemingly delighted to spice up an excellent ensemble cast that already included the likes of Michael Shannon and Chris Evans. Since then, there’s been a renewed interest in delivering high-quality murder mysteries, not least by Netflix, which acquired the rights to the Knives Out sequels for an eye-watering $469 million.

The first flick remains the best of the trilogy because it balances everything in a way the others can’t quite top. It still feels fresh and tight, with every clue placed perfectly and every character instantly memorable, never taking itself too seriously. The story also unfolds with a perfect “aha!” payoff that leaves you grinning. Six years on, it still hits the sweetest spot among all three movies.

Holiday Gift Guide: The Best Collectible Card Gifts in 2025

This article is part of the Collector’s Digest Holiday Edition powered by: Ebay Logo

The holiday season is upon us, and that means lots and lots of shopping. As one would expect, we here at The Den have got your back, with gift guides for all things nerd, including the wonderful world of trading cards! Both the “look at how cool this art is” kind and the “look at how cool this art is, also it’s a game” kind.

We’ve got something for everyone on this list, from inexpensive fun products to highly collectible, limited-print-run gifts, so let’s take a look!

Magic: The Gathering – Final Fantasy Scene Boxes

Do you love the art on Magic: The Gathering cards and wish you could fit them together to form a whole scene? Then these Scene Boxes are just perfect for you. Every time there’s a Magic crossover, we get a fresh batch of these, and they look great. The latest round of Final Fantasy cards includes key scenes from four of the games (I, VIII, IX, and XV), with mechanically unique cards and great art. And at $42 MSRP, they’re very reasonably priced for a friend gift. Or for an office white elephant gift exchange that you want to end up taking home yourself…

Buy Magic: The Gathering – Final Fantasy Scene Boxes Here

East Continental Gems Limited Edition Marvel Trading Cards

East Continental Gems has taken two cool variant covers – Mark Brooks’ variant for Avengers Forever #14, paying tribute to Phase Three of the Marvel Cinematic Universe; and Steve Skroce’s Infinity Saga variant cover to Doctor Strange #1 – and put real, actual gemstones in them where the Infinity Gems were drawn. The Mind Gem on the Avengers cover is citrine, while the Time Gem on Strange’s necklace is peridot.

This is very different and also VERY collectible. These are retailing for $199.99 and are limited to 200 cards each, so while the price is high, it’s almost certain to go up. And these will look super cool on a shelf with highlight lighting. If you’ve got friends who love showing off their collections, this is for them.

Buy East Continental Gems Limited Edition Marvel Trading Cards Here

Star Wars Unlimited Gift Box

Star Wars Unlimited is a game with a bit of a learning curve. But the characters, settings, and cards in the game help guide you through it in a straightforward way. Also, if you are a Star Wars fan, chances are pretty good that someone in your life already plays this and can help walk you through it. Especially when you have a gift box like this that is pretty close to pick up and play – you get an oversized leader card, two variant cards, and eight booster packs to build from. This is very affordable at $35, an easy pick for the Star Wars fans in your life.

Buy Star Wars Unlimited Gift Box Here

Pokémon Phantasmal Flames Elite Trainer Box

Phantasmal Flames has only been on shelves for a short time, but it’s already flying out the door, and these boxes easily show why. They have nine booster packs, a shiny foil Charcadet, a fancy box and sleeves for your cards, and lots of exciting art and new gameplay. This is a great high-end gift for a Pokémon player who also has a taste for collecting.

Buy Pokémon Phantasmal Flames Elite Trainer Box Here

Magic: The Gathering – Avatar: The Last Airbender Beginner Box

Beginner Boxes are a relatively new Magic product that lay out, step by step, card by card, how the game works. But what makes these Beginner Boxes really great is how thorough they are about the experience. You get spindown dice, you get packs to crack, you even get mats to use. And this goes extra for the Avatar set. It’s a joy to play, with gorgeous art and fun cards and a level of craft and love of the source material that shines through on every card. The box is priced at $34.99, but because the packs are jumpstart, there’s a good chance that you’ll open more in value than that. Either way, it’s worth every penny.

Buy Magic: The Gathering – Avatar: The Last Airbender Beginner Box Here

Skybox Metal Universe Batman of Zur-En-Arrh

When we talked to Upper Deck about this set in the spring, they refused to give us any details about who or what might be in it. So we didn’t know there would be a 1/1 special foil card for Batman’s emergency backup personality, the Batman of Zur-En-Arrh. This is wild. Believe it or not, $10,000 for a 1/1 isn’t that ridiculous, so if you’ve got 10-large just lying around and are a Batman fan – specifically a fan of Morrison Batman (hi, it’s me) – you should grab this.

Buy Skybox Metal Universe Batman of Zur-En-Arrh Here

Magic: The Gathering Tarkir: Dragonstorm Booster Box

Booster boxes are usually on the pricey side, but with good reason. Each box of Magic play boosters comes with 30 packs. That’s 420 cards. Most of them are going to be chaff, but there’s one really great way to make that chaff playable: drafts. 

You and seven friends (or three, if you want to do a Pick Two draft) sit at a table with three packs each. Everyone opens pack one, picks the best card, and passes their cards to the person on the left, and that continues until the cards are gone. Then you build a deck out of what you pulled and play against the rest of the group. This is a ton of fun when you do it at your game store, and even better when it’s all friends. Tarkir: Dragonstorm was the best set from 2025 to draft. It has everything iconic about Magic, and it’s intuitive and fun to draft. It’s expensive at $110, but worth it.

Buy Magic: The Gathering Tarkir: Dragonstorm Booster Box Here

Disney’s Lorcana: Elsa Gift Box

This Elsa Gift Box has “new player” written all over it. Disney’s Lorcana is one of the most beginner-friendly trading card games out there, with deep gameplay but a very straightforward onramp for new players. So what better way to help guide someone to the world of card games than by giving them this box, which comes with a sparkly Elsa card, five packs, and a deckbox to protect all your new cards? For under $25, this gift goes a very long way.

Buy Disney’s Lorcana: Elsa Gift Box Here

An Original Lorwyn Thoughtseize

Magic’s next set in 2026 returns to Lorwyn, a plane full of fun fantasy nonsense – elementals, elves. and faeries – where the sun never sets and it’s always spring. So, naturally, the iconic card from the set is a painting of a faerie crawling in an elf’s ear. 

There are a million reasons why this card is an iconic Magic card besides the art, and each of those million reasons is also an argument for an original Lorwyn version holding its value when it’s inevitably reprinted on Magic’s return to the plane. Bottom line is, for $12, you can have a little piece of history and a supremely playable card. 

Buy An Original Lorwyn Thoughtseize Here

A Complete Set of the 1995 Fleer Ultra X-Men Cards

Let’s be 100 percent real here: these cards rule. They often get swept up in derisive criticism of ‘90s comics’ excess, but they’re just great. Bright, colorful art from artists at the peak of their game, and characters from an utterly bonkers era of X-Men comics mean you’re going to get some wild pulls in here, and you know what? You’ll probably love every one of them. Be prepared for Albert (the android clone of Wolverine) to become your new cherished possession, because $60 is dirt cheap for this.

Buy 1995 Fleer Ultra X-Men Cards Here

Holiday Gift Guide: The Best Retro Gaming Gifts for 2025

This article is part of the Collector’s Digest Holiday Edition powered by: Ebay Logo

As the gaming industry grows increasingly digital, what better way to show the gamers in your life that you really care than gifting physical swag during the holidays? From retro games to merchandising around beloved franchises, there is something for everyone who needs stocking stuffers or something more ambitious. Many of these gifts are readily available on digital storefronts like eBay, which has been making holiday shopping a breeze for gamers for years.

Whether it’s gifts for the old-school gamers in your family and friends or the merchandise that proudly displays their geek cred, we’ve got you covered for gaming recommendations this holiday season. Here are the best gaming gifts to pick up for the 2025 holiday season.

Space Invaders on Atari

Atari has seen something of a resurgence lately, from releasing a cool wave of apparel to producing newer models of classic consoles that interface easily with modern televisions. With that in mind, these revamped consoles play all the classic Atari 2600 and 7800 cartridges you know and love, which are abundantly found on eBay. While there are thousands of games available, we’re particular fans of Space Invaders to play on Atari’s revitalized consoles.

NES Classic

2025 marks the 40th anniversary of the Nintendo Entertainment System, the North American version of Nintendo’s enormously successful Famicom. What better way to celebrate this milestone occasion than to sit down and revisit your favorite 8-bit NES titles over hot cocoa? The NES Classic, providing a smaller version of the console with modern video outputs and a selection of pre-loaded fan-favorite games, is available on eBay without that dreaded price-gouging.

SONY PVM CRT

As much as we love our modern OLED displays, the best way to play older games is still on a CRT for the full retro experience. Given their decades of industry dominance, there is no shortage of CRT sets available that can be configured to interface with classic video game consoles. If you’re looking for the best CRTs for the purposes of retro gaming, we recommend the Sony PVM series as a solid after-market model prime to hook up classic consoles to.

Nintendo Power Back Issues

Here at Den of Geek, we obviously love print media, and that distinction comes to the gaming magazines that proliferated the scene in the ‘90s. It may go without saying, but before the internet, these magazines contained all the tips and tricks, along with sneak peeks and developer interviews that players craved to get the edge on their favorite games. Nintendo Power is arguably the most recognizable from the era, with each issue providing a fun throwback look at classic Nintendo games. Fans should also consider back issues of GamePro, Electronic Gaming Monthly, and Game Informer, which all offer a glimpse into the industry’s resurgence in the ‘90s.

Street Fighter Wall Art

Any gaming lair needs wall art to mark the territory, and there are plenty of posters and other wall hangings to help set the mood. From vintage ‘90s gaming posters that helped advertise big launches to custom and modern pieces celebrating classic properties, there is gaming wall art of all shapes and sizes to deck out a gaming den. We’re big Street Fighter fans, so Street Fighter arcade posters are the perfect decorations for any hangout area.

Yarn Yoshi Amiibo

One of the biggest successes during Nintendo’s divisive Wii U era was the introduction of Amiibo NFC figurines. Detailed miniatures based primarily on Nintendo’s biggest gaming properties, the Amiibo interfaced in unique ways with games like Super Smash Bros. and The Legend of Zelda. However, the Amiibo that stands above the rest are the Yarn Yoshi Amiibo, coming in a variety of colors and primed to interface with your favorite Yoshi games.

Lanterns Looks Like an HBO Drama and That’s a Good Thing

After much hype and speculation, HBO has finally released a first look at Lanterns, the upcoming DCU show about members of the Green Lantern Corps.

As excitement for the announced teaser grew online, fans wondered what it might show. Would we see any of the strange aliens who are members of the Corps, such as the planet Mogo, the sentient math equation Dkrtzy Rrr, or the squirrel Ch’p? Would we see any of the other wielders of the emotional spectrum, the hate spewing Red Lanterns or the alluring Star Sapphire Corps? Would we see Lanterns Hal Jordan (Kyle Chandler) and John Stewart (Aaron Pierre) use their willpower to create incredible constructs of mech warriors or a giant baseball glove?

No. We see two humans in a regular old car driving through a dusty desert. On Earth. In decidedly not green clothes.

Obviously, Green Lantern fans haven’t been this disappointed since the last time someone on Reddit posted a panel of Hal Jordan hitting on Arisia. But the Lanterns teaser is clearly promising a standard prestige TV show instead of a space opera. And that might be okay.

Let’s be honest, Green Lantern is a tough sell to general audiences. You don’t have to be Garth Ennis, who created the character Dog Welder because it was the one name he could conjure that was dumber than Green Lantern, to recognize the high barrier of entry to a mythos about space police with wishing rings that can do anything but touch the color yellow. For as many great Green Lantern stories have been written over the years, its main bad guy is a still a dude who looks like Satan and is named Sinestro. And that’s before we get to the part where the main character has a racist nickname for his best friend, dated a 13-year-old, and once was a traveling toy salesman.

For some, like this writer, the weird parts of Green Lantern are the entire appeal and the icky stuff can be retconned away. But for regular people, who tune in to HBO on Sunday nights, the mythos is just too high a barrier of entry. They can memorize the entire map of Westeros, but they can’t tell the difference between Isamot Kol and Vath Sarn, apparently.

And so, Lanterns looks to be playing it straight. When he first announced the project, James Gunn compared the show not to E.E. Smith’s Lensmen novels, to Star Wars, or even Guardians of the Galaxy. Rather, he compared it to True Detective, and described it as a buddy cop mystery. From what we’ve seen so far, he was right. Lanterns looks more like a drama with some minor genre elements than it does anything that might involve the Weaponeers of Qward.

Still, let’s not pretend that the few things we’ve seen from Lanterns are totally incompatible to the Green Lantern comics. Desert settings have always been part of Hal Jordan’s story, from the first time he was summoned by Abin Sur in Showcase #22 (1959) and a lot of the imagery recalls the 1989 miniseries Emerald Dawn, which reestablished the franchise for a new era.

Even better, the one clip we see of Chandler’s character in action is pure Hal Jordan. Leaving a power ring on the dash, Jordan drives a car toward a cliff and bales out just before it starts to plummet, forcing Stewart to find his willpower in a hurry.

We may not see Hal creating the world’s biggest boxing glove to punch a monster back into the Anti-Matter Universe and we may not see John analyzing the situation with a complex construct, but we are seeing the Jordan and Stewart we know. The fact that they’re acting more like Rust Cohle and Marty Hart than guys in green tights might mean that regular people can enjoy them too.

Lanterns drives a regular car and not an emerald spaceship onto HBO and HBO Max in 2026.

Guy Ritchie Is Returning to Sherlock Holmes But Not THAT Sherlock Holmes

Good news: Guy Ritchie is finally returning to the world of Sherlock Holmes! Bad news: It is absolutely not for the third installment of his steampunk-esque Sherlock Holmes film franchise starring Robert Downey, Jr. and Jude Law we’ve all been waiting forever to see. [Insert long and frustrated sigh here.]

No, instead, Ritchie is both directing and executive producing the forthcoming Prime Video series Young Sherlock, an origin story that will delve into the (future) Great Detective’s formative years. Loosely based on the series of young adult thriller novels by Andrew Lane, the show will see Sherlock as a raw, unfiltered, and undisciplined young man who finds himself drawn into his first case: An unsolved murder at Oxford University. Throw in a little global conspiracy, the very real threat of jail, and a handful of familiar faces like Mycroft Holmes and James Moriarty (who apparently hasn’t grown up to be Holmes’s nemesis just yet), and you’ve got all the ingredients for a brand new twist on a classic tale. And, look, it’s got to be better than that weird Young Sherlock Holmes movie from the ’80s, right?

