Can Digger Do for Tom Cruise What Birdman Did for Michael Keaton?

The first trailer for Digger, the upcoming collaboration between superstar Tom Cruise and Mexican filmmaker Alejandro González Iñárritu has already generated a host of questions and comments. Responses range from hope that Digger will finally get Cruise his Oscar to worries that the movie will be as ponderous as Iñárritu’s Babel or Bardo. But at least one person has to have had this thought: “Surely, Mission: Impossible—The Final Reckoning wasn’t that bad!”

It’s not just that The Final Reckoning was one of the many Tom Cruise pictures featured in the trailer’s first two thirds, a montage of shots from movies ranging from Risky Business to Top Gun: Maverick. It’s that by putting its attention on Cruise’s movie star career, the Digger trailer brings to mind Iñárritu’s most successful film, Birdman or (The Unexpected Virtue of Ignorance). By juxtaposing Batman as the height of Michael Keaton‘s movie stardom to the fallow state of the actor’s popularity in 2014, Birdman revitalized Keaton’s career and cemented him as one of the greats. Does the metatextual trailer mean that Digger will do the same thing for Cruise, a man whose star has never fallen far, even after a lesser Mission: Impossible movie?

There’s no question that Cruise has had his ups and downs. Thanks to hits such as Risky Business and Top Gun, Cruise spent the ’80s and ’90s playing cocky and charismatic heroes. The movies of this period followed more or less the same plot line, with Cruise’s character beginning the movie thinking he’s the absolute best, running into people who don’t think he’s the best, and then proving to everyone at the end of the film that he was indeed the best.

By the end of the ’90s, Cruise demonstrated that he wanted to move beyond that limited character arc. He worked with auteurs such as Stanley Kubrick (Eyes Wide Shut), Steven Spielberg (Minority Report), and Michael Mann (Collateral), playing complicated characters, people whose abundant self-confidence betrays a deep brokenness. At the same time, Cruise revived his Mission: Impossible franchise, getting J. J. Abrams to direct Mission: Impossible III, which released six years after its predecessor dropped.

Interesting as that period was, it turned out that Mission: Impossible III would become the bellwether for the next decade. After his infamously weird behavior during an interview with Oprah Winfrey in 2005, all of the more unsavory parts of Cruise’s life came to the fore: his relationship with the 16-year-younger Katie Holmes, the unpleasant end of his marriage to Nicole Kidman, and his connection to Scientology. These personal details made his screen persona less palatable, and while the Mission: Impossible movies continued to resonate with audiences, as did his outrageous and self-satisfied turn as studio executive Les Grossman in Tropic Thunder, stinkers such as Knight and Day, Rock of Ages, and Oblivion entered his filmography.

Then, something strange happened. Maybe it was the incredible trailer for Mission: Impossible—Fallout, or maybe it was his insistence upon holding Top Gun: Maverick until theaters reopened after the pandemic. Whatever it was, people forgave Tom Cruise, at least on screen. No one forgot about his weirdness or his Scientology; but his eccentricities were leveled out by the his passion for cinema. Nobody was talking about him as a Hollywood heartthrob, but we did appreciate him as a billionaire who regularly risks bodily harm for our entertainment.

In that regard, Cruise isn’t that different from Michael Keaton, circa 2014. Despite the differences in their career trajectories and popularities, neither Keaton then nor Cruise today is seen as a respected actor. They’re both living pieces of pop culture ephemera; Keaton because he played Batman decades ago, and Cruise because he’s the strangest movie star of our era.

Birdman used Keaton’s star persona and career arc to tell the story of another actor, haunted by the superhero he once played. Despite its flashy formal decisions, its single-take conceit and intrusive jazz score, Birdman resonated with audiences and made them appreciate Keaton anew, helping to make him a on-screen favorite.

At this point, it’s impossible to know if Digger will do the same. The trailer only contains a few seconds of new material, mostly impressionistic shots of Cruise’s character facing a crowd of desaturated rioters or shouting gibberish in a wood-paneled office. Further, it’s important to note that none of the Academy Awards won by Birdman went to Keaton (though Iñárritu helped Leonardo DiCaprio net an Oscar the next year with The Revenant).

Yet, if Iñárritu can turn our complicated feelings about our generation’s biggest movie star into dark comedy, the Digger may change the way we think about Tom Cruise, adding one more layer to this deeply odd figure.

Digger releases on October 2, 2026.

Daredevil: Born Again Season 3 Set Photos Tease a Hero’s Replacement

This article contains spoilers for Daredevil: Born Again seasons 2 and 3.

Turns out, the title Born Again doesn’t just refer to Daredevil. Since coming to the MCU via the Disney+ series, the Man Without Fear has brought along several characters from the Netflix series, including Vincent D’Onofrio as archenemy Wilson Fisk, Krysten Ritter as Jessica Jones, and Mike Colter as Luke Cage. Initial set photos showed Finn Jones back as Iron Fist, and now a new set reveals that Elodie Yung has returned as Elektra, the Greek assassin/ex-girlfriend of Matt Murdock.

By itself, Elektra’s return isn’t much of a surprise. Since Frank Miller introduced the character in 1981’s Daredevil #168, she’s been a mainstay in Daredevil’s life. However, the timing of the return does raise some eyebrows. Season 2 ended with Matt Murdock’s identity being revealed to the world, and Matt sentenced to prison for his vigilante activities. Matt’s gone to jail several times in the comics for a variety of reasons, and, during his most recent stint in the slammer, a replacement took over as the Devil of Hell’s Kitchen: Elektra Natchios.

Elektra becomes Daredevil in 2020’s Daredevil #25, part of Chip Zdarsky and Marco Checchetto’s incredible run. The issue begins with Elektra castigating Matt for choosing to go to prison instead of staying on the streets to help people, a decision she considers selfish and born of his Catholic guilt, not of any heroism. But by the end, Elektra confesses that she’s tired of the darkness that has enveloped her life and wants to walk in the light that she thinks Matt has found. So, in the final pages, she takes up the mantle of Daredevil, a moniker she keeps to this day, sharing the identity with Matt.

Of course, Elektra isn’t the only possible replacement for Matt Murdock on the streets of Hell’s Kitchen. The prison plot line on the show sets up The Devil in Cell Block D, a 2005 story in which Matt goes to jail after having his identity revealed. In that storyline, Danny Rand puts on a Daredevil costume to not just protect the city, but to also prove that Matt couldn’t be the red-clad superhero. With Jones coming back into the fold, Danny seemed like the most likely candidate to replace Matt, especially since Elektra appeared to die in The Defenders.

For those who don’t remember (and no one would blame you, since it is very boring), The Defenders built on season 2 of Daredevil to position Elektra as “the Black Sky,” a living weapon created by the Hand ninja clan. Alexandra Reid (Sigourney Weaver) tried to resurrect Elektra as the Black Sky, but the latter killed Reid and established herself as the new head of the Hand. The series ended with Daredevil facing off against Elektra and, Matt Murdock being Matt Murdock, trying to talk her out of being evil. As usual, Matt’s ethical arguments only partially work, and Elektra seems to die in an explosion.

Of course, we never saw Elektra’s body at the end of The Defenders. And, even if we did, Elektra dies and gets resurrected so much that she might as well join the X-Men.

The bigger question is what she’s doing in season 3 of Daredevil: Born Again. She might just appear in a flashback, not unlike the occasionally-resurrected Foggy Nelson and never-resurrected Wesley in season 2. Or, she could be there for some Hand ninja shenanigans, which make us look even harder at shots of Hand ninjas attacking a prison in the trailers for Spider-Man: Brand New Day.

The simplest answer is likely the most correct. As in the comics, Matt’s faith in the inherent goodness of Elektra, a woman who has killed countless people, has finally paid off. She will become the new Daredevil, if only to save us from having to watch Danny Rand try to be the Man Without Fear.

Daredevil: Born Again season three releases in 2027.

Ghostbusters: Night Shift Can Move the Franchise Beyond the Core Four

Here is what we all know about the Ghostbusters: 1) they ain’t ‘fraid of no ghosts; 2) bustin’ makes them feel good; 3) their names are Ray Stantz, Peter Venkman, Egon Spengler, and Winston Zeddemore. Certainly, the franchise has tried several times over the past 40 years to change point number three, most obviously with the 2016 reboot movie, but also with the addition of Egon’s family members in the recent movies Ghostbusters: Afterlife and Ghostbusters: Frozen Empire. But in every case, audiences largely rejected anyone who wasn’t part of the team that took down Gozer in 1984.

The upcoming animated series Ghostbusters: Night Shift might be the franchise’s best chance to finally move beyond the original. According to the synopsis that Sony Animation posted to their Instagram, the series takes place in 1994, when “a group of scrappy New Yorkers must suit up, face their fears, and bust some ghosts.”

The nature of that threat isn’t clear yet, but one of the images included with the post might give us some clues. We see a massive humanoid with flames leaping from his head (think DC Comics‘ Firestorm, but the Blackest Night version). It sits in the middle of New York City, dangling what appears to be a citizen in its hand.

If ghosts such as this are popping up, then it’s easy to see why citizens would be strapping on proton packs to help. But who are these citizens? Again, the Instagram post provides the only information we have thus far. We see six figures walking away from the camera, all with the traditional Ghostbusters work suit and gear. At least two appear to be people of color, while the one tossing a ball to a dog looks like a child, while another riding on a skateboard presents as a teenager or a young adult.

Despite the lack of detail, we can tell one thing about these characters: they aren’t Ray, Winston, Egon, or Venkman and that could be a problem. Even though Dan Aykroyd, Ernie Hudson, Harold Ramis, and even Bill Murray have had some involvement in each of the sequel and reboot movies, their limited screen appearance has not yet functioned as a proper hand-off. In fact, the only iteration of the franchise since the first movie was the animated series The Real Ghostbusters, which featured stylized versions of the core four. As soon as the continuation Extreme Ghostbusters tried to branch out into new characters, the series met a quick end.

However, Night Shift‘s setting may allow Ghostbusters to move on from the original characters while still retaining some of the first movie’s strength. The series takes place five years after Ghostbusters II, the same amount of time that elapsed between the first two films. That means that we’re only a decade after the founding of the Ghostbusters, and the quartet can still be around instead of scattered to parts unknown, as is the case for the recent movies. Yet, that’s also enough time for a new generation to come in right behind them, making for a cleaner line of succession.