Hero Fiennes Tiffin, best known for his performance as Hardin Scott in the After trilogy and for his appearance as a young Voldemort in Harry Potter and the Half Blood Prince, stars as the young Holmes. He’ll be joined by a stacked cast that includes Dónal Finn, Zine Tseng, Natascha McElhone, Max Irons, Colin Firth, and Tiffin’s real-life uncle Joseph Fiennes, who’ll be playing Sherlock’s father.  

“What we’re doing is recreating this character, but before we initially meet him, so it’s about getting the measurements right on how much of Sherlock to put in there and how many glimpses to put in of who Sherlock is going to become, because you want to see him,” Tiffin told Collider. “In any origin story, you want to see how they got to where they are.”

As for Sherlock Holmes 3, well. Hope springs eternal, all that, but the project has been stalled for over a decade while RDJ’s been busy making Marvel movies, and it’s starting to feel like its moment may have passed. The original, Victorian-era-set Ritchie films landed around the same time as the BBC’s popular contemporary take starring Benedict Cumberbatch, kicking off a perfect storm of Holmes-mania that has since largely died down. (No, neither the CBS Watson procedural nor the uncomfortable CW show where Sherlock is maybe a dad count.) 

Young Sherlock will premiere on Prime Video in 2026.

Prime Video’s The Night Manager Turned Down John le Carré’s Sequel Idea for Season 2

The first season of The Night Manager was a critical and commercial hit when it landed on screens in 2016, ultimately snagging an Emmy nomination for Best Limited Series and acting nods for all three of its leads. Based on the novel of the same name by John le Carré, the series was praised for its strong performances, cinematic feel, and deft adaptation of the source material’s complex espionage plot for the small screen. No wonder there was an almost immediate demand for a sequel, a dream which is only now coming to fruition a decade later. 

Season 2 of The Night Manager will see Tom Hiddleston reprise his role as British intelligence officer Jonathan Pine, now living an uneventful life under the name of Alex Goodwin. But when the chance sighting of an old enemy leads him to a violent encounter with a new one: Colombian businessman Teddy Dos Santos (Diego Calva), he finds himself drawn back into a life he thought he’d left behind. Pine reenters the field on a mission to infiltrate himself into Santos’ arms operation, with dramatic (and perhaps deadly) consequences.

What’s most interesting (or frightening, depending on your perspective) about this premise is that the show is basically flying blind. The first season used all the material from le Carré’s novel, so this second outing is fully striking out on its own path to tell a story that has nothing to do with any of the famous author’s (who passed away in 2022) works. 

However, le Carré’s son Simon Cornwell, who is one of The Night Manager’s executive producers, revealed in the season 2 press materials that his late father did have an idea about where the show could go in a potential second season. But they ultimately didn’t use it. 

“I remember a dinner we had with my dad, Stephen Garrett (Showrunner/Executive Producer), and others who were involved in the show, and somebody piped up at the table and said, ‘So, what are we going to do for season two?’ My dad blanched at the question, and then he smiled, and we moved on,” Cornwell said. “A couple of days later, he shared a note with the first ideas for a second season, which are ideas we’ve moved a long way on from and have nothing to do with the show we’ve ended up making, but that opened the door and gave us permission to start thinking about how we do a second season.”

Technically, choosing to take the show in a different direction is all well and good, but when the idea for season 2 came from John Le Carré, a man almost universally acknowledged to be one of the greatest modern writers of his generation and who wrote the novel the first season of your show is based on, well. Maybe it’s worthwhile to listen to his ideas a little bit more carefully than most. 

But, according to Cornwell, The Night Manager screenwriter David Farr has still managed to stay true to le Carré’s general vision and vibe. 

“David is an extraordinary figure and a very talented man. He may not want to admit it, but he is a tremendous le Carré buff. He’s read every one of my father’s books and thought deeply about them,” he said. 

Hiddleston is even more effusive in his praise. “ David Farr has achieved the impossible. The Night Manager was based on a novel by John le Carré; there was no second novel, no sequel,” he said. “David has written it with all the sophistication and complexity that le Carré would approve of and admire.” 

Now, your mileage can and will likely vary about whether this particular level of hype is warranted (or even capable of being reached), but well, it’s certainly gotten our attention for the show’s second season. 

The Night Manager season 2 will premiere on January 11 on Prime Video 

New Street Fighter Trailer Is Just as Silly as ’94 Movie, and We Love That

For you, the day that the trailer for a wacky new Street Fighter movie was the most important day of your life. But for fans of the 1994 movie, it was Friday.

The first look at the upcoming Street Fighter film adaptation certainly feels like a 180 from the infamous 1994 adaptation starring Jean-Claude Van Damme. The 45-second sneak peak is filled with images that come right out of the video game, from Ken and Ryu in their red and white gis to a fighter smashing a car. Yet, the result is so ridiculous, so over-the-top that it retains the spirit of the 1994 movie.

Directed by Kitao Sakurai, previously from Twisted Metal and The Eric Andre Show, and written by Dalan Musson (Captain America: Brave New World), Street Fighter sticks as close to the Capcom Games as humanly possible. Set in 1993, the movie collects colorful fighters from around the globe to compete in the World Warrior Tournament. As former friends Ken (Noah Centineo) and Ryu (Andrew Koji) make their way through the tournament, they’re joined by fellow fighter Chun-Li (Callina Liang) to uncover the secret behind the tournament’s boss M. Bison (David Dastmalchian).

Beyond just the game-accurate costumes and day-glo settings that Sakurai brings to the movie, Street Fighter boasts an unusual cast of characters. Wrestlers Roman Reigns and Cody Rhodes play Akuma and Guile. Masked South African singer Orville Peck plays masked Spaniard Vega. Jason Momoa gets feral as Blanka while 50 Cent gets an unfortunate haircut to be boxer Balrog. Even Eric Andre is on hand as announcer Don Sauvage, along with Saturday Night Live‘s Kyle Mooney as some guy called Marvin.

Given all the deep-cut fighters and faithful costuming, it sure feels like this Street Fighter improves upon the 1994 film. That movie, famously but allegedly written by Steven E. de Souza over a single substance-fueled weekend, cared so little for its source material that it didn’t even bother to pronounce Ryu’s name correctly, forever confusing generations of American nerds.

To unnecessarily complicate a story about a bunch of weirdos punching and kicking each other, de Souza weaved a tale about UN peacekeepers led by Guile (Van Damme) investigating the dictator Bison (Raúl Julia). Yet somehow, that movie’s combination of incredible commitment (see: Julia chewing the scenery despite a terminal cancer diagnosis) and a remarkable lack of commitment (see: Van Damme playing an American), Street Fighter (1994) has become a classic.

Well, a classic to some, anyway. Surely, devotees of the Street Fighter video game series hold that corny film in contempt. To them, the 2026 movie seems ready to bestow upon the franchise the respect that it deserves. Then, the day Bison comes to us will truly be the most important day of our lives, whether that Bison is Raúl Julia or David Dastmalchian.

Street Fighter blasts into theaters on October 16, 2026.

Ultimate Endgame Preview Puts Spider-Man’s Family to the Test

It doesn’t matter what universe he’s in, Spider-Man is subject to the ol’ Parker luck. Peter Parker loses jobs, lets down his family, and gets turned down for dates, all because great power comes with great responsibility. For a while, though, Earth-1610 seemed to be different. In this new Ultimate Marvel Universe, Peter may have lost his Aunt May, but he still had Uncle Ben and a steady job. Moreover, he had a loving marriage with Mary Jane and two great kids in Richard and May. But that may all be coming to an end.

In the first preview pages for Ultimate Endgame #1 (via AITP Comics), Peter and his family say goodbye as Spider-Man prepares to battle their world’s conqueror, the Maker. Although teen Richard tries to come along, citing the Symbiote-esque black costume he’s been using in the pages of Ultimate Spider-Man, Iron Lad refuses, forcing Peter to say goodbye. As he leaves, Peter shouts, “I’ll be home soon,” but none of us expect that to be true.

Then again, the current Ultimate Universe has been all about defying expectations. Where the original Ultimate Marvel Universe, which ran from 2000–2015, mostly started its familiar heroes from scratch and recreated classic storylines like the Galactus Saga, the new Ultimate Universe was built around a daring conceit. The Maker, Reed Richards from the original Ultimate Universe, who turned evil as he lost his connection to his fellow members of the Fantastic Four, creates his own perfect reality, in which he rules as its god.

To prevent any interference by Marvel’s mightiest heroes, the Maker interferes across time, preventing Peter from being bitten by a radioactive spider, letting most of this world’s Fantastic Four die in space (while brainwashing their Reed Richards into becoming Doom), and turning Bruce Banner into an enlightened despot. Yet, with the help of a teenaged Tony Stark who calls himself Iron Lad, powers were restored to some heroes, resulting in both fresh takes on established heroes, such as the married with children Spider-Man, and a world-wide resistance movement called the Ultimates.

For the most part, this Ultimate Marvel line has been a hit. While some of the books have failed to excite readers, namely the plodding Ultimate Black Panther and the bleakly unimaginative Ultimate Wolverine, the majority have given us exciting takes on classic concepts. Written by Jonathan Hickman, Ultimate Spider-Man gives us a Peter who chose to take on the mantle as a mature adult. Ultimate X-Men by Peach Momoko reads like a manga about mutant powers manifesting among Japanese children. And The Ultimates, written by Deniz Camp, is a true superhero story for our times, with the Avengers reimagined as radicals advocating for leftist causes.

Yet, successful as it has been, the most surprising part about the Ultimate Universe is that it’s coming to an end. Hickman, who spearheaded the entire project, has announced that he’s closing the line on his own terms. In the miniseries Ultimate Endgame, the Maker will return to the world he created, and all its heroes gather in a final attempt to fix what was broken.

What does this mean for this happier version of the Parker family? We don’t know, but Hickman is optimistic. “I’m very happy with how the whole thing has come together, and if it lands the way I think it will, I believe that this will be a book that people will be reading for years. So, fingers crossed,” he told AIPT.

Fingers crossed and, hopefully, some non-Parker luck that it will all work out for Peter and co.

Ultimate Endgame #1 hits comic shelves on December 31, 2025.

Here’s How Sunrise on the Reaping Will Bring Back The Hunger Games’ Katniss and Peeta 

The following contains major spoilers for the Suzanne Collins novel Sunrise on the Reaping.

It’s official: Jennifer Lawrence and Josh Hutcherson will be reprising their roles as Katniss Everdeen and Peeta Mellark in the forthcoming The Hunger Games prequel Sunrise on the Reaping. And while the studio is at least attempting to be vague about the reason for their characters’ return, book readers already know exactly what’s going on — and that it will likely offer up some satisfying closure to their characters’ arcs in post-war Panem. 

Suzanne Collins’ novel primarily serves as an origin story for District 12 Hunger Games victor Haymitch Abernathy, chronicling his win during the Second Quarter Quell and complicating much of the original trilogy’s version of what happened. (Propaganda! It’s a thing in every universe.) But the novel also contains an epilogue, set after the events of Mockingjay, that offers not only a glimpse of a bittersweet post-war peace for Haymitch but also for the two young competitors he mentored a quarter-century later. 

In the flashforward, Haymitch reflects on his lost love, Lenore Dove, and the way he ultimately fulfilled his promise to her by helping bring an end to the Hunger Games (though it took much longer than either likely expected). He says she still comes to him in visions — Lenore is part of the Covey clan, so this woo-woo style weirdness isn’t as bizarre as it sounds — and has grown older alongside him in his mind. “She says I can’t come to her yet. I have to look after my family,” he says, in case you were ever unsure about how much Katniss and Peeta have come to mean to him. 

Though he does not initially want to take part in the memorial book that Katniss and Peeta are putting together after the war, Haymitch ultimately starts to open up to them about all those he loved and lost along the way, from his brother Sid to his fellow tributes Maysilee Donner and Louella McCoy, and even Katniss’s father, Burdock. And he finally tells the story of his relationship with Lenore and the tragic way they were torn apart from one another by President Snow. Afterwards, Katniss brings him goose eggs to hatch, Peeta builds him an incubator to raise the goslings, and he wanders the Meadow with them,  just as Lenore did so long ago, raising the creatures in her memory. It’s a deeply bittersweet but strangely satisfying ending for Haymitch’s character and a warm affirmation of the lasting relationship among The Hunger Games’ central trio. 

Of course, no one involved with the Sunrise on the Reaping film has yet confirmed that Woody Harrelson, who originally played Haymitch, will be back to reprise his role in this prequel. But it’s clearly happening — there’s no reason to bring back Lawrence and Hutcherson without him, and the teaser trailer ends with what is obviously a Harrelson voiceover. So consider this an early warning to make sure you pack some tissues, as it’s the sort of reunion that’s unlikely to leave a dry eye anywhere in the theater.

The Hunger Games: Sunrise on the Reaping will be released on November 20, 2026. 

Rian Johnson Uses Wake Up Dead Man to Comment on Star Wars Fandom Toxicity

This article contains some Wake Up Dead Man spoilers (but not whodunit).

At an Academy Award voter screening of Wake Up Dead Man in New York City on Wednesday night, filmmaker Rian Johnson revealed to the audience that the idea for his third Benoit Blanc movie (or “Knives Out Mystery,” if he must grudgingly accept IP parlance) began with a question of faith. Given his own personal upbringing in Christian youth groups, he wanted to take a more serious bent than Glass Onion by using a murder mystery set within a small Catholic flock to examine what it means to not only be a good Christian, but to have compassion and charity. Grace.

Without giving too much away, Wake Up Dead Man is centered on one devout believer, Josh O’Connor as a young priest with Jason Miller’s right-hook, and a scathing skeptic embodied by Daniel Craig’s Benoit Blanc. They differ, but each can appreciate what it means to live a life of grace and kindness, even if only one is directly following the teachings of Christ. That’s still better than most of the movie’s cast of characters, who profess to love the teachings of Jesus, and yet do not seem to comprehend them.

It is a bitter irony, and cognitive dissonance, we see increasingly in our everyday lives, be it matters of religion, politics, or, even in an arena Johnson has vivid experience with… fandom. Specifically of the Star Wars variety.

As the writer-director of the most divisive Star Wars movie to date—or at least the one that social media algorithms reward the most negative engagement on—Johnson knows firsthand what it means to be at the epicenter of bad-faith readings and media illiteracy. And one suspects he is having a bit of fun with The Last Jedi acrimony, which drives YouTube misery channels nearly 10 years after the fact.

While there is no “Nazi child masturbating in the bathroom,” a la the original Knives Out dig at online provocateurs, there is Daryl McCormack as Cy Draven, a would-be politician who by his own admission lacks that human touch necessary to connect with voters. He claims he’s tried everything, including telling voters “something they hate” (the “trans” thing) is trying to take away “something they love.” But his blandness just won’t let it stick. So he creates a YouTube channel which often takes situations deliberately out-of-context to create the most inflammatory and reactionary reading of what is occurring.

He is a character full of piss and vinegar, and really bad Star Wars takes.

This becomes apparent in a key scene where he reveals to Benoit Blanc and O’Connor’s Father Jud Duplenticy what he would love to do with a lost family fortune, should he discover it with his father, Monsignor Wicks (Josh Brolin).

“[I told him] in a small town, there are only so many witches to burn and zealots to activate. Your flame lacks fuel. But on the internet? Wildfire. This money, your cult of personality… give me four years, you could be president. Together, we can build a real empire as father and son.”

Upon hearing this line, the flashback abruptly stops as a confused Father Duplenticy interjects, “Like in Star Wars?”

“Yeah, exactly,” Cy enthuses. “Like the rebels! His ministry and my political instincts fueled by enough money, can you imagine what we could do in Christ’s name?”

In this particular bit, Wake Up Dead Man reveals in the most humorous way how no matter how explicitly clear the letter of an allegedly sacred text might be, people will take from it what they will—especially if it fits their own personal bias or worldview. Which in this case is a failed politician who eagerly wants to build a career around hate and taking that thing everyone loved as a kid—be it God or Star Wars—and twisting it around in his head until he remembers one of Darth Vader’s most famous lines, “Join me, and together we can rule the galaxy as father and son!,” as something the rebels said. Because everyone thinks they’re the good guys.

Obviously, this is taken to a comedic and unlikely extreme where a doofus confuses Darth Vader with Luke Skywalker’s plucky band of heroes. But the human need to always rationalize their perspective, as well as the growing modern trend of general media illiteracy in the 21st century, has likely played a role in how legions of self-styled Star Wars fans can grow up idolizing the rebels, and yet support political policies, rhetoric, and iconography that better align with Darth Vader and the Empire.

In Johnson’s own personal experience, he can probably recall well how folks who referred to themselves as “the rebellion” online, took personal joy out of bullying an Asian woman they detested for being a supporting character in The Last Jedi off of social media. At the time in 2018, Johnson commented on Twitter, “On social media a few unhealthy people can cast a big shadow on the wall, but over the past 4 years I’ve met lots of real fellow SW fans. We like & dislike stuff but we do it with humor, love & respect.”

While I cannot ascertain if Johnson’s opinion has changed at all in the seven and a half years since he made that comment, my suspicion is he is aware that there are plenty of people who love Star Wars—whether or not that includes The Last Jedi—who do so with enthusiasm and goodwill. With grace. And then there are others who cast those big shadows which have only loomed larger over this past decade; the ones that willfully take things out of context and misinterpret even tenets they claim they cherish in order to “own” those they view as their tribal enemies.

Take Cy Draven and the rest of Wake Up Dead Man. In the climactic moment of the movie when Benoit Blanc is giving his delicious detective speech to reveal who’s, indeed, done it, he pauses. For reasons of tact and compassion, he does not immediately reveal who the killer is. To which, the always-video-recording Cy asks, “Is your conclusion, Benoit Blanc, that Monsignor Wicks rose from the dead? That it was a miracle?”

No, Benoit Blanc, simply said he could not solve the mystery at this exact moment. Cy smirks “that works.”

Of course, without giving away the final spoilers, Benoit Blanc does solve the case—it’s Benoit freakin’ Blanc!—and the truth comes out. Yet as we learn in the denouement, that matters little.

While summing up what happened in the years since the central story’s conclusion, another priest played with gravely charm by Jeffrey Wright says about Cy, “His video with you is still trending.” The video in question is titled “Benoit Blanc Pwned.”

“We keep pushing the facts out there… what really happened,” Wright’s Father Langstrom sighs, “but it doesn’t seem to matter. Wicks Truthers keep flooding our Facebook. It’s an outhouse fire.”

So it is with Star Wars fandom and much of the most popular content created about it on YouTube, TikTok, X, and all other algorithms that reward malice and unserious opportunism. In fact, the first video that comes up in cursory YouTube search of “The Last Jedi” in December 2025 that is neither a trailer or clip from the film is a video entitled “The Last Jedi: A Complete Cinematic Failure.” It also features the image of Laura Dern’s fairly supportive character of Vice-Admiral Amilyn Holdo in the thumbnail. Considering she isn’t even the sixth main character, it would seem an odd choice until you realize the subtext: Dern plays a woman in a leadership role among the Resistance (rebels) of that film, and is thus a favorite punching bag for misogynistic fans to seethe over.

A bit like Cy Draven or MonsignorFather Wicks, they might even have a shorthand term for her similar to how they refer to Wicks’ mother, the so-called “Whore-Harlot.” Any empirical evidence to the contrary will be ignored or disqualified, because it doesn’t matter what the facts are. What matters is how a provocateur, be it a rage-filled priest, a bottom-feeding political player, or a rage-baiting YouTube creator, makes you feel.

As Langstrom commiserates with Blanc: “Such a time to be alive.”

Wake Up Dead Man is streaming now on Netflix.

The Elevator Down: Life After the Severance Procedure

This article appears in the new issue of DEN OF GEEK magazine. You can read all of our magazine stories here.

I awake from surgery screaming, my hands pressed against the sides of my face, unable to open my eyes. The nurses try to unlock my body from its rigid position, startled by my reaction to what had been a common foot procedure. They are unaware that while my body is sitting in the present, my mind is experiencing a past that I don’t dare open my eyes and see. The emergence from anesthesia has left my brain stranded in a moment 10 years prior: a surgery that had gone horribly wrong—my severance procedure.

“Severance” has taken on new meaning since an Apple TV science fiction series of the same name premiered in 2022. The term refers to the operation in which the white-collar workers at the mysterious Lumon Industries have their brains surgically split between two distinct personalities: their work life self, the “Innie;” and their personal self, or “Outie.” While both the Innie and the Outie possess the same body, they have access to separate parts of the mind that are unable to communicate with each other, save for the rare—and terrifying—moments when there is a breach in the system. And while Severance characters like Mark S., Helly R., Irving B., and Dylan G. are fictional, the process is very real.

For the past decade, I have been living with complex post-traumatic stress disorder (C-PTSD), or what I refer to as my own version of severance. This diagnosis came as a result of my suffering septic shock after multiple botched total colectomies, the coma that followed, and my still daily battle of living as a disabled person.

Severance is, quite literally, the first time I’ve seen my life accurately depicted on screen. It beautifully demonstrates the terror of what it’s like to, in a mere matter of seconds, be unwillingly transported into another part of your brain; a part that doesn’t recognize or remember all of you but is adamant that its version of reality is the right one. The series, brought to life by director Ben Stiller and creator Dan Erickson, illustrates how touching a certain texture or hearing a specific noise can suddenly become transformative. What occurs in one moment, when triggered by the “elevator” of something else, completely dissolves into another.

Some days, I am Irving, a gruesome black ink seeping its way between my two worlds: a clear view of love and hope in one life, blurry vision and a distorted reality in another. Other days, I am Dylan, attempting to find work while disclosing my severed state. My efforts to find my place in the already highly selective world of film and television, while confessing my limitations, are beyond disheartening. In place of our desires, Dylan and I are reluctantly given the consolation prize of a pineapple fruit basket and encouragement to re-mask our inner turmoil.

More often than not, I am Mark: forced into a metaphorical elevator in an attempt by someone, often unintentionally, to thrust me back into the manageable version of myself that knows how to blend in. I switch between nervous systems, always questioning why my end-of-the-day Outie feels none of the benefits of my daytime, suppressing Innie. All while knowing that no one in my family, despite their loving attempts to help, could possibly understand the experience of living in my body—to know what it’s like to risk everything in an attempt to feel whole again.

My therapy sessions look identical to Mark’s camcorder conversation with himself in the season two finale: that back-and-forth dialogue between parts in an attempt to make one understand the motives of the other, and the desperation of trying to have each one appreciate, as best they can, that neither is a threat to the other. Like Mark, I drink the reintegration sludge in the form of intense therapy treatments that attempt to connect me back to my body but leave me physically ill.

The biggest reality to grapple with for both Lumon employees and me is the understanding that we all underwent this irreversible procedure under the promise of a new life, only to find out the hard way that the word “new” was not synonymous with “better.” Like all my friends at Lumon, a company founded with the mission of ending all human suffering, I was robbed of the life advertised by this procedure, suffocating under the understanding that I can never go back to who I used to be.

In April 2025, I attended a Severance press event at the real-life building that serves as the set of Lumon headquarters just outside my hometown in Holmdel, New Jersey. Teetering on my surgical boot in the standing room only section, I watched as Ben Stiller turned to the crowd and, as if thinking out loud, mused, “I’d love to know what it is about Severance that makes viewers connect with it so much.” While I can’t speak for the approximately six percent of the world population who suffer from C-PTSD, for me, Severance is an hour of exploration where I have nothing to do but wait and see what else I learn about myself. More than that, it reminds me why film and television have been, and forever will be, the only thing I want to do with my life. I’ve dreamt of acting in a project like Severance, playing a character as impactful as the ones in the series; an instrument in a critical symphony, telling a tragic story in a breathtaking way. 

Severance reflects the greatest challenge of my life: how to reintegrate. How to become as whole as possible, given the seemingly irreversible changes to my body and brain. 

For me, Severance isn’t a mystery; it’s an explanation.

Some of the Most Exciting Comics Coming in 2026

This article appears in the new issue of DEN OF GEEK magazine. You can read all of our magazine stories here.

With the end of 2025 coming up so fast, it’s time to look forward to the comics that will start discourse, shock readers, and end up on the Best of Next Year list. So this edition, we’re getting you prepared for all the books, graphic novels, superheroes, and indies you need in your pull list for 2026 and beyond. 

Ultimate Endgame 1 cover like movie poster
Marvel Comics

Ultimate Endgame (Marvel)

Various

Just as soon as it was restored, the more grounded and realistic universe that inspired the Marvel Cinematic Universe is ending. Could it be because Marvel has something new planned? Or maybe it’s because the return was slightly overshadowed by the immense and record-breaking success of their Distinguished Competition’s Absolute Universe launch, which made a huge splash in 2025. Either way, the Ultimate Endgame is coming and will almost certainly establish the new status quo for Marvel Comics. What we know so far is it will feature Miles Morales, the Maker, Ultimate Spider-Man, Ultimate X-Men, Ultimate Wolverine, and more in what Marvel calls a “complete, groundbreaking saga that can be enjoyed by comic fans for generations to come.”

Hawkman vs Superman in Absolute Superman 16
DC Comics

The Absolute Universe Expands (DC)

Various

Then we have the aforementioned Absolute Universe, which was nothing less than a blockbuster smash hit when it launched in 2023. After the immense success of the books that reoriented the DCU around a world where Darkseid is the core being rather than Superman, it was obvious that the Absolute Universe would continue to expand. Not only will we get new Absolute takes on fan fave characters, but in February, Absolute Superman #16 by Jason Aaron and Juan Ferreyra will reveal the secret history of the Absolute Universe! Whatever happens, it’s gonna be a massive year for the darker take on the DCU and the readers who love it.

Wonder Woman #29
DC Comics

Wonder Woman #29 (DC)

Stephanie Williams and Jeff Spokes

Tom King has been helming Wonder Woman for two years alongside artist Daniel Sampere and recently launched the daughter of Wonder Woman comic, Trinity. In 2026, a new scribe will enter the Themyscirian mainstream when Nubia and the Amazons writer Stephanie Williams and Red Hood artist Jeff Spokes take over for a couple of fill-in issues, bringing new voices and vibes to the flagship DC heroine. If you’ve been reading Williams’ DC Go hit Warriors and a Wee Wonder, alongside artist Jane Pica, you’ll know she’s got a great take on the shenanigans that come from babysitting superheroic tots, and that’s exactly what Williams will be digging into.

crowdbound comics cover
Image Comics

Crowbound (Image) 

Jeff Lemire and Dustin Nguyen 

ONLINE VERISON The award-winning Descender creative team is back with a new creator-owned comic that will no doubt take Image and local comic book stores by storm. The dark epic fantasy will send readers into a grim world where all kids aged 13 are thrown into indentured servitude in the massive, echoing Factory. There, they work themselves to the bone with no understanding of what they’re working towards or why. In the midst of this shocking status quo, a young girl is torn away from her mother and must find her way back to her via an unexpected and dangerous bargain with a mysterious folkloric figure. All in all, we can’t wait for another genre-smashing take from these two creators who are at the top of their game.

Death of Godzilla Comic
IDW

The Death of Godzilla (IDW)

Tim Seeley and Nikola Cizmesija

When IDW launched their Kei-Sei era, which reimagines the Godzilla canon in an entirely new way, it was all leading to a connected universe. Now, our first big moment is coming up, with the Death of Godzilla. Not only will this pay homage to the iconic Death of Superman series — with a cover by original series artist Dan Jurgens — but it will also literally see the death of Godzilla, something not yet seen in the comics. Of course, that’s not the end of the King of the Monsters, but instead will reintroduce the monster in his most powerful form yet. So if you’re a Godzilla lover, this is a must read to set you up for 2026. 

Girl Who Loves Monsters
Penguin

The Girl Who Loves Monsters (PRH)

Insha Fitzpatrickand Ashley Robin Franklin 

We’re finishing out our list with an original graphic novel from two of the best creators in the YA and MG genre. Insha Fitzpatrick is coming off her Hanging With Vampires series, and Ashley Robin Franklin is the creator behind the gorgeous The Hills of Estrella Roja graphic novel. They’re teaming up on this beautiful-looking story about a young girl who adores monsters and, thanks to a spooky book that she decides to read from, suddenly has a lot more of them in her real life. That means she has to clean up the town and save it from the new creatures roaming around with the help of her two besties.

Supergirl: 6 Comic Book Stories to Better Understand the Woman of Tomorrow

Look out! The first trailer for Supergirl has dropped and it’s a lot. As hinted by Milly Alcock‘s brief cameo at the end of Superman, Kara Zor-El has a very different approach to her Kryptonian powers than her famous cousin. For some watching the trailer, those differences might be a little too much. Supergirl never got drunk or let her dog pee on her cousin’s image when Melissa Benoist was playing her in the Arrowverse! Helen Slater’s Supergirl would have never done that in the 1984 movie! The Supergirl who first appeared in 1959’s Adventure Comics #252 wouldn’t act that way!

True as those claims may be, Alcock’s version of Supergirl is true to the comics. This Supergirl directly adapts the eight-part miniseries, Supergirl: Woman of Tomorrow, written by Tom King and penciled by Bilquis Evely. Yet even beyond that excellent series, Supergirl is a far more complex character in the comics than one may expect, as writers have invented and reinvented her time and again.