Will that proximity to the originals be enough for audiences to accept this new cast? We can’t tell, but if the franchise wants to be anything more than an ’80s spirit haunting the new millennium, then Ghostbusters has to show us something we don’t know already.

Ghostbusters: Night Shift streams on Netflix in 2027.

Silent Hill: Townfall Leans Hard Into Melancholia and We’re Here for It

After an extended period of dormancy, it’s a really good time to be a Silent Hill fan and that hot streak doesn’t appear to be slowing down anytime soon. Following 2024’s Silent Hill 2 remake and last year’s Silent Hill f, this September will see the release of Silent Hill: Townfall. We got to see an extended preview of the game, including its first-person perspective gameplay, at Summer Game Fest 2026 and it’s looking like the future of Silent Hill continues to be in the right hands.

Set in 1996 at the coastal Scottish town of St. Amelia, Silent Hill: Townfall follows protagonist Simon Ordell after he regains his senses at the ominous location, with his memories compromised. As Simon investigates the town, he rediscovers traumatic elements of his past the deeper the delves into the fog-enshrouded community. But true to franchise form, this painful trip down memory lane is full of disturbing environments and nightmarish monsters which Simon must evade and defeat in order to survive.

Just glancing at the preview, Townfall is among the best-looking Silent Hill games in recent memory, something particularly apparent from the game’s first-person perspective. The environments are richly rendered and detailed, with the fog effects throughout the setting’s exteriors really delivering the sense of foreboding that Silent Hill is known for. This project has been in development since at least 2022 and this in-depth look at the game’s visuals proves that it has been worth the wait.

And it’s that first-person perspective that really sets Townfall apart from the rest of the Silent Hill series, which is historically played from a third-person perspective. The change in perspectives not only makes the experience feel more immersive but it heightens the tension whenever the game shifts to a combat or evasion situation. The franchise had previously experimented with going first-person in the short-form spinoff Silent Hill: The Short Message and the delisted P.T., but Townfall really takes this shift to the next level.

The change in perspective also reflects a change in tone and combat approach compared to the 2024 Silent Hill 2 and f. Both of those games emphasized its respective protagonists getting into grueling, physically fights against monsters, with a noted focus on melee combat. Townfall retains the ability to get into brutal battles while wielding wooden planks and pipes, but also encourages players to take a more stealth-oriented approach to enemy encounters.

In the preview, Simon is seen sneaking around dimly lit interiors as monsters prowl about searching for their prey. Similar to the recent Resident Evil Requiem or Amnesia, Simon can throw objects around to distract enemies to investigate where the item landed while moving away. This suggests that, unlike Silent Hill 2 and f, Simon probably shouldn’t try to kill any monsters that cross his path, but only as a last desperate resort to combat when there is no other alternative to proceed. Instead of using a radio like the original Silent Hill games, Simon relies on a handheld CRTV to detect nearby enemies, a sort of merge between classic Silent Hill mechanics with the tracker in Alien: Isolation.

Another, more stylistic element that struck us watching this preview unfold is that Townfall doubles down the melancholia and desolate atmosphere, elevated by a score composed by Pilotpriest. St. Amelia feels a bit more abandoned and isolated than overtly sinister, as had been the case in the Silent Hill f principal setting of Ebisugaoka. Upon exiting the Silent Hill: Townfall preview at SGF, one of my colleagues commented that this was a game that was going to “make him feel things again” and that observation wasn’t wrong; Townfall is poised to put the psychology back into psychological horror.

In reviving the Silent Hill franchise, Konami has been very careful about making sure that, even with a new game release three years in a row, each experience is distinct from the others. Silent Hill 2 was a return to form in more ways than one, updating the franchise’s greatest game for modern sensibilities while staying true to the source material. Silent Hill f felt like the series’ boldest swing to date, relocating outside of its titular American town to Japan while emphasizing melee combat and that Silent Hill is more of a traumatized state of mind than a single geographic location.

By comparison, at least based on what we’ve seen so far, Silent Hill: Townfall is shaping up to be the moodiest of what is already an intensely introspective series. In a way, many Silent Hill sequels have been chasing the melancholia and self-confrontational themes that the original Silent Hill 2 did so well in 2001. In that sense, Townfall feels like a clear spiritual successor but standing on its own with its first-person gameplay and greater focus on evasion over constant combat.

Konami has consistently put out its Silent Hill games since its 2024 resurgence in time for Halloween and Silent Hill: Townfall is no different in its release strategy. Compared to Silent Hill f, this is a game that hews closer to the familiar aesthetics of the series (albeit in Scotland) but still feels fresh and accessible to newcomers. Any venerable video game franchise needs to evolve with the times and Silent Hill has done this the most visibly since its return, with Townfall getting us excited for another deep dive into the fog.

And, at the very least, make us ready to feel things again.

Developed by Screen Burn Interactive and published by Konami and Annapurna Interactive, Silent Hill: Townfall will be released September 24 for PlayStation 5 and PC.

Supergirl Review: Milly Alcock Rocks in Uneven Space Western Mashup

Director Craig Gillespie, known for I, Tonya (2017) and Cruella (2021), ventures into superhero territory for the first time with the second film in the revamped DC Universe, Supergirl. Written by Ana Nogueira and drawing heavily on Tom King and Bilquis Evely’s Woman of Tomorrow graphic novel, the film makes for an engaging if ultimately shallow intergalactic adventure, and something of a disappointment after last year’s Superman.

There are definitely aspects to admire about Gillespie’s approach to Supergirl, and chief amongst them is Milly Alcock’s casting as Kara Zor-El. The Australian actress, in her first lead film role, completely owns the screen, delivering a charismatic, punk rock take on the Last Daughter of Krypton. From the moment she first appears, nursing a hangover and cosmic regrets, Alock commands a perfect balance of natural vulnerability and a gritty, fierce edge. She brings a badass, cute, girly‑pop energy that’s lightyears away from David Corenswet’s squeaky clean Superman. 

The film around her, however, plays like a speed run through King and Evely’s universally praised book. It isn’t exactly a reinterpretation, nor a direct adaptation, but something in between: it captures the aesthetic, a few major plot beats, and the overall attitude, yet loses much of the emotional depth, worldbuilding, and thematic weight that made the comic such a defining storyline for Kara.

Like that book, the film opens with a rougher and more reckless version of Supergirl than audiences might be accustomed to. While Clark embodies optimistic, nerdy idealism, Kara comes across as a grumpy Kryptonian with prickly emotional scars. Beneath her sarcasm, attitude, and bravado, Alcock authentically captures the trauma that defines the character, keeping the heart as visible as the anger.

Celebrating her 23rd birthday—a curious change from the character’s 21st birthday in the book, perhaps to wallpaper over all that drinking?—Kara begins the story by traveling through space with her dog Krypto. They leave Earth often for these interstellar bar crawls because planets with a red sun suppress their powers. In other words, it lets her get drunk! It also allows her to cross paths with Ruthye (Eve Ridley), a young girl seeking revenge against Krem of the Yellow Hills (Matthias Schoenaerts) for murdering her family. Reluctantly agreeing to help, Kara embarks with Ruthye on a galaxy‑spanning quest filled with bounty hunters, outlaws, and difficult moral dilemmas.

The strongest element is the central performances of Alcock and Ridley, as well as how they’re framed in moments of intense spotlight. During one of the film’s most striking vignettes, Kara escapes into space, hovering in the orbit above an alien planet. By herself in negative space, Alcock erupts in a silent scream that no one could literally hear. All the while, the film remains fixated on a single tear Kara leaves floating across the aether. It’s one of the film’s most powerful sequences, hinging on Alcock’ tightening expression and capturing the suppressed grief and rage beneath her stubborn exterior.

Another strength of the film is its worldbuilding and creature design, which is anchored by DP Rob Hardy, production designer Neil Lamont, costume designers Anna B. Sheppard and Michael Mooney, and VFX supervisor Geoffrey Baumann. The film’s blend of practical and visual effects, substantial physical sets, striking costumes, trippy and tactile alien creatures, and intricate makeup, creates a visually rich space Western aesthetic that feels far larger and more diverse than Superman’s Earthbound narrative.

The film spans Krypton, ruined cities, intergalactic bus stops, and numerous alien frontiers, each with its own identity. Furthermore, the costumes are both grounded yet faithful to the comics. Shepherd and Mooney elected to emphasize movement, flexibility, and performance, with their signature key design choice being to keep Supergirl’s iconic skirt and the character’s unmistakable silhouette.

However, much of this worldbuilding and artistry is in service of a film that still feels uneven at times and tonally discordant. Many of the supporting characters are jobbers, lifeless figures with little depth, and the visual effects can be inconsistent. While the practical locations and designs are often impressive, some CGI‑heavy sequences look unfinished or overly artificial, diluting the poetic beauty of Evely’s imagery on the page.

The most noticeable CGI element proves to be Krypto the Superdog, a fully animated character. The visual effects team used motion and emotional references from James Gunn’s own rescue dog Ozu to bring Krypto to life in both this film and Superman, but while the design prioritizes realistic canine anatomy and movement, the character sometimes slips into less convincing territory during faster or more complex scenes. Krypto, like the film, can at times get caught in an uncanny valley caught between two suns.

The fact Supergirl actually has those two suns of different hues in the third act shows that the film understands the comic’s imagery, but not always its heart. While it recreates some plot points from Woman of Tomorrow, it often strips away the elements that gave those moments emotional weight, reducing them to surface‑level sequences defined by exposition instead of empathy. Core thematic ideas such as grief, vengeance, mercy, and moral growth are present in outline, but they rarely develop with the same nuance.

A major part of what’s lost is the richness of the journey itself. The comic is a true galaxy-spanning odyssey in which Kara and Ruthye travel from world to world, encountering dragons, centaurs, strange civilizations, and surreal alien cultures, such as the segregated blue or purple people‑skinned societies. These encounters aren’t filler but essential to the themes, reinforcing the brutality of the universe and deepening the story’s ideas about grief and forgiveness. In contrast, the film condenses this journey into a literal three-day race against the clock, removing much of the fantastical poetry of the book. Instead of fully engaging with its themes of prejudice and genocide and the horrifying actions of Krem’s villainous Brigands, it glosses over a hinted‑at human-trafficking subplot, specifically involving young girls, which is never fully unpacked.

This condensing also weakens the character dynamics and moral stakes. Kara’s arc on the page is shaped through repeated choices toward compassion as she tries to steer Ruthye away from revenge, culminating in devastating realizations. Without that pacing and scope, the film struggles to replicate the richness of the book.

Even so, Ruthye remains one of the film’s strongest elements, thanks to Ridley’s performance and clear chemistry with Alcock. However, her emotional arc is significantly weakened by its brevity. The movie speeds through Ruthye’s family life, her relationship with her parents, and the inciting murder, whereas the comic spends time establishing her bond with her parents and the depth of her grief. As a result, the stakes feel thinner, and even her fighting abilities come across as inconsistent rather than carefully developed.

A similar issue affects Kara’s backstory and the portrayal of Argo City, the last outpost of Krypton that spent years floating through space after the rest of the planet evaporated. This backstory is crucial to understanding why Supergirl differs so sharply from Superman. Although the film depicts Argo City, Kara’s father, radiation poisoning, and Krypton’s destruction, it rarely lingers long enough for these elements to fully resonate. Key aspects such as Argo’s forcefield, the city’s slow decline, and Kara witnessing the death of her people amount to only a handful of scenes. These flashback sequences are striking, but are almost dumped in montage on the viewer instead of being deeply woven into the narrative.

The film’s villains are further underdeveloped. Krem is framed as the central antagonist, but Schoenaerts’ performance is generic and the character underwritten. Krem functions more like a henchman than a truly formidable threat. By diluting the heinous, genocidal elements of the Brigands on the page, the villains as a whole lose their sense of danger. Meanwhile Jason Momoa’s cameoing Lobo, a space biker bounty hunter, plays as largely unnecessary fan service. He’s entertaining to watch, but ultimately distracting from the core Kara‑and‑Ruthye journey.

Tonally, the film plays it safe. It leans on cookiecutter storytelling beats, avoids risk, and lacks the imagination and visual splendor of the source material. The comic’s strange, mythic, and sometimes horrifying universe is traded for a more PG‑friendly structure that flattens. Even the humor and music don’t consistently land, with the jokes often feeling mistimed while the stylized girly‑pop soundtrack and slow‑motion sequences sometimes seem more interested in “cool moments” than meaningful ones.

If it sounds like we’re being overly harsh, there are again many individually strong elements to enjoy: Alcock’s consistently magnetic performance, how it’s implemented in scenes reflecting on Kara’s trauma, every time Ruthye looks up at her unlikely role model in awe, and plenty of Krypto’s usual charm. But Supergirl is an adaptation that seems more interested in recreating the highlights of Woman of Tomorrow rather than understanding why they mattered. The world is beautiful, the cast is excellent, and there are flashes of genuine emotion, but beneath the style lies a surprisingly shallow take on one of DC’s most heartfelt stories.

Supergirl is in theaters on Friday, June 26.

Batman: Caped Crusader Season 2 Trailer Promises More Deep Cut Villains

The least surprising part of the first trailer for season 2 of the Prime Video series Batman: Caped Crusader occurs in the last few seconds. That’s where the Joker makes his presence known, dropping a few cryptic lines before unleashing his signature laugh. Even before the Clown Prince of Crime’s reveal, the trailer is full of familiar faces. In particular, the Riddler presents himself as the season’s big bad, joined by Poison Ivy and Harley Quinn.

Most Batman projects feature at least one of these baddies, the most frequent escapees from Arkham Asylum. But Caped Crusader is a spiritual sequel to Batman: The Animated Series, and we expect more than just obvious picks from Bruce Timm. Fortunately, the trailer doesn’t let us down in that regard, giving glimpses of Roxy Rocket, Mad Hatter, Firefly, Man-Bat, and potentially the Mad Monk, all characters who can get in animation the respect never extended to them in the comics.

Some of the best episodes of Batman: The Animated Series and its continuation, The New Batman Adventures, featured minor villains. Most notably, the two-parter “Heart of Ice” turned Mr. Freeze from a sad Captain Cold knock-off into a tragic figure. “The Clock King” turned a charter member of Justice League Antartica into a criminal genius, “Fire from Olympus” made us fear Maxie Zeus, and “Mean Seasons” joined with The Long Halloween to transform the Calendar Man a terrifying killer.

Caped Crusader already continued that tradition in season 1, pitting its younger Batman (voiced by Hamish Linklater of Midnight Mass) against nobodies like Nocturna and Firebug. These stories worked, in part, because Timm and fellow showrunner James Tucker took liberties with the original designs, reworking them to fit the show’s 1940s aesthetic. They even took that approach with popular characters, with Timm reimagining his creation Harley Quinn as an icy, emotionless figure dressed in yellow.

Timm will be reworking another one of his original creations for Caped Crusader‘s second season, turning Roxy Rocket from the spunky, bomber jacket-wearing gal he and Paul Dini introduced in The New Batman Adventures into an Iron Man homage, clad in yellow armor. Mad Hatter also gets reimagined, changed from a creepy man who uses mind-controlling hats to an older woman who harangues Batman on her talk show.

Yet, the most interesting deep pulls are those we don’t yet know much about. Man-Bat appears to be pretty close to his comic book design, but The Animated Series gave the character one of his best stories with its premiere episode, “On Leather Wings.” Moving away from season one’s Firebug, Caped Crusader seems to be using Firefly, who may or may not have his signature jetpack. Then, there’s someone in a red cloak, leading a group of followers. This appears to be the Mad Monk, albeit redesigned to resemble Batman. Introduced in 1939’s Detective Comics #31, the Mad Monk is the second supervillain to ever appear in a Batman story.

None of these characters will likely get too much attention, not with Riddler and Poison Ivy, here presented as classic noir gangsters, waging war on Gotham and Joker waiting to attack. But even in small doses, these bad guys can have an impact on Caped Crusader that they’ve never had in the comics.

Batman: Caped Crusader season two debuts on Prime Video on July 31, 2026.

14 Movies That Would End in Ten Minutes With Modern Tech

A lot of the tension a movie brings forward depends on the time it was made. Before the widespread use of cars and trains, simply traveling from one place to another was a challenge in and of itself, let alone what we can do today with modern technology.

This is why it’s fun to think how movies of old (and some not that old) view challenges that are simple nuances today. Widespread use of smartphones, GPS tracking and other tech marvels make our lives easier, and our plots redundant. These are movies completely solved by today’s technology.

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Phone Booth

A modern version of Phone Booth collapses almost immediately. Once the caller is pinned down, mobile networks, CCTV feeds, and real-time police dispatch systems would quickly triangulate the location. The enclosed psychological standoff depends on obsolete isolation that no longer exists.

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Dogma

Dogma’s early catalyst relies on ignorance about a fictional destination and blind pilgrimage. Today, a few minutes of online searching would confirm the nonexistence of the claimed John Hughes inspired town, preventing the journey and dissolving the premise before it starts.

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Eurotrip

Eurotrip’s entire structure breaks under modern travel tech. Real-time translation apps, cheap flight aggregators, GPS navigation, and ride services remove the need for improvised cross-Europe wandering. The characters would simply follow optimized routes with constant digital guidance.

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Home Alone

Home Alone hinges on a child being accidentally cut off from communication. Modern phones, family tracking apps, and security systems would instantly reveal the oversight. Even basic smart home alerts and neighbor surveillance would expose intruders far earlier than in the original scenario.

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One Hour Photo

One Hour Photo depends on quiet, unnoticed intrusion into a customer’s life. Today, digital photo storage, automated cloud syncing, and metadata tracking would reduce the role of physical film development entirely, eliminating the central access point for the character’s fixation.

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Jackie Brown

Jackie Brown’s carefully staged money transfer and surveillance evasion would be heavily disrupted by modern tracking systems. Mobile location data, pervasive CCTV, and banking alerts would make coordinating a cash-based exchange significantly harder to execute without rapid detection.

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Harold and Kumar Go to White Castle

Harold and Kumar Go to White Castle loses its premise with GPS navigation and restaurant mapping. The entire cross-city search for a single fast-food location becomes trivial, with instant directions, reviews, and delivery options removing the need for any chaotic journey.

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Gone Girl

Gone Girl’s disappearance plot relies on limited public visibility and fragmented evidence. In a modern suburban environment filled with doorbell cameras, traffic surveillance, and phone tracking, her movements would likely be reconstructed quickly, making a clean vanishing act far more difficult.

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You’ve Got Mail

You’ve Got Mail’s mistaken identity romance depends on anonymity in early internet communication. Today, video calls, profile verification, and cross-platform identity linking would immediately reveal who the participants are, resolving the misunderstanding long before emotional stakes can develop.

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Scream

Scream depends on landline calls, isolated victims, and slow information flow. Modern smartphones, caller ID, and constant social connectivity would expose the caller’s identity far more easily. The killer would need a fundamentally different method to maintain suspense or control encounters.

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WarGames

WarGames relies on early computing isolation and limited system awareness. Modern military networks with AI monitoring, intrusion detection, and automated response protocols would detect and contain unauthorized access attempts long before they escalate into global simulation scenarios.

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Cast Away

Cast Away depends on complete communication absence. Today, satellite emergency beacons, GPS-enabled cargo systems, and portable communication devices would allow distress signals to be sent early, dramatically shortening the period of total isolation.

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The Blair Witch Project

The Blair Witch Project requires total loss of orientation and communication. Modern smartphones with GPS, offline maps, and emergency location sharing would prevent prolonged disappearance, while constant recording would also document events in a way that removes ambiguity.

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Speed

Speed’s tension relies on delayed response and limited situational awareness. With modern GPS tracking, live transit monitoring, and coordinated tactical communication, authorities would likely identify the vehicle’s route and intervene far faster than the original narrative allows.

The 14 Weirdest Jobs Movie Characters Somehow Held Down

Movie characters have every kind of job imaginable, but every so often, Hollywood invents careers that sound like they were pulled out of a hat. Of course, some of these professions are real, and others are meant to be a joke; they all still feel like they can only happen in the movie’s fictional universe.