So if you’ve read Supergirl: Woman of Tomorrow but still want to get your head around this surprising take on the Maiden of Might, or if you just want to binge some Girl of Steel goodness until the movie comes out, check out these six comics.

1. The Daring New Adventures of Supergirl #1-12 (1982–1983)

It’s not exactly fair to say that the first few decades of Supergirl comics are forgettable, but there’s a reason that her most famous Silver Age story is when she died in Crisis on Infinite Earths, with the one in which she fell in love with her horse Comet (in human form at least) as a close second.

Before her death at the hands of the Anti-Monitor, Supergirl got a proper modern update courtesy of writer Paul Kupperberg and penciler Carmine Infantino. The Daring New Adventures of Supergirl kept the basics of the classic Supergirl premise, including her secret identity as mild-mannered brunette Linda Danvers and her generally sunny attitude, but sent her away from Midvale and to college in Chicago. Fitted with a hip, if dated, look consisting of red shorts and a blue blouse, Supergirl truly matured over the series’ first 12 issues, gaining a more complex understanding of the world without sacrificing any of the optimistic disposition that defines the House of El.

2. Supergirl #1–4 (1994)

In the comics, Supergirl died fighting the Anti-Monitor. But behind the scenes, she died because DC editorial wanted Superman to be the sole survivor of Krypton. So when John Byrne rewrote Superman’s history for the post-Crisis reboot Man of Steel, there could be no Argo City and no Kara Zor-El.

But there could be a Supergirl. Thanks to a lot of sci-fi and multiverse shenanigans we won’t describe here, a shape-shifting pile of purple goo called Matrix ended up on Earth and, after initially trying to emulate Superman, eventually becomes Supergirl. Also, she falls in love with Lex Luthor. Also, Lex Luthor is actually Lex Luthor Jr., an Australian with a mane of wild red hair and killer abs. Also, Lex Luthor Jr. is actually Lex Luthor, who put his brain in a new body he made for himself after his old body got cancer from Kryptonite.

ANYWAY, all that convoluted place-setting aside, the Matrix Supergirl stuff from the early ’90s is still pretty great. Although told from the perspective of an alien outsider, the series very much sets the stage for what will become Supergirl’s defining features. She’s trying to live up to Superman’s examples and has the ability to see good in everyone, even Lex Luthor. But her non-humanoid origins make her less empathetic to evil people, which gives her an edge her cousin lacks.

3. Supergirl #1-9 (1996–1997)

If you thought it was weird that Supergirl was a purple, shape-shifting alien, just wait until you hear about the time that she was an Earth-born Angel. That version of Supergirl was Linda Danvers, a teen whose rebellious streak against her police officer father led her to disastrous ends. In particular, she started dating a member of a demon-worshiping cult who tried to sacrifice her to appease their Satanic lord.

Despite her wounds, Linda escaped the cult and was saved by the Matrix Supergirl. However, the Matrix could only help Linda by bonding with her, mixing her DNA with Linda’s until they became one entity. Furthermore, because the Matrix’s sacrifice interrupted the cult’s plans, she was recognized by Heaven, making Linda into Supergirl, the Earth-born Angel.

Okay, yes, that’s convoluted. But the actual Supergirl comics written by the legendary Peter David are not. Working with penciler Gary Frank, David taps into a rebellious energy in Linda and tempers it with the high-minded ideals that Matrix developed, creating a Supergirl that feels at once as mythic as her cousin and as relatable as you or me.

4. Supergirl and the Legion of Super-Heroes #16–30 (2006–2007)

By the mid-2000s, the ban on additional Kryptonians had long since been ignored and Kara Zor-El was back. She first returned in a pretty awful story that made her a sexy minion of Darkseid before returning her to more-or-less the character’s status quo, post-Crisis. Kara had more of an attitude than her pre-Crisis version but she was still Kara Zor-El, cousin of Superman—not the Matrix, not an Earth-Born Angel.

However, Kara didn’t really return to her Silver Age roots until she went into the future… far into the future. Following the events of the Infinite Crisis crossover, Kara was launched into the 31st Century where she joined the Legion of Super-Heroes. Now, like her cousin, Kara has a long history with the Legion, a team of teenagers one millennia in the future who were inspired by Superman. But she joins a very different version of the team (dubbed the Threeboot Legion, as it was the second time the team had been rebooted). Not only does Kara not know this team, she doesn’t believe that they exist.

Written by Mark Waid and penciled by Barry Kitson, Supergirl and the Legion of Super-Heroes injects some much needed fun into both Supergirl and the Legion, which was decidedly more aggressive in this incarnation. Convinced that she’s in a coma in the 21st century and that the team is all a dream, Kara refuses to take the Legion seriously, which brings both lightness and a sense of adventure to the book. Even though writers such as Sterling Gates were doing excellent work with Supergirl around the same time, Waid’s approach best gives us an updated version of the classic girl-next-door Kara.

Supergirl woman of tomorrow cover
DC Comics

5. Supergirl: Woman of Tomorrow (2021–2022)

As this list shows, there are many different approaches to Supergirl. But few have been as unique as the direction used by idiosyncratic writer Tom King in Supergirl: Woman of Tomorrow. Published as part of DC’s Black Label, a line for non-canonical works for mature readers, Woman of Tomorrow recasts the Charles Portis novel True Grit with Kara in the Rooster Cogburn role.

Through the perspective of young character Ruthye Marye Knoll, a girl who forces Supergirl to help her find and punish Krem of the Yellow Hills for murdering her beloved father, Woman of Tomorrow explicitly engages in Kara’s attempts to make her own legend. Although Kara sees herself falling short of the example set by her perfect cousin Kal-El, Ruthye finds a different kind of hero in Supergirl, one that people like her desperately need.

While the film version seems to more or less stay faithful to the comic, no live-action film could fully replicate the gorgeous art in Woman of Tomorrow. Bilquis Evely creates a world that’s equal parts high fantasy, mind-bending science fiction, superhero action, and contemplative drama. Accentuated by Mat Lopes’ gorgeous colors and Clayton Cowles’ distinctive lettering, Woman of Tomorrow takes Supergirl to places she’s never gone before.

6. Supergirl (2025–present)

Given how dull her first two decades were, it’s remarkable that we’ve had so many great Supergirl comics over the past 20 years. That streak continues with the current ongoing from writer and artist Sophie Campbell. The first arc of the new series sends Kara back to Midvale, only to find another Linda Danvers living with her adoptive parents and another Supergirl ready to take her place.

The secret of the other Supergirl is just one of the high-concept elements that Campbell brings to the book, all rendered with delightful, expressive illustrations and brightened by vivid colors from Tamra Bonvillain. The series brings back the anything-goes nature of Silver Age DC Comics but builds out the pathos only hinted in those stories. It even retains the rebellious streak that Kara’s developed since the ’80s, making this series a perfect combination of classic and modern.

Supergirl arrives in theaters on June 26, 2026.

Holiday Gift Guide: The Best Geeky Comics to Buy in 2025

This article is part of the Collector’s Digest Holiday Edition powered by: Ebay Logo

If the average person shops for approximately eight people during the holidays, then chances are at least one of them is a nerd. And while there are all different flavors of nerd, every one of them has an appreciation for the classics. But the classics, in nerddom, are often hard to find. It’s hard to get your hands on something that went out of print 60 years ago. Hell, it can be hard to find something that’s been through three printings in the last 60 days. 

That’s where we come in. We scoured the internet for some of the best collectible comics you can grab for the nerds in your life. They’re all on the secondary market. Some of them are pricey, some of them are shockingly, even distressingly cheap (I’m looking at you, first appearance of Ultron). But all of them will look great on your loved one’s wall, and will be a story point in their collections.

X-Men #1 (1963)

You don’t really need an explanation here, do you? This is the first issue of X-Men, a key issue in the series that is likely the first big MCU movie post-Secret Wars, the book that launched Marvel’s most popular characters for 30 years. It’s Stan and Jack in their prime, and while it wasn’t their greatest or most groundbreaking work, it’s still a huge hit and a key part of your collection. A 3.5 isn’t the best grade, but for a 60-year-old book, that’s fine. If you’ve got 10-large lying around and someone in your life who is a collector or a comic person, this is a great gift.

Buy X-Men #1 Here

Amazing Spider-Man #16 

The appeal of the early Marvel comics universe was “the world outside your window,” and this was one of the earliest examples of how tied together the Marvel characters would be, with Amazing Spider-Man #16 serving as the first Spidey/Daredevil crossover. Ahead of Avengers: Doomsday, Secret Wars, and Daredevil: Born Again season 2, this is probably a steal at $675. This is a great addition to your collection.

Buy Amazing Spider-Man #16 Here

Absolute Wonder Woman #1 

DC’s Absolute line has been… absolutely stellar. Kelly Thompson has been hitting home runs for a few years now, but this is hands down her best work. Teaming with Hayden Sherman to reimagine a Wonder Woman born and raised in a universe corrupted at its origin by Darkseid, Thompson boils Diana down to her core essence – the most purely good character in the DC Multiverse, who uses her twist origin as a foundation to reexamine everything about her and her world. The book is stellar, gorgeous to look at, and a certain red-hot collectible. This is the closest thing to a DC version of Ultimate Spider-Man #1, so $90 for a 9.8 first printing of issue 1 is going to accumulate a ton of value in the future. It’s must-have for collectors, Wonder Woman fans, or DC fans in general.

Buy Absolute Wonder Woman #1 Here

Avengers vs. Aliens #1

Here’s the thing. This book is spectacular. All-star writer Jonathan Hickman gets to play with characters he’s loved and written for decades in a no-stakes intra-company crossover. Esad Ribić gets to draw big, bombastic sci-fi battles. We get a secret Prometheus comic, something everyone should love. The comic was excellent, highly recommended. But also: the way the corporate world works right now, it’s only a matter of time before Alien and Marvel aren’t the same company, and when that happens, these crossover books disappear, making their value sure to skyrocket as soon as it happens. A highly graded copy of issue 1 is going to get very expensive when that happens, so this is a good book to get in on the ground floor of.

Buy Avengers vs. Aliens #1 Here

Avengers #54 (1968) 

This number can’t be right. Ultron, one of the greatest Marvel villains of all time, debuts in Avengers #54. Sure it’s only a brief, unnamed appearance, but this guy is still a big deal, so seeing this issue going for less than a fast food lunch feels like a steal. This is a great gift for anyone who likes anything Marvel related – it’s a piece of history and shockingly affordable.

Buy Avengers #54 Here

Daredevil #1 (1964) 

This is pretty self explanatory: Matt Murdock is a big deal and this is his first appearance as a hero. Bill Everett’s art is great, and while a couple of the foundational character traits we love in Daredevil aren’t here yet (the Catholic guilt comes much later), most everything else is. This is a classic, especially for fans of the Daredevil shows. The price seems a little on the inexpensive side, too – a copy graded 3.0 sold recently for $2100, so I’d have guessed a 5.0 would be closer to $4,000. 

Buy Daredevil #1 Here

Thor #155 & #157 (1968)

MANGOG, a monster created from the HATRED OF ONE BILLION BEINGS! If that doesn’t tickle your Jack Kirby fancy then nothing will. These are a pair of classic Kirby comics, the King showing the inventiveness, creativity, and breadth of knowledge that make his work such a delight to read. While the main villain of these issues,Mangog, isn’t a heavy hitter in terms of cultural impact, it plays a pretty big role in Jason Aaron’s amazing recent-ish run. Besides that it’s mostly just a giant stone Kirby head who shows up in the background every once in a while. But man, this is prime King Kirby stuff. Even if they’re not that collectible (and that’s a very relative measure for two comics drawn by Jack from 1968), they’re still great to own.

Buy Thor #155 & #157 Here

Silver Surfer #1 (1968) 

We’re probably past any multimedia-related collectability peak on the first issue of Stan Lee and John Buscema’s Silver Surfer, but the fact remains that this is an inordinately important comic in Marvel’s history. This is where a lot of the psychedelia that would come to define Marvel cosmic in the ‘70s launched. It’s also a classic in its own right: Buscema was a brilliant chameleon of an artist here, moving smoothly between Kirby Krackle in Norrin Radd’s origin to clean, brisk Herb Trimpe lines in the present day action sequences. If you’ve got a Marvel cosmic fan or a Silver Age history buff in your life and $2000 handy, grab this for them now. 

Buy Silver Surfer #1 Here

Captain Marvel Adventures #39 (1944)

Golden Age Captain Marvel is a trip. Not because of the depth of the stories or anything, though they were mostly pretty good, if very of their time. But C. C. Beck’s art is so interesting. His figures are tight, quick and uncomplicated. His action is clear, and his storytelling moves. Honestly, reading it feels a little like reading a Tintin book. Which is why if you have someone who likes adventure comics (or hell, even those Illustrated Classics that used to be all the rage), this is a GREAT gift for them. Also, if you’re from Pittsburgh, this issue might interest you, as it relates to who actually owns the entire city.

Buy Captain Marvel Adventures #39 Here

CGC 5.0 Fantastic Four #9 (1962) 

It’s sealed, so you’re probably not going to read this issue, but if you do manage to grab this, I’d also recommend a quick Marvel Universe subscription for a month or two so you can see with your own two eyes Stan and Jack making Namor into a scummy movie producer. It’s so funny. It’s an early Marvel book, a Fantastic Four book, and a Namor book, so it’s going to hold its value very well, but this issue is a joy to read too, so it’s worth it from a few angles.

Buy CGC 5.0 Fantastic Four #9 Here

CGC 5.5 Amazing Spider-Man #18 (1964) 

If you’re not counting the Steve Ditko artwork, there isn’t a ton in Amazing Spider-Man #18 to argue for its collectibility other than “it’s old.” Unless you’re a dyed-in-the-wool Ned Leeds Hobgoblin fan, and I’m pretty sure all four of you have a copy of his first appearance already. That said, it IS Ditko, and it IS a first appearance of someone who’s in the movies (in a dramatically different form), and it’s also in really good shape for a book that’s 60 years old. 

Buy CGC 5.5 Amazing Spider-Man #18 Here

Original Star Trek Painting by Gray Morrow

It’s not a comic book, but it’s art and it’s gorgeous so we can be excited about it. This painting was originally intended to be part of a Star Trek convention program. Morrow drew the TOS comic for DC in the ‘80s, as well co-creating Man Thing at Marvel, drawing a number of Classics Illustrated books and a bunch of sci-fi paperback covers over decades and generally being everywhere for like, 40 years. This painting is amazing – crisp, clear, evocative, the kind of thing I want in my office just off to the side of my Zoom background.