These jobs are weird enough to steal the scene despite barely being the focus. Whether they existed in real life or were exaggerated for comedy, they’re the kinds of careers you never expect to hear someone casually mention.

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The Big Lebowski – Los Angeles Slacker

The Dude technically survives on unemployment checks and the occasional odd job, but his “career” mostly seems to consist of bowling, drinking White Russians, and somehow getting dragged into increasingly bizarre situations.

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Burn After Reading – CIA Gym Employee

Linda Litzke works at a fitness center, but her job quickly expands into amateur espionage, blackmail, and government intrigue. For someone whose official title is gym employee, she has an unusually eventful workweek.

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Office Space – Software Consultant

Peter Gibbons has one of those vaguely defined corporate jobs where even he struggles to explain what he actually does. His position becomes a running joke about meaningless office work.

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The Secret Life of Walter Mitty – Negative Assets Manager

Walter Mitty’s job is managing photographic negatives for Life magazine. It’s an oddly specific position that sounds completely fictional until you remember how magazines operated before digital photography.

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Thank You for Smoking – Tobacco Lobbyist

Nick Naylor’s official job is convincing people that cigarettes aren’t so bad. Being a professional spokesperson for the tobacco industry makes for one of cinema’s strangest white-collar careers.

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The Terminal – Airport Construction Inspector

Frank Dixon spends the entire film obsessing over airport regulations and renovation schedules. His incredibly specialized administrative role somehow turns him into Viktor Navorski’s greatest obstacle.

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Joe Versus the Volcano – Lightning Safety Inspector

Joe Banks works as a lightning safety inspector at a factory, a position so oddly specific that it feels completely invented. The movie never questions its existence, making it even funnier.

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The Devil Wears Prada – Second Assistant to the Editor-in-Chief

Andy Sachs lands a job with a title so specific it sounds fabricated. Her duties range from journalism to personal errands, proving the role is far stranger than the title suggests.

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Up in the Air – Corporate Downsizer

Ryan Bingham flies around the country firing employees on behalf of companies unwilling to do it themselves. It’s an incredibly niche profession that somehow supports an entire career.

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Michael Clayton – Legal Fixer

Michael Clayton isn’t a lawyer in the traditional sense. His job is cleaning up disasters for a law firm before they become public, making him equal parts consultant, negotiator, and crisis manager.

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The Hudsucker Proxy – Mailroom Timer

One of the executives is responsible for timing how quickly mail moves through the company. It’s exactly the kind of absurdly narrow corporate position only a Coen-style satire could invent.

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The Shape of Water – Government Laboratory Cleaner

Elisa works as a nighttime janitor in a secret government research facility. It’s already an unusual workplace before she unexpectedly finds herself caring for an imprisoned amphibious humanoid.

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Fight Club – Automobile Recall Specialist

The Narrator calculates whether companies should recall defective cars after fatal accidents. It’s a chillingly specific actuarial job that perfectly reflects the film’s critique of corporate life.

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World War Z – United Nations Investigator

Gerry Lane isn’t a soldier or scientist. He’s a former UN investigator whose oddly specialized background somehow makes him humanity’s best hope during a global zombie pandemic.

15 TV Scenes That Give Us the Chills Every Time We Watch

TV shows are at their best when we remember them as a whole, a package that tells a long form story that moves us in different ways. Yet certain scenes have consolidated the power of entire seasons into a single moment, through shock or iconic moments alone.

These moments are, of course, only iconic thanks to the shows that they are tied to. It’s our commitment to the show and understanding of its symbology that makes these scenes great. Yet once you understand the context, you can stop but look at them differently, remembering the impact they had.

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“I Am the One Who Knocks” – Breaking Bad

Walter White’s furious declaration to Skyler transformed him from desperate chemistry teacher into a man fully embracing Heisenberg. Bryan Cranston’s performance makes this speech just as intimidating on every rewatch.

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The Red Wedding – Game of Thrones

The massacre at the Twins remains one of television’s most shocking sequences. Even when you know exactly what’s coming, the mounting tension and devastating payoff never lose their emotional power.

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“Not Penny’s Boat” – Lost

Charlie Pace’s final message through the porthole became one of Lost’s defining moments. The quiet sacrifice and Michael Giacchino’s score combine for an unforgettable farewell.

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The Elevator Ride – Mad Men

After years of unresolved tension, Don Draper and Peggy Olson silently share an elevator following Peggy’s departure from Sterling Cooper. Their restrained exchange says more than pages of dialogue ever could.

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The Spear Catch – Vikings

When Ragnar catches King Aelle’s spear in midair and throws it back without breaking stride, the moment perfectly captures why he inspired such loyalty. It’s an effortlessly cool scene that still gives fans goosebumps.

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Ozymandias’ Confession – Watchmen

Adrian Veidt calmly explains that he carried out his plan thirty-five minutes earlier. The reveal completely flips the traditional superhero confrontation and remains one of television’s boldest endings.

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Captain Flint’s Monologue – Black Sails

Flint’s speech about civilization creating monsters perfectly captures the themes of Black Sails. Toby Stephens delivers the monologue with such conviction that it remains endlessly rewatchable.

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The Final Conversation – The Americans

Philip and Elizabeth’s garage confrontation with Stan Beeman delivers unbearable tension without a single punch being thrown. Years of friendship and deception collide in one extraordinary scene.

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“The Constant” Phone Call – Lost

Desmond finally reaches Penny after years apart. The emotional phone conversation, anchored by Henry Ian Cusick and Sonya Walger, is widely considered one of the greatest scenes in television history.

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The Bent-Neck Lady Reveal – The Haunting of Hill House

The revelation of the Bent-Neck Lady completely reframes the entire series. The heartbreaking twist transforms one of television’s scariest ghosts into one of its most tragic characters, making every rewatch even more powerful.

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Saul’s Courtroom Confession – Better Call Saul

Jimmy McGill abandons the deal of a lifetime and publicly accepts responsibility for his actions. Bob Odenkirk’s restrained performance gives the finale an emotional payoff years in the making.

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“The Body” – Buffy the Vampire Slayer

Rather than relying on supernatural threats, The Body confronts grief with brutal realism. The quiet moment when Buffy discovers her mother’s body remains devastating on every viewing.

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The Lighthouse Revelation – Midnight Mass

Father Paul’s confession about the “angel” completely reframes everything happening on Crockett Island. Hamish Linklater’s mesmerizing performance makes the revelation both terrifying and strangely beautiful.

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The Final Montage – Six Feet Under

Few television finales have matched the emotional impact of Six Feet Under. Watching each main character’s eventual fate unfold to Sia’s “Breathe Me” remains a deeply moving experience.

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Sherlock Faces Moriarty – Sherlock

The rooftop confrontation at St. Bartholomew’s Hospital is the culmination of Sherlock Holmes and Moriarty’s rivalry. Benedict Cumberbatch and Andrew Scott elevate a simple conversation into unforgettable television.

15 Actors Only Your Grandparents Could Name

Every generation has its movie stars. While today’s audiences instantly recognize modern A-listers, previous generations had icons whose fame once rivaled anything Hollywood produces now. These actors filled theaters, won Oscars, and became household names, only to gradually fade from popular conversation as decades passed.

Their influence remains enormous, but many younger movie fans would struggle to identify them by name. Ask your grandparents, however, and you’ll probably hear stories about standing in line to see their latest films. These stars dominated the silver screen in their day, even if time has made them far less familiar to modern audiences.

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Richard Widmark

Richard Widmark became famous for playing intense villains before evolving into one of Hollywood’s most dependable leading men. His performances defined film noir and westerns, though his name is far less familiar today.

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Dana Andrews

One of the defining stars of 1940s Hollywood, Dana Andrews headlined classics like Laura and The Best Years of Our Lives. Once a major box-office draw, he is rarely discussed by younger audiences.

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Van Johnson

Metro-Goldwyn-Mayer built Van Johnson into one of its biggest stars during the 1940s. His friendly screen persona made him immensely popular, though his fame has faded considerably over the decades.

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Robert Mitchum

Known for his effortless cool and unmistakable voice, Robert Mitchum became a legend through noirs and westerns. While film enthusiasts still admire him, casual audiences often overlook his enormous influence.

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Jean Arthur

Jean Arthur was one of the most beloved actresses of the 1930s and 1940s, starring in classics alongside Hollywood’s biggest names. Today, her work is remembered mostly by classic film enthusiasts.

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Glenn Ford

Glenn Ford successfully balanced westerns, dramas, and comedies across four decades. He was once among Hollywood’s most reliable leading men, but modern viewers rarely recognize his name.

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Ann Sheridan

Nicknamed “The Oomph Girl,” Ann Sheridan became one of Warner Bros.’ brightest stars during the Golden Age. Despite her popularity at the time, she has largely disappeared from mainstream recognition.

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Victor Mature

Victor Mature headlined biblical epics, noirs, and adventure films throughout the 1940s and 1950s. Although enormously successful during his career, he is far less remembered than many contemporaries.

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Burt Lancaster

Burt Lancaster won an Academy Award and starred in countless classics, from Elmer Gantry to The Leopard. His legacy remains strong among cinephiles, but younger audiences often overlook him.

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Deborah Kerr

Deborah Kerr built an extraordinary career through films like From Here to Eternity and The King and I. Despite multiple Oscar nominations, her name no longer carries the recognition it once did.

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Richard Conte

Richard Conte became one of film noir’s defining faces before appearing memorably in The Godfather. His performances remain admired, even if modern audiences rarely remember the actor behind them.

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Jane Greer

Best known for Out of the Past, Jane Greer became one of noir’s quintessential femme fatales. Her influence on the genre remains significant despite her relative obscurity today.

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Edmond O’Brien

An Academy Award winner and prolific character actor, Edmond O’Brien appeared in dozens of major films. His face remains recognizable to classic movie fans even when his name does not.

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Walter Pidgeon

Walter Pidgeon was one of MGM’s most respected leading men, earning multiple Oscar nominations throughout a career spanning decades. He was once a marquee attraction but is now largely forgotten outside classic cinema.