Buy Original Star Trek Painting by Gray Morrow Here

Supergirl: James Gunn Promises Bittersweet Movie That Will Show a Different Krypton

Traumatic. Haunted. Unable to submit. These are just some of the ways the filmmakers describe Milly Alcock’s Kara Zor-El in next year’s highly anticipated Supergirl movie. These are terms that also seem about a million miles away from David Corenswet’s squirrel-saving good guy in Superman.

There’s a reason for that, which is only beginning to be teased out in today’s Supergirl trailer. While there is plenty of spunk to a sizzle reel keyed into Kara’s musical choices—Blondie!—and business casual attire, there are also glimpses of something Corenswet’s Big Boy Blue never gets to really see first-hand in the 2025 movie: Krypton.

Depicted with faded grandeur and soiled ruin in flashes of the trailer—with images of Greco-Roman and ancient Egyptian inspired architecture falling to rubble—the glimpses we see of Krypton suggest a darker origin story for Supergirl than audiences only familiar with the CW show would expect. And as James Gunn tells us at a Supergirl press event in New York City, that is a big part of the key to understanding this character and story. 

“Yeah, you will [see a different side of Krypton],” Gunn says. “The thing you want to remember is that Krypton is an even bigger world than Earth, so you can’t judge everything by just the two people we’ve met from Krypton so far.”

Gunn is referring to Jor-El and Lara (Bradley Cooper and Angela Sarafyan), who appear to Corenswet’s Kal-El in a ghostly hologram where they shower their son with love… and directions about how to re-procreate Krypton’s lineage by forming a harem on Earth. It left some fans shocked about Krypton in the new cinematic DC Universe. But the Supergirl trailer seems to hew much more faithfully to the tragic vision of the planet presented in Tom King and Bilquis Evely’s revered Supergirl: Woman of Tomorrow tale from 2021.

“It’s bittersweet,” Gunn says. “I think it’s one of the things that attracted me to the graphic novel… The luxury that Superman has is he was raised by really wonderful parents who loved him from the time he was an infant, so his background is so different. To be able to see somebody else who is good-hearted, as Kara is, but her background is extremely different from his—to see the contrast between those two is one of the things that interested me in making this movie.”

What Gunn appears to be teasing is that much of Supergirl: Woman of Tomorrow works as a character study wherein a young woman in need of a hero, Ruthye Marye Knoll (Eve Ridley in the film), comes to idolize Kara Zor-El despite meeting the older role model while Kara is on a birthday bender. As the story goes along, Ruthye and the reader learn why Kara might want to be on a bender on her birthday. Unlike cousin Kal, she remembers Krypton and how it did not die in a single day…

“I don’t know if I’d use the word tragic, but it definitely contrasts the world of Superman,” Alcock says about the tone of her movie. “It’s very dark and dirty, and messy, and [not] like on Earth.”

Her director Craig Gillespie likens it to an antihero story.

“She has a lot of baggage and a lot of demons coming into this, which is very different from where Superman is in his life,” Gillespie says. “And having Milly come into that and play all the complexity of that, and do it in a very human way where you actually have empathy for her, and then add the humor, and somebody who has that toughness… I was incredibly lucky.”

He adds, “a typical superhero movie, this is not.”

Supergirl arrives in theaters on June 26.

Supergirl: Milly Alcock Explains ‘Clark Kent Puts on a Mask, Kara Won’t’

Kara Zor-El is not like her cousin Kal. That was obvious in the last scene of James Gunn’s Superman earlier this year, which concluded with Milly Alcock’s inebriated cousin crashing into the Fortress of Solitude and shouting “what the hell, dude?” But even after that memorable entrance, the differences between the characters are taking on a whole new buzzy dimension in our first teaser trailer for the second movie in this cinematic DC Universe: Supergirl.

Propulsively scored to the spiky sounds of Blondie’s “Call Me,” Alcock’s Supergirl now visually takes after that iconic punk band’s front-woman, Debbie Harry, looking more at home in a brown trench coat and sunglasses that mask a hangover than the red cape and boots we’re accustomed to. She also is clearly not going to be spending a lot of time on the shimmering Earth of James Gunn’s Superman. Director Craig Gillespie’s spinoff instead favors a distant galaxy where the suns glow red, Kara’s glass runneths full… and a whole different kind of adventure is about to occur.

But then, that is the appeal of adapting Supergirl: Woman of Tomorrow, Tom King and Bilquis Evely’s seminal 2021 character study about Kara that is regularly cited as one of the best graphic novels of this decade. Indeed, when we caught up with Gunn at a Supergirl press event in New York City, he told us the radical contrast between this version of Kara and Kal was part of the appeal.

“It’s bittersweet,” Gunn says of Woman of Tomorrow. “I think that’s one of the things that attracted me to the graphic novel. It’s a Supergirl who is so different from Superman and who is haunted. The luxury that Superman has is he was raised by really wonderful parents who loved him from the time he was an infant, so his background is so different. To be able to see somebody else who is good-hearted, as Kara is, but her background is extremely different from his—to see the contrast between those two is one of the things that interested me in making this movie.”

What Separates Kara and Clark

Those differences also inform how Alcock approaches the character and a story that she describes as dark and gritty.

“She’s like an unapologetic mess,” Alcock tells us while considering the differences between Kara and Kal. “She doesn’t want to be a hero, and I really admire that about her. I think Clark puts on a mask in his everyday life, and Kara won’t submit to that. I find that really admirable.”

That steely refusal to submit to familial or social expectations is perhaps why Gunn first considered Alcock for the role. As he revealed to the whole press during the event, he began considering adapting King and Evely’s story as far back as 2022 when he and longtime collaborator Peter Safran were initially approached to run DC Studios.

“It was not a done deal,” Gunn recalls, “but, still, that didn’t stop us from fantasizing about how we would do it, what would the projects be, and how it would take place.” And when it came to imagining a big screen version of this specific Supergirl story, Gunn even had an idea in mind while catching up on some quality HBO programming.

“I said on the phone, ‘You know who would be great as Supergirl? That little girl from House of the Dragon. That little girl, that little tiny kid, that little miniature human being from House of the Dragon, I think she really has something special.” (The producer might have been laying the description on thick since Alcock was humorously wincing beside him during the story.)

It would ultimately be more than a year before Alcock auditioned for the role, but looking back on it now, she tells us her experience of playing Rhaenyra Targaryen—the “Realm’s Delight” until she demanded her birthright—prepared her for stepping into the world of Supergirl.

“It was definitely a good warm up act to the world that this film exists in,” says Alcock. “I’m grateful for that experience.”

As judged by the trailer, the world will also have a radically different vibe and aesthetic from Superman. Director Gillespie told the room that the appeal of taking the job was Gunn’s DC allowed him to treat the material as tonally different as one comic book or graphic novel might depart from another. And while speaking with us, he confides he was attracted to the True Grit and The Searchers undertones in the graphic novel about a traumatized antihero helping a younger innocent go on a quest through dangerous terrain.

“We touch a little bit on the Western theme in the film, which is really fun at certain points,” Gillespie says. “But it’s also a road movie as well. That’s the other thing I leaned into, those two-hander road films.”

While the first trailer does not show all the movie’s cards, Supergirl is expected to be the story of both Kara and a young woman named Ruthye (Eve Ridley), a daughter who procures (guilts?) Supergirl’s services in tracking down her father’s murderer. Gillespie reveals: “[Kara’s] got so much baggage, so much she’s dealing with in terms of trauma, and it’s reflective in her personality all the way through the film. But it’s done in a very fun way as well and being able to lean into that was so much fun.”

Supergirl’s Playlist

Anyone familiar with Gillespie’s projects to date—Cruella, Pam & Tommy, or the movie Gunn tells us was his favorite film of 2017, I, Tonya—knows how that fun can manifest itself in music and sound. Supergirl will be no different.

“Honestly, we do have scores in this, but it all comes back to songs for me, and some specific songs,” Gillespie teases. “Obviously you heard Blondie in [the trailer]. She has really a punk attitude to her, and the music to me reflects that. Finding those songs that capture where she is emotionally in the film was really exciting.”

For her part, Alcock loved wearing a vintage Blondie T-shirt for much of Supergirl, which seems to reflect the headphones Kara often has plugged in during the new movie. It might even cause one to wonder what would be Kara’s most played song on a Spotify Unwrapped…

“That’s such a good question!” Alcock laughs. “The B-52s,” she adds in reference to the 1980s band’s wanderlust song, “Roam.”

Gillespie, meanwhile, has a few answers stored up, which isn’t surprising considering he is still cutting the film.

“It runs the gamut,” the director muses about Kara and Supergirl’s soundtracks. “I think it would go from Black Sabbath to Blondie. We just put in this very indie band she’s listening to at one point, SKORTS [and the song “Bodies”]. It’s all over the map.”

It is, in other words, probably a lot more punk rock than Clark Kent and his affinity for the Mighty Crabjoys.

Supergirl soars into theaters on June 26.

2026 TV Preview: What’s Next for Star Trek, Marvel, DC, and More

This article appears in the new issue of DEN OF GEEK magazine. You can read all of our magazine stories here.

A hulking hedge knight. A sociopathic superhero. A rock star revenant. Suffice it to say, television is about to have some big characters in 2026. As was the case for our last rotation around the sun, genre storytelling looks to remain a majority priority for the TV medium this coming year. With traditional cable bleeding subscribers and corporations continuing to consolidate, networks and streamers increasingly want the same thing that movies want: Big. Sure. Things. And where does that lead them? Back to us (geeks).

Yes, while it may be bad news for folks who appreciate the art of a good sitcom or procedural, TV is increasingly the home to vampires, aliens, super-powered beings, and all other manner of genre creations. The 2026 calendar has some major geek benchmarks, from a fresh Star Trek to the next effort from Stranger Things creators the Duffer Brothers. Allow us to walk you through those upcoming offerings now.

Holly Hunter in season 1, episode 1 of Star Trek: Starfleet Academy streaming on Paramount+. Photo Credit: Brooke Palmer/Paramount+

Star Trek: Starfleet Academy

January 15 on Paramount+

Star Trek has continually reinvigorated itself by bringing new generations to the forefront. This aspect takes center stage in the upcoming Paramount+ original series Star Trek: Starfleet Academy. The show is set in the 32nd century period introduced by the recently concluded Star Trek: Discovery, with Starfleet Academy reopening after a 120-year hiatus to welcome a new class of promising cadets. This move comes after the United Federation was fractured by a cataclysmic event known as the Burn, with the cadets playing a vital role in the organization’s rebuilding process.

“It felt like this generation particularly is facing so many deep challenges. What I think everybody is trying to figure out now is how do we get back to hope,” co-showrunner Alex Kurtzman tells Den of Geek. “I always feel like Star Trek is a compass that points us towards our better angels and the people that we want to be. For a generation of kids who are inheriting a lot of problems created by the generations before them, it feels very relevant now. But it’s also a really funny, really fun, emotional show.”

The young cast is joined by several familiar faces, including Robert Picardo reprising his Star Trek: Voyager role as the Doctor and Tig Notaro returning as her Discovery engineer character Jett Reno. Leading the ensemble is Academy Award-winner Holly Hunter, playing Captain Nahla Ake, who is also the newly-installed chancellor of Starfleet Academy. For the veteran actor, getting to witness and join in on the effusive energy on set was crucial in helping her develop her performance.

“I just found so much of my characters through each of these actors,” Hunter says. “I kept being able to reveal more about who she is through my interactions with each of them because they’re all so incredible. The energy on the set was so much fun and so unleashed and alive. You’ll see that in the show!” – Sam Stone

Peter Claffey as Ser Duncan the Tall in A Knight of the Seven Kingdoms

A Knight of the Seven Kingdoms

January 18 on HBO

Based on George R.R. Martin’s three “Tales of Dunk and Egg” novellas, Game of Thrones prequel series A Knight of the Seven Kingdoms follows the mismatched duo of dim-witted but good-natured hedge knight Ser Duncan the Tall a.k.a. “Dunk” (Peter Claffey) and his young, bald-headed squire Egg (Dexter Sol Ansell) as they traipse across a postwar Seven Kingdoms looking for adventure.

“[This show] allows us to lean into the thing that I think a lot of Game of Thrones fans love, which is the odd couple pairings. That is essentially our show,” showrunner Ira Parker tells Den of Geek. “Everyone loves Brienne and Pod. Everyone loves The Hound and Arya. Game of Thrones was at its best when it could figure out who were the two least likely people to be in a scene together. That is my favorite stuff.”

Dunk and Egg present a unique casting challenge. Not only is the duo quite visually distinct—a nearly seven-foot-tall gentle giant and a pre-pubescent boy—but their adventures, beginning with 1998’s The Hedge Knight, take on a warm tone that represents the World of Ice and Fire at its most wholesome. Still, this all remains a George R.R. Martin joint.

“It’s just a very easy story to fall in love with,” Parker says. “It is lighter as an entry point, but it’s still Westeros—anything can happen to any character. It can get quite dark.” – Alec Bojalad

(L-R) Frank Castle/The Punisher (Jon Bernthal) and Matt Murdock/Daredevil (Charlie Cox) in Marvel Television's DAREDEVIL: BORN AGAIN, exclusively on Disney+. Photo courtesy of Marvel Television. © 2025 MARVEL.

Daredevil: Born Again Season 2

March 4 on Disney+

Daredevil: Born Again is an example of fan service backed up by great quality storytelling. The first season brought back many of the beloved actors from the Netflix Daredevil series that aired between 2015-2018, including series star Charlie Cox as the titular blind lawyer-turned-vigilante. The show is gritty and takes risks that other Marvel projects sometimes shy away from, and the long-form format of episodic storytelling has been the perfect avenue for this hero.

The second season will bring back more famous actors from the Defenders franchise, most importantly Krysten Ritter from the Jessica Jones Netflix series that aired between 2015-2019. Expect a lot of Jon Bernthal as the Punisher, as well, in anticipation for his upcoming standalone special that’s waiting for a release later in 2026 and appearance in Spider-Man: Brand New Day. – Shawn Laib

NEW YORK, NEW YORK - OCTOBER 10: Gillian Jacobs and Steven Yeun appear onstage during the Probably The Best Invincible Panel In The History of Invincible Panels at New York Comic Con at Javits Center on October 10, 2025 in New York City. (Photo by Valerie Terranova/Getty Images for Prime Video)

Invincible Season 4

March 2026 on Prime Video

“One of the things that’s most exciting about Invincible for me is that it’s an escalating show,” Invincible creator Robert Kirkman says of the heightened expectations for the series heading into season 4. “The scale and the scope of the fights and the conflicts and the things that are happening always seems to get bigger, and it’s always growing and it’s always working towards something. I’m really excited about getting to season 4 because everything from the first minute of season 1 has been working towards a lot of the events that happen in season 4.”