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Gene Tierney

Gene Tierney captivated audiences with films like Laura and Leave Her to Heaven. One of the most admired actresses of her generation, she deserves to be remembered far more often than she is today.

15 People Who Might Just Be the Coolest in the History of the World

What defines how cool someone was? Well, public perception more than anything else. So when deciding who was the coolest person in history, it all comes down to who you’re asking. If you’re asking us, we can’t just name a single person, since history is filled with legendary individuals.

Thanks to their achievements, these figures continue to fascinate long after their deaths. Coolness is impossible to measure, but some names come up again and again whenever people discuss the most remarkable individuals to ever walk the Earth. Here are some of history’s strongest contenders, in no particular order.

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Marcus Aurelius

Roman emperor Marcus Aurelius ruled one of history’s greatest empires while writing the Stoic reflections that became Meditations. Leading armies by day and contemplating virtue by night has made him an enduring symbol of wisdom.

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Gautama Buddha

After abandoning a life of luxury in search of enlightenment, Gautama Buddha founded one of the world’s major religions. His teachings on compassion and mindfulness continue to influence billions more than two millennia later.

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Sir Christopher Lee

Christopher Lee fought in World War II, became a horror icon, played unforgettable villains, recorded heavy metal albums, and kept acting into his nineties. Few lives combined adventure and artistry quite like his.

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David Attenborough

For generations, David Attenborough has introduced audiences to the natural world with unmatched enthusiasm and knowledge. His lifelong dedication to wildlife education has made him one of the most admired broadcasters in history.

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Fred Rogers

Fred Rogers believed kindness was a strength rather than a weakness. Through Mister Rogers’ Neighborhood, he spent decades teaching empathy, emotional intelligence, and respect to millions of children.

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Public Universal Friend

Born in colonial America, the Public Universal Friend rejected their birth name after a near-death experience and lived as a genderless religious leader. Their remarkable life challenged social expectations centuries ahead of its time.

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John Brown

John Brown devoted his life to ending slavery, ultimately leading the raid on Harpers Ferry in 1859. Though controversial in his own era, his unwavering commitment made him a lasting historical figure.

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Jimi Hendrix

Jimi Hendrix transformed electric guitar playing in just a few short years. His innovative sound, unforgettable performances, and fearless creativity permanently changed rock music despite his tragically brief career.

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Hildegard von Bingen

A medieval abbess, composer, scientist, philosopher, and visionary, Hildegard von Bingen excelled across disciplines rarely accessible to women of her era. Her influence still reaches music, theology, and natural history.

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Robert Smalls

Born into slavery, Robert Smalls escaped by commandeering a Confederate ship and delivering it to Union forces. He later served in Congress, becoming one of the Civil War’s most extraordinary heroes.

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Miyamoto Musashi

Japan’s legendary swordsman Miyamoto Musashi reportedly fought dozens of duels without defeat. His writings in The Book of Five Rings continue to influence martial artists, military strategists, and business leaders alike.

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Tom Waits

With his gravelly voice, unforgettable songwriting, and refusal to follow industry trends, Tom Waits built one of music’s most distinctive careers. His artistic independence remains as admired as his albums.

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Steve Irwin

Steve Irwin’s enthusiasm for wildlife conservation inspired millions to appreciate animals rather than fear them. His infectious energy and genuine love of nature made him an internationally beloved television personality.

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Samuel Clemens

Better known as Mark Twain, Samuel Clemens combined razor-sharp wit with timeless storytelling. His adventures, lectures, and satirical observations made him one of America’s most colorful literary figures.

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David Bowie

David Bowie constantly reinvented himself, embracing new musical styles and artistic identities throughout his career. His willingness to challenge convention made him one of popular culture’s most influential and enduring icons.

Supergirl’s Milly Alcock Reveals Favorite Scene from Woman of Tomorrow Comics

This week’s upcoming Supergirl movie starring Milly Alcock and directed by Craig Gillespie isn’t entirely adapted from Tom King and Bilquis Evely’s famed graphic novel, per se, but it’s heavily influenced by it. And if you’ve ever cracked open Woman of Tomorrow and its sci-fi, space-opera riff on True Grit, it’s easy to see why.

Even Milly Alcock admits to being blown away when she first devoured the book in preparation—and on social media—for Supergirl.

“It’s such a visceral world, it’s so vivid, and I was so seduced by the colors and the imagery of the world Tom King and Bilquis Evely presented,” Alcock tells us when we catch up in Beverly Hills. “Also the story was so surprising, I did not expect to read a comic book and find this messy, resilient, and incredibly kind person within the book.”

That emphasis on messy, and kind, is the recipe Alcock, Gillespie, and screenwriter Ana Nogueira are specifically following for a Supergirl movie that feels distinct from many other caped movies out there. While the marketing has obviously emphasized the space adventure aspect of the tale, which echoes producer James Gunn’s Guardians of the Galaxy trilogy at Marvel Studios, the actual Kara Zor-El film has a fairly somber and wistful tone.

The colors of Evely’s pages were eschewed in favor of a grungier, faintly dystopian aesthetic by Gillespie—whose vision has been compared not unfairly to Mad Max—but the core narrative of the book remains: a disaffected and traumatized superheroine gets roped into a road-trip journey with a young girl named Ruthye (Eve Ridley) after Ruthye’s family is slain by a space brigand. One element that especially carries over is witnessing the action from Ruthye’s POV.

Nogueira tells us framing the set pieces this way was another Gillespie choice, but the broader sense of adapting the graphic novel’s narrative with a child’s perspective was something the screenwriter brought to the material before a director was ever attached.

“It’s because Kara doesn’t feel extraordinary in her own life,” Nogueira explains about the two-hander nature of the story. “She feels like she’s less than, but in the eyes of this little girl she is the most incredible being Ruthye has ever come across, and so it was important to see Kara through the eyes of that child, and hopefully Kara can eventually see herself through the eyes of that child and learn to love herself and accept this mantle that feels so large.”

Indeed, Alcock reveals to us and Nogueira both that her favorite scene in the book is a simple sequence where King’s prose takes a backseat and Evely meticulously draws across two pages Kara teaching Ruthye, a provincial from a planet that is a cross between the Old West and feudal Japan, how to use running water.

“My favorite scene within the comic book is the scene where Kara teaches Ruthye how to wash her hands,” Alcock says. “That broke my heart, because it gave me such an insight into this person who has such extremities to care for others, I just adored it.”

An appreciation for the source material seems acute on this one, though, with co-star Jason Momoa getting to live his own adolescent fantasy by at last playing Lobo, the space-biker bounty hunter. Technically Lobo isn’t in King and Evely’s Woman of Tomorrow, but it proved true to another comic fan’s vision.

“I remember the walls of my comic book store in Iowa, and I remember being there with a friend who was the guy who introduced me to everything,” Momoa muses. “I don’t remember which one I got first. At that time I just bought a bunch of stuff, and it was just tons and tons of comic books.”

The ones featuring Lobo cumulatively left an impression on the Hawaiian actor, too, who originally lobbied to play the bounty hunter years ago before being cast instead as Aquaman in Zack Snyder’s version of the DC Universe in the 2010s. And it was also Momoa who directly texted James Gunn when news first trickled out that Gunn was probably rebooting the DCU in this decade. Much of the iconography we associate with Lobo—the motorcycle, the cigar, the leather—is here, as are elements that the actor invented wholecloth, such as giving Lobo basically metal talons on his fingers.

“It’s just more weapons,” says Momoa. “I think it’s just fun to be able to rip someone’s face off with claws. He’s got the fangs and everything, he’s just a big beast…. he’s a Grizzly Bear.”

Momoa seems to be a genuine fan of the material. When we even mention an infamous comic book story wherein Lobo is hired by the Easter Bunny, the actor interjects “to kill Santa Claus” before we finish our sentence. With that said, he’s not sure his Lobo would take that job.

“I mean, it’s tough to say. I like Santa Claus,” Momoa laughs. “I’m a fan of the character. But sure, I think there should be something funny in there, and Santa should definitely be in there, and I should definitely give him the eye.”

Of course not everything that works in a comic book works in a movie and vice versa. Some of this is due to commercial considerations, such as the fact that while Tom King’s Kara swears like a sailor, Alcock’s is only permitted one F-bomb in a PG-13 rating. Hence why they shot multiple scenes where Alcock dropped the four-letter word, leaving choices in the final edit.

“I had a favorite but it didn’t get in, it didn’t make the final cut,” Alcock sighs with a chuckle. “I can’t say what it is, because it might spoil things, but yeah, I had a favorite, and it didn’t make it in.”

It’s apparently the same as Nogueira’s, who half-jokingly teases that maybe on the Blu-ray they will include “all the F-bombs that we had.”

Other elements that are left out of the film are, perhaps, more fantastical, such as Supergirl’s winged Pegasus-like horse who can soar through the cosmos, Comet. Then again, while the magical steed (and his shockingly complex backstory) is not in Supergirl, the screenwriter doesn’t rule out the possibility of revisiting the character down the road.

“The Comet situation,” explains the screenwriter, “needs its own [story]—the reason it’s not here is there are certain things you need to move away from, but they need their own run to let the rest of the audience know about him.”

Perhaps in another movie Kara can form her own team of super-pets with Krypto the Super-Dog and Comet the Space Horse?

Supergirl is in theaters on Friday, June 26.

Marvel Rivals’ Biggest Roster Problem Isn’t Mutants, It’s Role Balance

Any X-Men fan knows that the team just isn’t complete without a certain optic-blaster. Thankfully, the NetEase Games developers behind Marvel Rivals seem to feel the same way. On June 12, Cyclops made his debut in the team-based hero shooter as part of the game’s season 8.5 update, finally bringing the X-Men’s field leader to the game’s hero roster. 

Other than excitement for such a fun character, Cyclops’ arrival ignited a steadily growing debate within the community: is Marvel Rivals adding too many mutants? It’s not an unreasonable concern at first glance…until one takes into account that there are 51 playable characters in the game and only 13 of them are mutants. 

Simply put, Marvel Rivals doesn’t have a mutant problem, it has a role balance problem. In fact, focusing on the mutant count distracts from what has increasingly been the game’s even deeper roster issue: the growing divide between damage dealers, tanks, and supports.