The season 3 finale was a turning point for Mark Grayson (Steven Yeun). For the first three seasons, Mark has been as much of a passive hero as possible, avoiding deadly conflicts or fights that would put his family or friends in harm’s way and trying to save the largest number of people possible. A near-fatal altercation with Conquest (Jeffrey Dean Morgan) during the last episode caused an epiphany for Mark that should spearhead a whole new Invincible during season 4. – SL

Homelander in The Boys season 5 poster.

The Boys Season 5

April 8 on Prime Video

TV’s bloodiest, boldest, and most thoroughly unabashed satire of the superhero genre finally comes to a close with a fifth season that surely will be filled with more of the same shock value that fans have come to know and love. The Boys pokes holes in cultism and makes fun of the way corporations run America, but the final act will obviously be about one man/monster’s fate: Homelander.

Antony Starr’s performance has been Bryan Cranston-esque as people find ways to love a character who is obviously a supervillain to the highest degree. Whether or not Homelander lives or dies, and whether Billy Butcher is triumphant, is really beside the point. Vought’s biggest lab rat has already done incomprehensible damage and he enters season 5 as the de facto President of the United States. What could possibly go wrong? – SL

The vampire Lestat crowd surfs.

The Vampire Lestat

TBD on AMC

In a world where adaptations often go awry, AMC’s Interview with the Vampire has gotten everything right. The TV version of Anne Rice’s gothic novels has been a fantastic deep dive into the dark fantasy genre, with plenty of courage to explore diversity regarding race relations and sexuality. The first two seasons only covered the material in Rice’s first book in the series. The upcoming third season will use the same name as the second novel and dive deeper into the life of Lestat de Lioncourt. 

The theme and aesthetic of the season will be slanted toward rock music, something that composer Daniel Hart talked to Den of Geek about at San Diego Comic-Con 2025. “I feel right at home. It is a thrill, it’s been a great challenge… to do something this ambitious, to take swings this wild and to do something I don’t usually do, which is be in the writers’ room and be in production on set with Sam [Reid], with the band, making sure everything looks right and sounds right.” 

Sam Reid, who portrays Lestat, revealed what viewers can expect from the charismatic vampire this season. “Rock music, live performances have kind of an inherent sexuality that feels necessary, and you just have to go with it. Lestat is a hypersexualized character anyway, kind of a slinky, feline predator anyway. So if he’s going to do this, he’s kind of going to do it. Sometimes, I basically close my eyes, hope for the best, and just wing it.” – SL

Aaron Pierre as John Stewart and Kyle Chandler as Hal Jordan in Lanterns.

Lanterns

TBD on HBO

The MCU used to be the king of the superheroes, but DC has really started to dig into that media monopoly in recent times. Lanterns is the latest DCU project with a ton of potential, and it’s easy to see why with a simple look at the cast and crew. Damon Lindelof is one of the creators of Lanterns and there aren’t many showrunners with a more impressive pedigree. The Leftovers, Lost, and Watchmen litter Lindelof’s resume, demonstrating his greatness and ability to work within a wide range of genres and themes. Watchmen is the series that fans should check out if they want a closer look at what Lanterns might feel like in pace and aesthetic as Lindelof moves more toward the superhero genre specifically. 

The HBO series will star Kyle Chandler (Friday Night Lights) and Aaron Pierre (previously known for Krypton on SyFy and 2024 action breakout Rebel Ridge) as Green Lanterns Hal Jordan and John Stewart – two superpowered detectives who are at very different points in their lives. The age-juxtaposed buddy mystery is nothing super novel in media, but with so much credibility in the script, cast, and crew, Lanterns should be a new favorite even for people who aren’t into superheroes but want a thriller in the vein of True Detective. – SL

Matt Smith as Daemon Targaryen in House of the Dragon season 3.

House of the Dragon Season 3

TBD on HBO

The second season of Game of Thrones prequel House of the Dragon concluded on an unsure note. Rhaenyra, Daemon, and the rest of Team Black will have to move forward without the blade and the dragon of Rhaenys Targaryen. Team Green will continue to rely on the menacing eye of Aemond after King Aegon II was burnt up in the Battle of Rook’s Rest.

Fans who were waiting for a big battle to serve as the climax of season 2 should get that bloodshed when the third season begins. The Battle of the Gullet is expected to launch in the first part of the season, presumably in the premiere episode as we saw the naval forces joining vicinities during the season 2 finale. The intensified action this season might make up for the lack of fighting previously, but we can never be certain what happens next in the land of dragons and betrayal. – SL 

Spider-Noir First Look from Prime Video.

Spider-Noir

TBD on MGM+

With so much Spider-Man content nowadays, it’s no surprise that Sony is capitalizing on the ubiquitous nature of the crawling hero’s popularity in the 21st century. Spider-Noir is set in the same animated universe as the acclaimed Spider-Man: Into the Spider-Verse films and features Nicolas Cage as the alternative version of Spider-Man from the Spider-Man Noir comic books. A black-and-white aesthetic and a setting of 1930s New York City gives this a darker tone than most other Spidey stuff. Other great actors lending their voices to the project include Lamorne Morris and Brendan Gleeson. – SL

HOLLYWOOD, CALIFORNIA - NOVEMBER 06: (L-R) Ross Duffer and Matt Duffer attend Netflix's "Stranger Things" Season 5 World Premiere at TCL Chinese 6 Theatres on November 06, 2025 in Hollywood, California. (Photo by Charley Gallay/Getty Images for Netflix)

The Boroughs

TBD on Netflix

Stranger Things fans won’t have to wait long for a spiritual successor to the Netflix megahit, or at least a science fiction story made by the same people. The Duffer Brothers are producing The Boroughs, a tale of mismatched, retired heroes who join forces to stop an alien threat in New Mexico. Expect a lot of the Duffers’ signature tropes like outcast characters, good surviving over evil, and fantastic ensemble acting. Bill Pullman of Independence Day, Alfred Molina of Spider-Man 2 fame, and Clarke Peters from The Wire star. – SL

The Wildest Stranger Things Finale Fan Theories

Vampires, wormholes, and time travel – oh my! There are some pretty out-there theories about the kind of twists we might see in the series finale of Stranger Things later this month. You may have even seen a few kicking around online yourself by now.

Some of these theories sound more realistic than others. Still, they’re all good fun to ponder, and given that online fandom hasn’t been frothing like this since the WandaVision/Mephisto era of television, we’ve been on all the big Charlie Day in Always Sunny red string pin boards and keeping track of the main Stranger Things fan theories so you don’t have to.

Without further ado, then, here are some of the biggest fan theories on how Stranger Things will end…

Whether the Gang Wins or Loses is Based on Points from Eddie Munson’s D&D Game

In this theory, posted before season 5 started streaming, Eddie Munson’s season 4 Dungeons & Dragons game is key. Vecna had 15 hit points left in that game, so the gang needed to get more than 15 to beat him. Erica rolled a d20 and won. Previously, Dustin rolled 11, but that was not enough to win. Therefore, Eleven is not enough to beat Vecna. But with her sister, Eight, they make 19. They need 1 to win: Henry. He must join forces with Eleven and Eight to conquer the Upside Down and the Mind Flayer.

It sounds vaguely plausible at first, especially now that we’ve witnessed the reintroduction of Eight, but as people started to take the theory apart, they found flaws in the logic. As one commenter pointed out, “the d20 doesn’t get rolled for damaging hit points, it gets rolled for checking if an attack hits or not…” and the consensus was ultimately that the theory fundamentally misunderstands the rules of D&D. It’s still a fun one, but probably a bit of a reach.

Vecna is Creating a Wormhole to Time Travel

This is the dominant theory going into the next batch of season 5’s episodes.

We’ve already seen Hawkins’ science teacher, Mr. Clarke, explaining the concept of wormholes, telling the kids that wormholes could theoretically facilitate travel across massive distances, dimensions, or even through time itself. On his chalkboard, we also see that a similar hourglass/tunnel-shaped sketch that Will Byers drew based on his Vecna visions.

In season 5 so far, Vecna is targeting 12 children for capture, who some people say represent the “anchor point” hours on a clock (clocks being a common Vecna motif), and that he will use the kids as a kind of human clock to open a wormhole and rewrite time. Some also posit that the impenetrable wall we saw in season 5 is a circle with points laid out like a clock.

Though this theory is unsubstantiated, a big chunk of the Stranger Things fandom is pretty convinced that we will see Vecna or the gang have to rewrite or reset history to save the day. Robin’s joke about Back to the Future’s flux capacitor MacGuffin in season 5 has only added fuel to the fire.

Hopper Will Propose to Joyce Using Jonathan’s Ring

In a twist based on emotional stakes rather than timey-wimey plot machinations, some fans think that the engagement ring given to Jonathan isn’t for him to propose to Nancy, but for Hopper to propose to Joyce. This is based on repeated references to the number 37 showing up in various romantic scenes between Hopper and Joyce (“Jopper”, if you’re shipping).

One eagle-eyed fan says that 37 minutes and 37 seconds into the 37th episode of Stranger Things, we see a close-up of the engagement ring in Jonathan’s hand. It’s all connected! Or, y’know, not. We’ll see.

Eleven Will Merge With the Upside Down

Could Eleven (or maybe even Will now that he has powers) literally merge with the Upside Down, becoming a living bridge or anchor between dimensions? All we know is that our gut says “maybe”.

This idea builds on the show’s repeated depiction of kids acting as conduits for supernatural events, combined with Eleven’s unique psychic connection to the Upside Down and other dimensions. It’s speculated that any climactic confrontation in the finale might not even involve a physical fight in Hawkins or the Upside Down but rather a metaphysical struggle, with Eleven existing inside the dimension itself to manipulate or seal it.

Vampire Eddie Munson Will Kill Vecna

Wewww, okay. An extremely fun one that has been doing the rounds for a while theorizes that after Eddie was attacked by Demobats at the end of season 4, he became transformed into the vampire Kas, who Mike said originally killed Vecna in Eddie’s D&D game. Even when the Duffer Brothers said Eddie was dead and wouldn’t be coming back, fans suggested they were just being sly. Of course, he wouldn’t really be Eddie, he’d be the undead Kas the Bloody-Handed, the vampire lieutenant of Vecna! Eddie is dead, but surely Kas lives. Perhaps he would initially be controlled by Vecna, but then turn on him and save everyone in the finale?

This is actually one of our favorite theories because it’s also the Duffers’ favorite wild theory, and they have personally debunked it.

Connecting with the Child Version of Vecna Is the Only Way to Win

This is an original one from us – hey, we’re fans too – and is based on a comment from the Duffer Brothers about one of their main reference points for season 5’s story: a horror movie from the year 2000 starring none other than Jennifer “from the block” Lopez.

The Duffers say that they spent hours in the writers room discussing The Cell, where Lopez’s child psychologist Catherine accesses the brain of a serial killer and finds that the only way to escape is to murder the child version of the killer in his twisted mindscape. The brothers describe the movie as “the closest thing we could think of that parallels what we were doing” in season 5.

Perhaps the only way to stop everything that’s going down in Hawkins is to connect with a younger Henry Creel. Perhaps!

Vecna Isn’t the Real Villain

Some Stranger Things fans still suspect that Vecna isn’t the real villain of Stranger Things, despite being presented like one. Vecna (or 001, or Henry, or Mr. Creel if you’re nasty) may be a powerful but corrupted human who is just a straight-up pawn for the Mind Flayer at the end of the day. This theory, to its credit, also draws on the show’s horror and D&D nods by suggesting that a human villain alone could not plausibly create or rule over a cosmic dimension-spanning threat.

If true, this interpretation would frame the show’s final confrontation as a battle against a far older, more cosmic-level evil. It would also allow for a potential redemption arc for Vecna, portraying him as a victim of corruption rather than a purely malevolent figure. This could also be backed up by the Stranger Things play, The First Shadow, which explores Henry’s childhood and what happens to him after he first takes a trip to Dimension X.

Wake Up Dead Man Review: Rian Johnson Mystery Loses Knives Out Edge with Serious Turn

“No one puts new wine into old wineskins; otherwise, the wine will burst the skins, and the wine is lost, and so are the skins; but one puts new wine into fresh wineskins,” Jesus tells his disciples, according to Mark 2:22. That teaching of Jesus doesn’t make its way into Wake Up Dead Man, the latest of director Rian Johnson‘s Knives Out mysteries starring Daniel Craig as Southern-fried detective Benoit Blanc. Several other teachings do appear in the movie, which brings Blanc to Our Lady of Perpetual Fortitude after the murder of its domineering priest Monsignor Wicks. In other words, poor Blanc must deal with all manner of church folk.

Despite its absence, Jesus’ teaching from Mark 2 might be the most relevant to Wake Up Dead Man. Because for his third outing in cinematic sleuthing, Johnson tries to pour something different and substantive into the franchise. Unfortunately, this new wine doesn’t always sit well within the wineskins of the established Knives Out model, sometimes stretching the seams for unsatisfying results.

On a plot level, Wake Up Dead Man sure feels like a standard Knives Out adventure. Craig returns as Blanc, looking all the nattier for the long locks he now sports, and inserts himself in another insular community of big personalities. Biggest of all is the Monsignor, played by a glowering Josh Brolin with his own wild mane. The son of a wayward woman he refers to only as the “Whore Harlot” (Annie Hamilton), Wicks inherited his position at Perpetual Fortitude from his grandfather and uses it to fight a fierce battle against what he sees as the encroaching threat of loose morals and general secularism.

Aiding the Monsignor’s fight is the close coterie he’s assembled around him. There’s the newly-divorced wife-guy Dr. Nat Sharp (Jeremy Renner), a sci-fi writer turned religious acolyte Lee Ross (Andrew Scott), a disabled cellist hoping for a miracle cure Simone Vivane (Cailee Spaeny), dutiful lawyer Vera Draven (Kerry Washington), and the younger brother she was forced to raise, would-be conservative grifter Cy Draven (Daryl McCormack). Of all these, none support the monsignor and his mission more than officious administrator Martha (Glenn Close), who gets help from the groundskeeper who adores her, Samson (Thomas Haden Church).

Blanc arrives in the Perpetual Fortitude community after Monsignor Wicks gets stabbed to death midway through his Good Friday service, brought in by local police chief Geraldine Scott (Mila Kunis). He’s more than willing to consider each of the acolytes a suspect, but they all point the finger at Perpetual Fortitude’s newly-installed associate priest Reverend Jud Duplenticy (Josh O’Connor).

A former boxer who joined the priesthood after a horrific incident in the ring, Jud is fundamentally a fighter. But because he fights with the church for more love and acceptance in the Church, he feels conflicted. “We need less of this,” he says throughout the film, putting up his dukes as if about to punch; “and more of this,” he adds, spreading his arms to mimic Christ on the cross. But when faced with a belligerent like Wicks, he knows how to throw a jab.

Were Wake Up Dead Man to unfold its plot in the manner described above, it would play out more or less like the previous Knives Out stories, the 2019 original film and its 2022 sequel Glass Onion. But instead the movie begins with Jud, who narrates the story of his coming to Perpetual Fortitude and the events leading up to the monsignor’s death. Blanc doesn’t arrive until 30 minutes into this 140-minute film, making it feel more like an episode of Columbo or Johnson’s recently canceled Peacock series, Poker Face.

The shift makes Blanc a supporting character in Jud’s story, a point underscored by his discomfort with the religious setting. Although he introduces himself to Jud as a man who “worships on the altar of rationality,” and quickly unleashes a homily citing the many misdeeds of the church, he cannot be help but won over by the young priest, who listens and accepts the critique while explaining his own faith in non-condemning ways. Blanc never gives up his skepticism nor Jud his belief, but the two respect one another’s means for being decent human beings.

Admirable as this understanding certainly is, it diminishes the tension of the narrative. Not only does Blanc have no character arc in Wake Up Dead Man, but even the central mystery gets les attention than Jud’s internal conflict. Whereas previous Knives Out movies gave their oddballs plenty of screen time, here the side characters get only the barest of plots and are reduced to a handful of glances and lines. The young Spaeny has already developed enough screen presence to suggest depth with a single stare, but Renner and Scott feel wasted in their one-note characters.

One also feels Johnson’s disinterest in the mystery elements with the film’s construction. Handsomely shot by cinematographer Steve Yedlin, Wake Up Dead Man has several striking images. The motif of a light shining on an empty church wall where a cross used to be resonates each time, and Johnson occasionally allows the visuals to get surreal as they match the spiritual subject matter.

But the movie lacks the tight sense of geography enjoyed by the other Blanc mysteries. Those films largely took place in a single house, but Wake Up Dead Man encompasses the entire church grounds, and Johnson doesn’t always delineate the relationship between certain spaces. As a result, it’s not always clear how places and events connect to one another, a problem for viewers who want to follow Blanc’s lines of logic.

Still, it’s hard to hate what Johnson does put on the screen. By this point, Craig has so fully developed Blanc that he makes his presence known even in a diminished role and he makes the most of every opportunity to do a goofy pratfall or deliver an idiosyncratic observation. Likewise, Johnson gets maximum effect from O’Connor’s face, turning the same beaming boyish smile that made his character in Challengers such a convincing grifter into a countenance that radiates with kindness.

Is a sincere call for Christian charity what people want from a Benoit Blanc mystery? The answer to that question depends on your response to a moment midway through the film when Jud phones a parishioner to get a key piece of information. If you are moved by Jud’s decision to ignore the mystery to comfort the grieving woman, then you’ll love the way Wake Up Dead Man has matured the series. But if you, like Blanc, get annoyed that mystery has been subordinated to religious devotion, then you’ll feel that Johnson has broken his own franchise.

Wake Up Dead Man streams on Netflix on Dec. 12, 2025.

John Cena: The WWE Legend Who Never Feared Risks or Failure

How does one sum up the career of a pro-wrestling icon like John Cena, especially when he is always claiming we can’t see him? By remembering what once was, and not by the end—which by many standards has been flat and featured unnecessarily convoluted stories for someone who was not on every TV show each week.

Cena is finishing up his legendary WWE career at Saturday Night’s Main Event on Dec. 13 in Washington D.C., his opponent still unknown. And unlike many who have hung on too long, Cena has found a viable career as an actor, showing some range, going from comedies, like Ricky Stanicky and Blockers, to action (Freelance and Heads of State), to drama, in Legendary—definitely a less mainstream movie and early proof that he could act. So it’s not as if the world is done with Cena. He just swears he is done in the ring. Though in pro wrestling, retirement rarely sticks. Just ask Ric Flair, Shawn Michaels, or The Undertaker.

The Time Is Now. 

The above has been one of the multiple catchphrases / T-shirts for Cena through the years. It fits.

“I’m not going out on my own terms. If I could do this in infinity, I would do it… I made a promise to the fan base when I started that when I got a step slower, I gotta walk away,” Cena said during a WWE podcast in November 2025. At the time he was doing the media rounds, saying goodbye one city at a time. “Yeah, I could probably squeeze out more matches, but at what cost? I do harm to myself, I do harm to the product, and you as a fan—who’s allowed me the opportunity for over two decades to spend time with you—you leave feeling bad or sad. No, I want everyone to be happy.”

Certainly WWE and its owners, TKO Group Holdings, are happy. There have been plenty of moments to exploit Cena’s last ride financially, with merchandise unique to every stop alongside ever-increasing ticket prices.

If you check the closet of your favorite WWE fan, you might find lots of other Cena sayings on brightly colored T-shirts: Word Life; Hustle, Respect, Loyalty; The Champ is Here; Rise Above Hate; Never Give Up; My Time is Now!; You Can’t See Me! These were words to live by for some, and eye-rolling cliches to others.

For the uninitiated, Cena was born April 23, 1977, and grew up in West Newbury, Massachusetts, the second of five boys, but he was so heavily into football that he never really understood the love of pro wrestling that his father, John Sr., had for the performance art; John Sr. would even act as a manager at ringside in New England. 

John Jr.’s rebelliousness against the traditional white-picket fence life, with his love of rap music, funky clothes, and his tricked-out Chevy Nova, forced him into the gym at age 14—and 125 pounds—just to be able to protect himself. By 18, he was entering small-time bodybuilding contests.

After graduating from Springfield College, a Division III NCAA school, where he studied exercise physiology and played on the offensive line in football, he wanted a change of scenery and took off for Los Angeles. There he landed a role in 2000’s Manhunt TV show as Big Tim Kingman, a reality show (which WWE co-produced) where the contestants were dropped off on an island and challenged to survive against hunters with paint guns. 

While employed at Gold’s Gym in Venice, California, someone suggested wrestling and directed him to the LA-based Ultimate Pro Wrestling school. His sculpted look, complete with square jaw, blue eyes and blond Mohawk on his six-foot-one, 240-pound frame helped him stand out.

One of his best friends there was Samoa Joe (Joe Seanos), whom he credited as one of  the grandfathers of Cena’s Thuganomics. 

“Way back in the early days when we started, we would stay awake on road trips by freestyling. When we weren’t on road trips we would be at his house and his mom would cook us Samoan BBQ and we would eat so much we would pass out. We would sit around outside and freestyle,” Cena told SlamWrestling in 2005 during an appearance in Calgary.

His schooling in the WWE style of wrestling started in Ohio Valley Wrestling where he was the Prototype. It was a promising class, featuring future stars such as Dave Bautista, Randy Orton, and Brock Lesnar.

In 2002, he debuted in the WWE, initially as a clean-cut, small town hero. That morphed through a combination of his desires and his skills into the gangsta Cena with bling, throwback jerseys, and baggy pants. He admitted to Men’s Fitness in 2005 that the transition took guts. 

“I’m not afraid to fail. A lot of the guys get shook up about doing things wrong. I get shook up about not trying enough shit. I’m not afraid to try something new and look stupid. As soon as they let me rap on Smackdown, I ran with it. That doesn’t mean I’m any better or smarter than anyone else—just more likely to take chances.” His rap album, You Can’t See Me, dropped in May 2005. 

But the respect didn’t come his way from the look or the at-times weak-looking, hokey in-ring shenanigans that might involve rap; it came from the muscle. The visual of Cena with the 500-pound Big Show on his shoulders probably did more for his career than anything else. 

“He is one of the strongest guys I’ve stepped in the ring [with],” Orton told his hometown St. Louis Post-Dispatch in 2009. “Pound for pound, I think he is the strongest. The way he trains, his discipline, he keeps getting better every year.”

Cena always maintained it is an honest physique. “I never have tried steroids, but no matter how much I say that, nobody is gonna believe it, so I’ve given up,” he said in WWE Unscripted. “I’ve been accused of taking anabolics since I was 16. As a matter of fact, I had a urinalysis in prep school because I went from about 150 pounds to 225 in a matter of like six months.”

Come 2004, Cena was in the WWE main event picture, winning the world titles on both brands on numerous occasions. In a worked sport—never call it “fake” in front of wrestling fans—he holds the most world championship title reigns at 17 (14 WWE championships and three World Heavyweight championships if you are counting), and only just became the 25th person to complete a WWE Grand Slam, meaning he’s won every title available.

In the age of sports entertainment, fans never felt obliged to cheer for the hero simply because he’s the hero—and this was in the PG era of WWE, having moved past the groundbreaking rude, crude Attitude Era of the late ‘90s and 2000s. As the villains tried so hard to be popular, and sell their own merchandise, Cena had a polarizing effect on the WWE fan base. Many women and children adored him, shrieking and celebrating his every move and catchphrase; others had a more complex reaction, often refusing to wholeheartedly support Cena.

“Any reaction is a great reaction. That’s what you’re out there for—to get a reaction, whether it’s positive, negative, or in between,” said former WWE agent Gerry Brisco. “He’s doing his job. He’s getting you involved in it, whether you boo him or cheer him.”

In 2018, Cena received the Sports Illustrated Muhammad Ali Legacy Award for his many charitable efforts, including visiting U.S. troops, anti-bullying, and fighting cancer. But the real salute goes to his neverending support of the Make-A-Wish Foundation history, and he was the first to grant 500 wishes and that number continues to climb.

In pro wrestling terms, a “babyface” is the good guy, with fans coming to support their hero against the villain, known as a “heel.”

“Babyface and heel. I hate those terms. As long as you have something that you can hold on to, people will attach themselves to that. It’s really not even a clean-cut distinction anymore,” Cena ranted to this writer in 2009.

Yet time and time again, Cena was brought up by his peers as the epitome of a babyface.

“I’m lucky enough to kind of be myself, so if it was one of those things, let’s say playing a superhero on TV, and I’m really not that way in real life,” he told me. “My work ethic, my value system, everything is pretty much as is that you see on TV, that happens off camera. It’s pretty easy, it’s not too much of a stretch for me. If you meet me outside of this, I’m pretty much the same way as I am on television.”

That quote didn’t age well, as fans are more likely to see him as the homicidal yet true-to-his-beliefs Peacemaker in the DC Universe than WWE, or in a movie playing an overprotective father (Blockers). He gained a whole different audience through Total Bellas, a reality show on E! that had him engaged to Nikki Bella.

Cena himself aged reasonably well, putting most 48-year-olds to shame. He was upfront about a hair transplant in 2024 too. “As I was trying to hide my hair loss, the audience was bringing it to light,” he told CNN. “I saw their signs that said ‘The bald John Cena.’ They pushed me into going to see what my options were.”

Since 2016, Cena has been rather sporadic in his in-ring appearances, even more in regard to actually wrestling and not just popping the crowd. As happened with Dwayne “The Rock” Johnson, there was some resentment from both fans and wrestlers about non-full-time wrestlers parachuting into WWE—in fact, that was part of the storyline between Rock and Cena for WrestleMania in 2012 (naturally, billed as “Once in a Lifetime”) and again in 2013. Cena delivered a zinger against the Rock’s periodic demands for attention: “Then he left and came back again, then he left again, then he came back again.”

Cena went bad near the start of the end run, when he turned on Undisputed WWE Champion Cody Rhodes at the Elimination Chamber special in Toronto last March. That same Rock had apparently, in storyline purposes, convinced Cena to be a villain … and then we couldn’t see Rock any longer, so the tale had no conclusion.

But this one does. 

Barring a plot twist—this is pro wrestling, after all—the last time the WWE Universe will see John Cena in the ring, wrestling, is Dec. 13. 

Upcoming Movies in 2026: The Most Anticipated Films of Next Year

It feels strange to be talking about 2026 movies when we haven’t even escaped 2025 yet, but here we are! What makes the coming 12 months notable is that it might be the first full calendar year in which the cycle of film production and distribution has not been suffering residual effects from the pandemic in 2020/2021 or the writers’ and actors’ strikes in 2023. As a result, one glance at the upcoming release schedule indicates that 2026 could be the most packed year at the multiplex in a long time.

Even narrowing this list down to fewer than 20 entries was difficult, and the films we list below show the breadth of releases coming our way: everything from Gothic romances to mythological epics to make-or-break superhero spectaculars. As William Goldman famously said, nobody knows anything, so each of the movies in our survey holds the potential for massive success or catastrophic failure. Whatever happens, we’ll be there for each one.

Jack O'Connell in 28 Years Later Trailer
Sony Pictures

28 Years Later: The Bone Temple

January 16

After taking (ahem) 23 years off between installments, Danny Boyle and Alex Garland are continuing 28 Years Later‘s sordid legacy in faster succession, albeit this time with fresh blood. Candyman and Hedda helmer Nia DaCosta picks up the directorial reins in 28 Years Later: The Bone Temple, a movie which filmed simultaneously with last June’s zombie showdown. The new movie continues the story of Ralph Fiennes’ enigmatic good(ish?) doctor obsessed with memento mori and what happens to young Spike (Alfie Williams) when he falls into a band of “Jimmies,” led by Jack O’Connell’s eerily chipper and self-christened St. Jimmy.

In an exclusive preview with Den of Geek, DaCosta hinted, “You have these two trains on a track, essentially, that are going to collide. They’re going to end up with these two worlds in a clash, because you kind of feel that Spike and Kelson are going to interact again.”

Warner Bros. Pictures

Wuthering Heights

February 13

The always-provocative filmmaker Emerald Fennell is following up her Oscar-winning Promising Young Woman and divisive Saltburn with a splashy adaptation of Emily Brontë’s classic 1847 Gothic romance, and it stars no less than Margot Robbie as Catherine Earnshaw and Jacob Elordi as Heathcliff. The castings are already raising eyebrows, with the latter earning accusations of whitewashing a literary character of famously ambiguous origin. But by working from source material that was considered scandalously edgy in its time, we can expect Fennell to welcome it all while amping up the tale’s eroticism and psychological melodrama—and with lots of heaving chests and Charli XCX songs if the trailer is anything to go by. In other words, don’t expect your high school teacher’s Wuthering Heights.

Jessie Buckley in The Bride!
Warner Bros. Pictures

The Bride!