That imbalance stems from the ever-expanding Duelist roster. As more DPS heroes are added, and Vanguard and Strategist additions remain relatively scarce, team compositions become harder to balance. In recent seasons, this has created problems that have a much greater impact on actual matches than whether a character comes from the X-Men or Avengers.   

To understand why Marvel Rivals’ growing Duelist roster is becoming a problem, it’s important to first understand how team compositions work in hero shooters, and what Duelist, Vanguard, and Strategists even are for those unfamiliar with the game.

Often shortened to “team comp,” team composition refers to a combination of roles and skills a team chooses in order to create balance and achieve a shared goal, often protecting a moving convey or maintaining control of a designated area.  While individual skill matters and can either make or break a match, games like Marvel Rivals are designed around teams filling different responsibilities in order to create synergy. 

Marvel Rivals divides its playable characters, or “heroes,” into three primary roles: Vanguard, Duelist, and Strategist.

Vanguards serve as the game’s tanks, using their durability and defensive abilities to create space for teammates and to absorb incoming damage.

Duelists are the damage dealers, often referred to as DPS (damage per second), whose primary job is securing eliminations and applying offensive pressure. 

Strategists act as supports, offering healing, buffs, crowd control, and other utilities that help keep a team alive. 

Because each role serves a different and specific purpose, Marvel Rivals team comps function best on a 2-2-2 structure: two Vanguards, two Duelists, and two Strategists. This arrangement gives teams enough frontline presence to contest other players and protect convoys, enough damage output to win fights, and ensures equal healing to sustain pushes and survive enemy pressure. 

The problem arises when too many players gravitate towards the same role because of the lack of options in other roles. A team with four Duelists might seem intimidating in theory, but without enough healing or frontline protection, those damage dealers often struggle to stay alive long enough to make any impact in a match. 

That’s why many hero shooters encourage balanced role distribution through matchmaking systems or evenly spread role design. Marvel Rivals has neither. 

For Marvel Rivals, team comps are entirely up to player choice. There can be a team of all healers for all anyone cares (and from experience while that is fun, it doesn’t yield the most winning results). 

In theory, the freedom allows for creativity and experimentation, but in practice it often leads to teams overloaded with Duelists as they are typically the most favored role in team-based shooters.

Now compare this system to Blizzard Entertainment’s Overwatch, which utilizes a role queue system that requires teams to enter matches with one Tank, two Damage heroes, and two Supports. Players choose their preferred role before matchmaking begins, ensuring not only that every team starts with a functional composition but players maintain freedom of choice as well. 

While some players dislike the restrictions that role queues can sometimes impose, it largely eliminates the chaos of entering a match only to discover four teammates instantly locked DPS heroes. 

This issue becomes even more noticeable when comparing the makeup of each game’s roster. Marvel Rivals currently has 11 Stratigests, 13 Vanguards, and 27 DPS heroes. 

Compared to Overwatch that, while having a nearly identical roster size at 52 heroes, distributes the roles much more evenly: 11 Tanks, 13 Supports, and 18 DPS heroes. While damage dealers remain the largest role in both games, one clearly dominates the roster compared to the other. 

The result is a compounding problem for Marvel Rivals players that is much more frustrating than mutants. The game lacks both a system that guarantees balanced team compositions and, more frustratingly, continues to add DPS heroes to a role that players are already most likely to pick.  

The last Marvel Rivals season that didn’t introduce a new Duelist was season 5 in November 2025. For those unfamiliar with the game’s update structure, each season is split into two major content drops: an X.0 update that kicks off the season with a new hero and an X.5 midseason update that introduces additional content and one more hero. 

Season 5 expanded the roster with Rogue as a Vanguard and Gambit as a Strategist, giving tank and support players fresh options while keeping the game’s role distribution in check. 

Since season 5, every new hero added to Marvel Rivals has been a Duelist. Three straight seasons of damage-focused additions might not sound significant at first, but when Duelists already make up the largest role in the game, every new DPS hero added pushes the roster further out of balance. 

The issue isn’t that Duelists shouldn’t be added at all, either. Marvel has no shortage of iconic damage-dealing characters, and many fans have been waiting for heroes like Cyclops to arrive. What’s frustrating is that NetEase continues to prioritize DPS heroes despite having a massive pool of potential Vanguard and Strategist candidates to choose from. 

Marvel’s universe is filled with characters who could easily fit the tank and support roles. For the former, characters like Doctor Doom, Luke Cage, Ghost Rider, She-Hulk, and Carnage are some fan suggestions that have been thrown around on r/marvelrivals Reddit, the first of which being nearly confirmed for the future thanks to leaks and in-game teaser appearances. For the latter, characters like Silver Surfer, Nightcrawler, Wiccan, Quicksilver, and Vision have also been wished for.

Which makes the current trend of DPS-heavy seasons so puzzling. Marvel Rivals isn’t running out of characters to add, nor is it limited by the source material when it comes to assigning roles. In fact, NetEase has already shown a willingness to get creative with role design, with characters like Ultron being reimagined as a Strategist despite being one of Marvel’s most notorious villains.

Whether the developers pull from The Avengers, Fantastic Four, X-Men, or Marvel’s extensive roster of villains, there are countless characters who could help strengthen the game’s Vanguard and Strategist lineups while generating just as much excitement as Duelist reveals. 

Cyclops was a welcome addition to Marvel Rivals, and, again, there’s nothing inherently wrong with adding popular damage-dealing characters. However, if NetEase wants to improve match quality and keep players invested for the long haul, future roster expansions should place a greater emphasis on tanks and supports. 

The game doesn’t need fewer mutants, it simply needs more reasons for players to choose something other than DPS.

Who Remembers That Peter Parker Is Spider-Man in Brand New Day?

At the end of 2021’s Spider-Man: No Way Home, Doctor Strange (Benedict Cumberbatch) cast a spell that ensured no one would remember Peter Parker or that he is the MCU’s friendly neighborhood webslinger, but in Sony’s upcoming fourquel, Brand New Day, there is someone who remembers Spidey’s secret identity.

Brand New Day star Tom Holland, who is reprising the role of Spider-Man once more this summer, recently teased to IGN that the real villain of the movie is “still very much a secret” and “unlike anything we’ve seen in one of these movies before”, while also confirming that “one person” remembers Peter Parker after the events of No Way Home, stopping short of naming the character in question. Still, we have a few ideas.

Our first guess is the Hulk, and with good reason. Though Hulk seems to be in smash mode when it comes to Spidey in the latest Brand New Day trailer, and Bruce Banner (Mark Ruffalo) clearly doesn’t recall ever meeting Peter, his Jade Giant counterpart has a history of remembering secret identities, not just in the Brand New Day comics, but elsewhere, too.

In Paul Jenkins and Jae Lee’s Sentry comic book series for Marvel, Bob Reynolds (portrayed by Lewis Pullman in the Thunderbolts movie) begins to remember the Void after wiping everyone’s memory and tries to warn everyone that the Void is coming. However, no one remembers who he is, except one hero: Hulk. Having been hidden inside Banner during the memory wipe, Hulk’s memories remained intact. Could this be the case with Peter’s identity as well? After all, we do see Banner wearing a gamma inhibitor device that completely suppresses his Hulk transformation—for a while, at least.

Yet, like many of you, we’ve also heard the rumors that Sadie Sink is playing the X-Men mutant Jean Grey in Brand New Day, and that she will turn out to be the “secret” villain of the film. In the Marvel universe, magic and psionics are often written as distinct. Strange’s spell may well have worked on someone like Jean initially, but she’s powerful. Canonically, she can both alter mental pathways to repair psychic trauma and restore hidden memories. It’s totally possible that by the events of Brand New Day, Jean knows exactly who Peter is.

Of course, there are other (way more obvious) MCU characters who may know that Peter Parker is Spider-Man. We just might not have all the pieces of the puzzle yet. Frank Castle, a.k.a. The Punisher, seems to know exactly who Peter is in Brand New Day if we take the movie’s trailers at face value. There may also be other cameos in the movie that have yet to be revealed. If Doctor Strange doesn’t show up in this one, Wong (Benedict Wong) still might, as he’s done in a handful of other MCU projects. It’s far more likely that the Sorcerer Supreme himself is immune to spells cast on his memory, and he’s been keeping tabs on Earth’s Mightiest (potential) Heroes since the events of Shang-Chi and the Legend of the Ten Rings.

One more interesting possibility remains, and that’s the piece of the Venom symbiote that Eddie Brock (Tom Hardy) left behind in Peter’s universe in the post-credits of No Way Home. While Brock was returned to his own universe (where people hate “murderer” Spider-Man), the piece left behind will possess its own memories, which may not have been affected. The symbiote may well have found a new host by now and could have reminded them of what was lost during Strange’s spell.

It’s fun to speculate, but we’ll find out for sure when Spider-Man: Brand New Day is released on July 31.

Movie Scenes That Still Give Us the Chills Each Time We Watch Them

Movie fans will rewatch their favourite films over and over again with a joyful smile, remembering how it felt to watch those moments for the first time. Certain scenes, however, hold the same impact no matter how many times you watch them, making them particularly special.

Here, we’ve gathered the scenes that have most impacted audiences in cinema, although it is only a small selection. Even if your standout moment isn’t here, you won’t be able to deny the iconic nature of these moments, what they meant to cinematic history, and the power they still hold over audiences.

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For Frodo – The Lord of the Rings: The Return of the King

After three films of buildup, Aragorn turns to his friends and says, “For Frodo.” The charge that follows remains one of fantasy cinema’s most emotional and inspiring moments.

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Bullet Time – The Matrix

The first time Neo bends backward to dodge bullets changed action movies forever. Combined with the music and visual effects, the scene still feels like witnessing cinema reinvent itself in real time.

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Maximus Reveals Himself – Gladiator

After winning in the arena, Maximus removes his helmet and announces his identity to Commodus. The mixture of triumph, rage, and fear makes it one of the most satisfying reveals ever filmed.

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Barbossa Steps Into the Moonlight – The Curse of the Black Pearl

Captain Barbossa’s warning about ghost stories becomes unforgettable when moonlight reveals his skeletal form. It’s a perfect combination of atmosphere, visual effects, and delivery that still lands today.

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I Just Want to Go Home – Moon

The emotional weight of Moon builds toward a heartbreaking realization. The simple desire to return home becomes devastating once the full truth of Sam Bell’s situation is revealed.

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Jake Understands the Setup – Training Day

Sitting at the kitchen table, Jake slowly realizes he’s been abandoned by Alonzo. The scene is terrifying because the danger arrives through understanding rather than any particular action.

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Yoda Lifts the X-Wing – The Empire Strikes Back

Yoda effortlessly raising Luke’s sunken X-Wing remains one of the defining moments of Star Wars. John Williams’ score elevates the scene into something genuinely awe-inspiring.

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Gandalf Returns at Helm’s Deep – The Two Towers

As dawn breaks over Helm’s Deep, Gandalf appears exactly when hope seems lost. The combination of visuals, music, and payoff makes the sequence impossible not to feel.

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The Ceasefire – Children of Men

A crying baby briefly halts a brutal urban battle. Soldiers and civilians alike stop to stare in silence, creating one of the most powerful and unexpectedly moving scenes in modern cinema.

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The Stranger in the Background – The Strangers

One of horror’s most effective scares requires no loud noise. A masked stranger quietly appears behind Liv Tyler’s character and simply watches, creating unbearable tension through stillness alone.

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Michael Emerges from the Darkness – Halloween

Laurie backs against a wall, unaware that Michael Myers is standing behind her. His pale mask slowly materializes from the darkness, creating one of horror’s most iconic images.

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My Boy – Harry Potter and the Goblet of Fire

The return from the graveyard is horrifying, but Amos Diggory’s realization that Cedric is dead is what truly breaks the audience. His cries transform a fantasy adventure into genuine tragedy.

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The T-Rex Escape – Jurassic Park

The lack of music makes every sound matter. Rain, footsteps, and the creaking fence combine to create a sequence that remains one of the most suspenseful scenes ever filmed.

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The Opening Interrogation – Inglourious Basterds

Colonel Hans Landa’s conversation with the farmer begins politely and grows increasingly terrifying. The tension is almost unbearable because everyone involved understands the danger long before violence begins.

Google and A24’s AI Partnership Announcement Is Not Going Down Well

Earlier this month, Backrooms director Kane Parsons, who helmed the highest-grossing film to date for studio A24, said, “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.” Smash cut to this week, and A24 has inked an AI research partnership deal with Google’s DeepMind outfit to help develop AI-powered tech for filmmakers.

A24 Labs head Scott Belsky defended the deal, telling The Wall Street Journal that “We think there are better uses [of AI] that preserve creative control and support risk-taking,” and that these new AI tools “won’t look anything like the prompted generation type of AI that people feel uncomfortable with,” while Eli Collins, a VP at DeepMind, added, “We believe breakthroughs happen when you get technology into the hands of the best minds in the field.”

As you can imagine, Google’s $75 million investment in A24 for these purposes has not gone down well with fans of the indie entertainment company, which has already been scoring home runs at the box office with lower-budget titles like awards darling Everything Everywhere All at Once and Parsons’ Backrooms. Instead, social media feeds have been blasted with negative comments since the deal was announced.

“It’s quite disappointing that a company that just enjoyed the triumphant box office returns of staunchly anti-AI Kane Parsons’ BACKROOMS would make such a deal,” wrote filmmaker and actress Justine Bateman over on X. “All A24 directors should prepare to have your films altered against your wishes with this deal. Google is the company who bastardized THE WIZARD OF OZ for the Vegas Sphere run, inserting corporate CEO’s faces into the crowd, removing the director’s focus choices, etc.”

Other negative reactions also flooded in. “Incredible how Backrooms marketing and so much of the director’s stuff involves talking about how cool Blender is and how anyone can use it for production,” posted one writer. “To see that from A24 and then decide ‘yeah we need to push for ai’ is just insane. We really are in the worst timeline.” Another artist, posting “with all the love in the world for A24”, wrote, “You guys are doing just fine, you don’t need google money.”

Variety notes that the deal “does not give Google access to A24’s content library or its data,” and that it will allow A24 access to DeepMind’s research and infrastructure, while DeepMind collaborates with A24 to “build out new workflows.”

Although many filmmakers and fans remain unhappy about A24’s new partnership with Google, it’s unlikely to reverse the deal even as the backlash continues. This marks the first collab of its kind between DeepMind and a studio instead of a specific filmmaker, and it’s reportedly a multi-year contract.

15 Movie Facts Nerds Love to Pretend Other People Don’t Know

Every fandom has a handful of facts that get repeated so often they practically become part of the movie itself. Mention a beloved sci-fi, fantasy, comic book, or adventure film, and someone will inevitably bring up a famous behind-the-scenes detail.

The funny thing is that many of these facts are no longer obscure. They’ve been shared in documentaries, interviews, conventions, and countless internet posts for years. Yet movie nerds still love dropping them into conversations as if they’re revealing a closely guarded secret. These are the kinds of movie facts that real fans adore reminding everyone about, whether anyone asked or not.

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Han Shot First

One of the most famous movie debates revolves around Star Wars. Fans never tire of pointing out that Han Solo originally shot Greedo first, before later special editions altered the scene and sparked decades of arguments.

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The Stormtrooper Head Bump

A stormtrooper accidentally smacks his head on a doorway in Star Wars: Episode IV. The mistake was left in the film and became so famous that later productions jokingly referenced it.

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The Wilhelm Scream

The famous Wilhelm Scream has appeared in countless films, especially beloved genre movies. Once fans learn to recognize it, they tend to point it out every single time it appears.

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The Orc Knife Throw

During The Lord of the Rings: The Fellowship of the Ring, an Uruk-hai actor accidentally threw a real knife directly at Viggo Mortensen. Aragorn’s deflection in the finished scene was genuine, making it a favorite piece of trilogy trivia.

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Sean Bean Dies Again

Sean Bean’s reputation for dying in movies and television has become a meme unto itself. It’s often brought up whenever he appears in a new role, regardless of genre.

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The Asteroid Field Sound Effect

It’s hard watching The Empire Strikes Back without someone pointing out that one of the sounds used during the asteroid chase came from striking steel support cables. It’s a classic example of creative movie sound design.

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Blade Runner’s Unicorn Dream

Fans of Blade Runner love discussing the unicorn dream sequence and what it supposedly reveals about Deckard. Entire essays have been written about a scene that lasts only moments.

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The Raptor Sounds Are Tortoises

The terrifying velociraptor noises in Jurassic Park weren’t made by reptiles at all. Sound designers mixed recordings from several animals, including mating tortoises.

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The Alien Costume Secret

The actor inside the Xenomorph suit in Alien was 7-foot-2 Nigerian artist Bolaji Badejo. His unusual physique helped make the creature feel genuinely otherworldly.

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The Matrix’s Green Tint

Fans love pointing out that scenes inside the Matrix feature a green tint inspired by old computer monitors. It’s a consistency that has survived to its fourth installment.

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The One Ring’s Inscription

Lord of the Rings enthusiasts enjoy explaining that the inscription on the One Ring is written in the Black Speech of Mordor. It is one of Tolkien fandom’s favorite bits of trivia.

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The Back to the Future Refrigerator

Before settling on a DeLorean time machine, early concepts for Back to the Future involved a refrigerator. Fans have been sharing this fact for decades whenever the movie comes up.

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Boba Fett’s Tiny Screen Time

Boba Fett became one of Star Wars’ most popular characters despite having surprisingly little screen time in the original trilogy. Both admirers and detractors of the character love reminding people just how brief his appearances actually were.

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The Dice in the Millennium Falcon

Long before Disney turned them into a plot point, observant Star Wars fans noticed a pair of fuzzy dice hanging in the Millennium Falcon’s cockpit in the original film. It became a surprisingly famous background detail.

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The Improvised Handshake

Arnold Schwarzenegger’s iconic handshake challenge in Predator was improvised between him and Carl Weathers. Action movie enthusiasts rarely miss an opportunity to mention the story behind the handshake.

15 Celebrities You Didn’t Realize Lived So Long

Sometimes, we see a movie (usually an old one) and wonder what the life of that person must have been. Well, those actors might have been young in that film, but they continued on with their lives, often without us even noticing. A full life can be lived out of the spotlight.

Their careers may have peaked years before their deaths, creating the impression that they were gone long before they actually were. These celebrities all lived remarkably long lives, often spending decades beyond the period when most people stopped seeing them regularly on screen.

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Olivia de Havilland

Best remembered for Gone with the Wind and her classic Hollywood career, Olivia de Havilland lived to the age of 104. She spent decades as one of the last surviving stars from Hollywood’s Golden Age.

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Kirk Douglas

Kirk Douglas was already a screen legend by the 1960s, yet he lived until 2020 at age 103. Many younger movie fans were surprised to learn he survived well into the twenty-first century.

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Bob Hope

Bob Hope’s career stretched across vaudeville, radio, film, and television. Although many associate him with mid-century entertainment, he lived to 100, passing away in 2003 after a lengthy retirement.

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George Burns

George Burns seemed old even when he was young. The comedian and actor reached age 100, remaining active in entertainment far longer than most of his contemporaries.

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Mickey Rooney

A major child star in the 1930s and 1940s, Mickey Rooney remained active for decades and lived to 93. His lifespan connected some of Hollywood’s earliest years with the modern era.

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Zsa Zsa Gabor

Known for her glamour and celebrity status more than any single role, Zsa Zsa Gabor lived to 99. She spent many years largely out of the spotlight before her death.

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Betty White

Although remembered for The Golden Girls, Betty White’s television career began in the 1940s. She remained beloved into her late nineties and narrowly missed her 100th birthday.

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Norman Lloyd

Norman Lloyd appeared in films directed by Alfred Hitchcock and worked throughout television history. He lived to 106, making him one of the longest-lived performers in Hollywood history.

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Christopher Lee

Known for Dracula, Saruman, and Count Dooku, Christopher Lee continued acting into his nineties. Many fans forget he lived to 93 and remained professionally active almost until the end.

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Don Rickles

The legendary insult comic entertained audiences for generations. Even though his fame peaked decades earlier, Rickles continued performing and making appearances until his death at age 90.