March 6

Maggie Gyllenhaal’s second outing as a director is a wild pivot from 2021’s The Lost Daughter: it’s been described as a musical, a satire, and an homage to The Bride of Frankenstein. Set in 1930s Chicago, the film finds Frankenstein’s Monster (Christian Bale) asking Dr. Euphronius (Annette Bening) to create a companion for him, which arrives in the form of the Bride (Jessie Buckley). What happens from there involves murder, mayhem, and, er, social change. It seems a gamble by Warners, but a bold one given the amount of talent involved, as well as the fact that Mary Shelley reworkings seem to be in season if Poor Things and Guillermo del Toro’s Frankenstein are anything to go by.

Ryan Gosling in Project Hail Mary
Amazon MGM

Project Hail Mary

March 20

Phil Lord and Christopher Miller are at last in the director’s chairs again for a live-action film after they were dismissed from Solo: A Star Wars Story in 2018. (Their last completed live-action effort, 22 Jump Street, came out in 2014.) This time, though, the newly Spider-Verse emboldened duo is adapting Andy Weir’s sci-fi bestseller. The movie stars Ryan Gosling as a man who wakes up on an interstellar ship with no recollection of how he got there. And soon he learns that he is the last hope for humanity. The marketing promises a high-concept adventure with plenty of thrills, humor, and that ol’ Gosling charm. The Weir connection also suggests this is particularly well-suited to the screen. See Ridley Scott’s adaptation of The Martian for more.

Rosalina in The Super Mario Galaxy Movie
Universal Pictures

The Super Mario Galaxy Movie

April 3

After 2023’s The Super Mario Bros. Movie became the most successful video game-based movie of all time (nearly $1.4 billion worldwide), there was no doubt that Illumination and Nintendo would immediately greenlight a sequel. And while the plot remains under wraps, any gamer with passing familiarity with the Nintendo Wii’s beloved Super Mario Galaxy is already expecting gravity-bending visuals and out-of-this-world shenanigans for the plumber brothers. Chris Pratt, Anya Taylor-Joy, Jack Black, Charlie Day, and Keegan-Michael Key are all returning to their signature roles from the first film, while Aaron Horvath and Michael Jelenic are again directing.

Anne Hathaway and Meryl Streep in Devil Wears Prada 2
20th Century Studios / Disney

The Devil Wears Prada 2

May 1

It’s time to get the devil her due, because Miranda Priestly is back in the long-rumored and hoped-for The Devil Wears Prada 2. Story details remain relatively tight-lipped, but we do know that despite having very different lanes of journalism in their purviews, Meryl Streep’s ice queen and Anne Hathaway’s Andy Sachs wind up in the same room again. The Dave Frankel-directed film also features the return of fan-favorite characters played by Emily Blunt and Stanley Tucci.

Karl Urban as Johnny Cage in Mortal Kombat II
Warner Bros. Pictures

Mortal Kombat II

May 8

Mortal Kombat II has certainly risen in the ranks of expectations. A sequel to the pretty-looking but somewhat divisively-received 2021 reboot of the franchise, Mortal Kombat, this sequel was originally pegged to be an October release date. But after enthusiastic test screenings and buzzy word-of-mouth, WB apparently got bullish about the Simon McQuoid-directed joint and moved the fighter to May of next year. It probably helps that the intended R-rated spectacle is bringing in a lot of fan-favorite characters and setups, including Karl Urban as an over-the-hill Johnny Cage who gets recruited into the titular tournament after his career as a movie star falls on hard times.

“The point where we find Johnny in this movie is very relatable to everybody, because he’s on the back foot in life,” Urban tells us in an exclusive cover story interview. “His career is in the tank, the world’s forgotten him, and he’s at a real low point. His confidence has been knocked, and it is at this very juncture that he is called upon to be at his best and to use his skillset to defend Earthrealm.” That leads to stunt work which the star teases has both humor and dexterity. “You also see specifically Van Damme, who in my opinion, was phenomenal, and Jackie Chan, who I drew huge inspiration from for the tone of some of Johnny Cage’s fights.”

The Mandalorian and Grogu Movie
Lucasfilm / Disney

Star Wars: The Mandalorian and Grogu

May 22

It will be nearly seven years since a Star Wars movie blasted across the big screen by the time this comes out, which is hopefully long enough for the bad taste left by The Rise of Skywalker to have disappeared. Either way, director Jon Favreau and co-writer Dave Filoni’s new film is set to answer a hard question for the franchise: will vast amounts of people come out for a story that requires viewing at least one, if not two, shows that aired on Disney+? A little Pedro Pascal charisma, even in a mask, can’t hurt. Meanwhile, the Lucasfilm braintrust appears to be betting that there’s enough good faith—and enough fans still in love with Baby Yoda—to restore this aging franchise to cinematic glory.

Steven Spielberg at Hamnet premiere
Photo by Rodin Eckenroth / Getty Images

Untitled Steven Spielberg Movie

June 12

While Steven Spielberg is not the box office or cultural powerhouse that he was in previous decades, there is no question that the mind races with possibilities at the thought of what this movie could be. Here’s what we know: it’s a science fiction film, reportedly having something to do with UFOs, that’s based on an idea Spielberg personally had before handing it off to his go-to blockbuster scribe, David Koepp. Keep in mind that Spielberg also dreamed up the original concepts for Close Encounters and E.T. Furthermore, the cast—including Emily Blunt, Colman Domingo, Josh O’Connor, and Colin Firth—is top-notch. And the idea of Spielberg returning to a genre that has provided us with so many classic films is enough to get us there opening day.

Woody and Buzz in Toy Story 5
Pixar / Disney

Toy Story 5

June 19

What do you do when you make a near-perfect trilogy of animated films? Why, you keep going, of course! And if you thought that Toy Story 4 was a risky add-on, then you’re probably even more fretful over Toy Story 5. But Pixar, in a bit of a slump these days, is going back to its original franchise one more time with Woody, Buzz, Jessie, Forky, and all the rest returning. This time, the gang must fight for Bonnie’s attention with a tablet named Lilypad (Anna Faris)—setting up a clash between toys and tech that has no doubt gripped many households in recent years.

Milly alcock in superman ending
Warner Bros. Pictures

Supergirl

June 26

In some sense, Supergirl might be more of a test of James Gunn’s DC Studios than even 2025’s Superman. While that DCU kickoff had a lot to prove, Supergirl is the first follow-up to gauge how much audiences bought in, including to a cliffhanger of Milly Alcock’s party gal Kryptonian. Luckily, this spinoff is based on one of the best superhero stories of the decade, Tom King and Bilquis Evely’s Supergirl: Woman of Tomorrow, which finds a far more haunted Kara Zor-El than CW fans might remember. It also comes from director Craig Gillespie, who’s had success in left-of-center genre-benders like I, Tonya, Cruella, and Lars and the Real Girl. Together with Alcock and Jason Momoa (as… Lobo?!), this one could have a whole different vibe.

Matt Damon wearing ancient Greek armour in the first look at Christopher Nolan's The Odyssey

The Odyssey

July 17

How do you follow up a three-hour, billion-dollar-grossing, Best Picture-winning historical drama about the invention of the atomic bomb? With an epic film based on an ancient Greek myth, naturally. Fantasy and mythology movies tend to sink at the box office unless the name Tolkien is attached to them, but if anyone can turn Homer’s landmark of Greek literature into box office gold, it’s Christopher Nolan, who did the same for a tormented nuclear physicist in Oppenheimer. As usual, the cast—led by Matt Damon as Odysseus—is stacked, and Nolan is perhaps the only director aside from James Cameron whose name alone puts butts in seats. Whatever The Odyssey ends up being, we don’t expect to call it modest.

Spider-Man
Sony Pictures

Spider-Man: Brand New Day

July 31

Following up the $1.9 billion-grossing Spider-Man: No Way Home is no easy feat, but the MCU’s Tom Holland-led iteration of your friendly neighborhood webslinger seems to be one of the few bright spots of Marvel’s post-Infinity Saga daze. The usual rumors persist about villains, storylines, multiverse variants, and the like, but all we really know is that Spidey will once again be supported by other MCU favorites like Mark Ruffalo’s Hulk and Jon Bernthal’s Punisher, while the identity and exact nature of the main antagonist remain unknown. Destin Daniel Cretton (Shang-Chi and the Legend of the Ten Rings) replaces Jon Watts behind the camera for this one, and Stranger Things’ Sadie Sink joins returning cast members Zendaya and Jacob Batalon. Perhaps most interestingly, it’s speculated that this is Holland’s last non-Avengers stint in the red and blue suit.

Tom Cruise and Iñárritu at Governors Ball
Kevin Winter / Getty Images

Untitled Cruise/Iñárritu Film

October 2

We know even less about this movie than Spielberg’s, but it’s notable for two reasons: it’s a new work by Birdman and The Revenant director Alejandro G. Iñárritu, and it’s Tom Cruise’s first original film in eight years, following his recent run of Top Gun/Mission: Impossible sequels. The supporting cast is also excellent, including Jesse Plemons, Sandra Hüller, Riz Ahmed, John Goodman, Michael Stuhlbarg, and others. Shot in VistaVision, it’s said to be a black comedy about a man who sets out to save humanity after nearly destroying it. And that’s all we’ve got—except that the pairing of star and director may indicate a new phase of both their careers.

Joseph Zada as Haymitch Abernathy in The Hunger Games: Sunrise on the Reaping. Photo Credit: Murray Close
Lionsgate

The Hunger Games: Sunrise on the Reaping

November 20

With the success of 2023’s The Hunger Games: The Ballad of Songbirds & Snakes, Lionsgate and director Francis Lawrence adapting Suzanne Collins’ next prequel novel, Sunrise on the Reaping, is a smart bet. Set some four decades after Songbirds & Snakes, and just 24 years before the events of The Hunger Games (2012), this film stars Joseph Zada as a young Haymitch Abernathy (Woody Harrelson in the original movies) as he competes and (no spoiler) wins in the 50th Hunger Games. Yet the trials and tragedies he faces along the way have made this novel a fan favorite since its publication. Once again, the story’s young tributes will be supported by all-star veterans, including Jesse Plemons, Ralph Fiennes, Kieran Culkin, Elle Fanning, and Glenn Close. Meanwhile, Mckenna Grace plays Maysilee Donner, a young tribute who has captured the minds of millions of readers.

Poster for Avengers: Doomsday

Avengers: Doomsday

December 18

This is it: high noon for the Marvel Cinematic Universe. This is the one that features the return of Infinity War/Endgame directors Anthony and Joe Russo, Robert Downey Jr. coming back not as Iron Man but Doctor Doom, the inclusion of the OG Fox X-Men cast, the rumored appearance of everyone from Chris Evans to Ryan Reynolds… and it all adds up to either a Hail Mary pass of titanic proportions or a glorious relaunch to box office dominance. Don’t let the reports of an unfinished script or extended reshoots fool you; Marvel can pull this off—they’ve done so in the past—but the question is whether the Avengers brand still has the power to bring the MCU back from its recent decline.

Timothee Chalamet in Dune 2 Review
WB

Dune: Part Three

December 18

Denis Villeneuve’s first two Dune movies were arguably the most epic, visionary genre releases since Peter Jackson bestowed The Lord of the Rings on us 20 years earlier. But concluding a trilogy has been the downfall of many a filmmaker, and Villeneuve faces a formidable task here. The movie will ostensibly be based on Frank Herbert’s Dune Messiah, a very different story from the original and in many ways a more difficult one to imagine as a film. But if Villeneuve keeps the core of the novel—the willful self-destruction of Paul Atreides—intact, he can stick this landing like a breaking Shai-Hulud. We’re rooting for him all the way.

Robert Eggers on Nosferatu Set
Focus Features

Werwulf

December 25

With his four previous movies, writer/director Robert Eggers has proven himself as the master of grim, atmospheric period horror (yes, even The Northman was a horror story in its own way). He immerses us in barbaric worlds of the past like no other filmmaker currently working. Having conquered the most seminal of vampire tales with Nosferatu, he’s now turning his attention to lycanthropy with what he himself calls “the darkest thing I have ever written,” an original werewolf story set in 13th-century England. Blood, gore, mud, and disease? Sounds like Eggers is going to have us howling in terror when this thing crawls toward holiday theaters.

A24’s The Drama Trailer Dares You to Pretend Robert Pattinson and Zendaya Have No Rizz

Robert Pattinson and Zendaya are two of the most attractive people in Hollywood. And one’s wedding day is such an important event, an event that involves so many professional beauticians and photographers, that even schlubs look like stars for a bit. So why in the world do Pattinson and Zendaya look so weird in the trailer for their upcoming film, The Drama?

Set to the ’90s earworm “I Love You Always Forever” by Donna Lewis, the trailer largely features the soon-to-be newlyweds played by Zendaya and Pattinson shooting their engagement photos. When the photographer tries to get the duo to warm up, she asks them what they like about one another, to which they respond with sweet nothings. Yet every couple of seconds, we see images suggesting something deeper and darker going on between the two, including shots of Zendaya slapping Pattinson while in bed, and the two starring at each other in fear. As a result, the incredibly charismatic couple look stiff and weird.

The trailer isn’t giving away the reason for the disconnect, which likely be the focus of The Drama. Movies about marriages have taught us that all sorts of things can go wrong on the way to matrimony, whether it be feuding parties (Bride Wars, You Are Cordially Invited), interlopers interrupting (My Best Friend’s Wedding, Palm Springs), or whatever the heck happened in Very Bad Things.

All possibilities are on the table for The Drama, given the force behind the camera. Not only is The Drama an A24 film produced by Ari Aster, a guy who really loves stories about things going horribly wrong, but it’s directed by Norwegian filmmaker Kristoffer Borgli. Borgli specializes in high-concept films that go to absurd places, as demonstrated by his English-language debut, Dream Scenario. Dream Scenario starred Nicolas Cage as a nondescript man who somehow started appearing in the dreams of other people, making him a minor celebrity.

For most American moviegoers, Dream Scenario gives us our best idea of what The Drama can be, for better or worse. Although that film had a fantastic performance from Cage and some compelling visuals, it devolved into a fairly trite comment upon cancel culture, falling well short of the premise’s potential.

Will The Drama be able to avoid that film’s mistakes? The stars’ recent work provides no clear path. Although Pattinson and Zendaya are two of the most compelling actors working today, and both will appear together soon in both Dune: Part Three and The Odyssey, not everything has hit. Zendaya already did a tense relationship drama with Malcolm & Marie, alongside Pattinson’s Tenet co-star John David Washington—a film roundly mocked by viewers and then forgotten. Pattinson appeared as another husband in a doomed relationship in Lynn Ramsay’s Die My Love, but reception to that film has been very mixed.

Yet even in a bad movie, Pattinson and Zendaya have enough star power to draw an audience. Will that audience come, even if the couple is trying to be as weird as possible? We’ll find out when The Drama hits theaters.

The Drama releases April 3, 2026.