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Ernest Borgnine

From Marty to The Wild Bunch, Ernest Borgnine built an impressive career before living to 95. He remained a familiar face on television and in films for decades afterward.

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Angela Lansbury

Many remember Angela Lansbury from Murder, She Wrote, but her career began in the 1940s. She lived to 96 and continued working on stage and screen for much of her life.

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Carl Reiner

Carl Reiner shaped American comedy as a writer, actor, and director. Despite being associated with much earlier eras of television, he lived until 2020, reaching the age of 98.

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Mel Brooks

Mel Brooks belongs on this list simply because many people forget he is still with us. The comedy legend was born in 1926 and has outlived many of his famous contemporaries.

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Dick Van D

Dick Van D became a household name in the 1960s, yet he remains active well into his nineties. His longevity continues to surprise audiences who associate him with much earlier television eras.

Klara and the Sun Trailer: Scream Queen Jenna Ortega Tries Sci-Fi in Delayed Taika Waititi Movie

Taika Waititi’s adaptation of Kazuo Ishiguro’s beloved dystopian sci-fi novel Klara and the Sun was first announced in 2020 and finished filming all the way back in April 2024, but Sony Pictures has only now finally pulled it off the shelf and announced an October 23 release date. The studio has also blessed us with a first trailer for the movie, which seems to have an odd tone but boasts a stellar cast that includes scream queen Jenna Ortega, Amy Adams, Natasha Lyonne, and Simon Baker.

Thor: Ragnarok director Waititi confirmed to Screen Daily in January of this year that he was still in talks with Sony about “when and where” Klara and the Sun would be released, adding that “festivals and stuff like that” were part of the movie’s outlook. It hasn’t been revealed which festivals are being targeted for preview screenings, but our best guess is the Toronto International Film Festival, which takes place in September. Waititi’s last movie, Next Goal Wins, also premiered there in 2023.

Here’s the official synopsis for Klara and the Sun:

“Klara (Jenna Ortega) is an Artificial Friend who wants nothing more than to find the perfect home. When Klara meets Josie (Mia Tharia), each immediately senses a kindred spirit in the other. Josie has a fraught relationship with her mother (Amy Adams) and they’ve suffered great loss, but Klara’s innocent wonder and unwavering loyalty begin to heal the family and bring light to Josie’s complicated world.”

You can take a look at the first trailer for the movie below…

It’s an interesting change of pace for Ortega, who seemed to have been aware that she’d found a bit of a niche as the “weird girl” in the likes of Wednesday, Beetlejuice, Beetlejuice, and The Babysitter: Killer Queen. Of course, since filming Klara and the Sun, Ortega has appeared in projects like Winter Spring Summer or Fall, and last year’s A24 fantasy movie Death of a Unicorn, but Klara and the Sun saw her break out of her mould at the time.

“Klara had just a pure, completely innocent, untainted optimism about her that you can’t find in a person of that age,” she told The New York Times. “Eventually you get older, and you’re a bit jaded or a bit scarred by certain things. You’ve learned a lot. You’ve maybe built a bit more of a wall. Klara didn’t have that wall, which is the complete opposite of a lot of the other characters I play where, you know, they hide who they are, or they don’t want their emotion to be seen. I just felt like it was a good place to be vulnerable and try something new.”

Klara and the Sun will be released in theatres on October 23.

The Best Versions Of Spider-Man

If we’re talking about who’s the best Spider-Man, then the original Peter Parker has no competition. There’s a reason why nearly every adaptation focuses on him, with only a handful changing the character either completely or with a few alterations. But the multiverse has more Spider heroes to offer.

What we have today are the best Spider-Man variants that do something different with the formula, either perfecting it, flipping it on its head, or straight up ignoring it. While 616 Peter will forever exist in our hearts, there is also room for some wackier versions of the character as well.

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Ultimate Spider-Man (Earth-1610)

The original Ultimate Spider-Man reimagined Peter Parker for a new generation without losing what made him relatable. Brian Michael Bendis’ long-running version remains one of the most beloved alternate takes on the character.

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Spider-Man 2099

Miguel O’Hara brought a darker, more futuristic edge to Spider-Man. His high-tech suit, tragic backstory, and willingness to bend Peter Parker’s moral code made him an instant fan favorite.

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Ben Reilly

As the Scarlet Spider and later Spider-Man himself, Ben Reilly gave fans another Peter Parker with his own personality and struggles. His redemption arc has only become more appreciated over time.

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Spiders-Man

One of Marvel’s strangest Spider-variants, Spiders-Man is literally a colony of radioactive spiders that consumed Peter Parker and now believe they are him. It’s bizarre, unsettling, and surprisingly memorable.

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Mayday Parker

Peter Parker’s daughter inherited both his powers and his sense of responsibility. As Spider-Girl, Mayday became one of Marvel’s most successful legacy heroes, earning a devoted fanbase through her long-running series.

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Assassin Spider-Man

This darker Peter Parker abandoned his usual no-killing rule after being recruited into a multiversal strike force. Seeing Spider-Man embrace lethal methods made this version stand out among countless alternate realities.

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Spider-UK

Billy Braddock’s Spider-UK combines Spider-Man’s powers with Captain Britain’s leadership qualities. He became one of the key organizers during Spider-Verse, helping unite dozens of Spider-heroes against overwhelming odds.

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Miles Morales

Miles Morales successfully accomplished what many thought impossible: becoming a second Spider-Man without replacing Peter Parker. His personality, powers, and stories have made him one of Marvel’s biggest modern successes.

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Pavitr Prabhakar

The Indian Spider-Man adapts Peter Parker’s origin to Mumbai while creating a unique cultural identity. His popularity exploded after Across the Spider-Verse introduced him to a much wider audience.

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Superior Spider-Man

When Doctor Octopus took over Peter Parker’s body, he genuinely tried to become a better Spider-Man. His ruthless efficiency and eventual growth created one of Marvel’s most compelling modern storylines.

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Spider-Gwen

Gwen Stacy’s reinvention as Ghost-Spider quickly became more than a clever alternate-universe concept. Her distinctive costume, emotional stories, and unique supporting cast turned her into one of Marvel’s breakout characters.

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Spider-Man Noir

Set in the Great Depression, Spider-Man Noir trades bright colors for trench coats, revolvers, and hard-boiled detective stories. His pulp-inspired world gives Spider-Man one of his most distinctive alternate identities.

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Spider-Punk

Hobie Brown fights oppression with electric guitars, punk rock, and complete disregard for authority. His rebellious attitude and unforgettable design helped turn a once-obscure variant into one of Marvel’s most popular Spider-People.

14 Actors Who Spent Entire Movies Looking Confused

Most actors have range beyond a single emotion, something we’ve seen time and time again as they perform. However, some movies don’t require more than one: an everpresent state of confusion. This can work for a while in movies with complex moving parts, but even then, you’d expect them to eventually get used to their situation.

Either due to a directorial mandate or lack thereof, these actors went through their movies with one face: bewilderment due to their non understanding. It’s amusing once you notice it, particularly for characters famed for being problem solvers.

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Keanu Reeves

In Bram Stoker’s Dracula, Keanu Reeves spends much of the film reacting to increasingly bizarre events with a perpetually bewildered expression. His confused demeanor has become almost as memorable as his much-discussed accent.

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Tom Cruise

Eyes Wide Shut follows Tom Cruise from one strange encounter to another. Nearly every scene leaves his character looking increasingly confused as he wanders through a mystery that never fully explains itself.

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Jesse Eisenberg

As Columbus in Zombieland, Jesse Eisenberg spends most of the movie looking like he can’t believe what’s happening. His constant uncertainty perfectly complements the film’s mix of horror and comedy.

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Chris Pratt

Peter Quill enters Guardians of the Galaxy believing he’s an ordinary outlaw. By the end, he’s encountered talking raccoons, living trees, and cosmic artifacts, spending much of the adventure visibly bewildered.

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Brendan Fraser

The Mummy repeatedly throws Brendan Fraser’s Rick O’Connell into supernatural chaos. Between resurrected priests and ancient curses, he often reacts with the expression of someone improvising every second.

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Martin Freeman

Bilbo Baggins spends much of The Hobbit: An Unexpected Journey wondering how his quiet life turned into a quest involving trolls, goblins, and dragons. Martin Freeman’s baffled reactions sell every absurd situation.

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Will Smith

In Men in Black, Will Smith’s Agent J discovers that aliens have been hiding in plain sight all along. His constant disbelief provides many of the film’s funniest moments.

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Jeff Bridges

The Dude in The Big Lebowski rarely understands why events keep spiraling out of control. Jeff Bridges spends much of the film looking pleasantly confused as increasingly bizarre people enter his life.

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Sam Neill

Few actors have looked more genuinely overwhelmed than Sam Neill in Jurassic Park. From seeing living dinosaurs to surviving a T-Rex attack, his stunned expressions mirror the audience’s own amazement.

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Daniel Radcliffe

Harry Potter spends much of the early films reacting to magical revelations with wide-eyed confusion. Daniel Radcliffe expertly portrays someone constantly discovering that the wizarding world is even stranger than he imagined.

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Michael J. Fox

Marty McFly barely has time to process one problem before another appears in Back to the Future. Michael J. Fox spends nearly the entire movie trying to understand increasingly impossible circumstances.

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Kyle MacLachlan

In Dune (1984), Kyle MacLachlan’s Paul Atreides is bombarded with prophecies, political conspiracies, and mystical visions. Much of the film finds him looking understandably uncertain about his destiny.

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Ryan Gosling

As Officer K in Blade Runner 2049, Ryan Gosling quietly pieces together a mystery that continually upends everything he believes. His restrained, confused reactions fit the film’s existential tone perfectly.

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Edward Norton

Before the truth becomes clear in Fight Club, Edward Norton spends much of the film looking exhausted, uncertain, and increasingly confused by the strange events unfolding around him.

14 Obvious Movie ‘Twists’ Everyone Saw Coming

Who doesn’t enjoy a good plot twist? You’re enjoying a movie, following the story closely, when all of a sudden everything gets turned on its head. Looking back, you can see the seeds of what’s going on, but you know that you could’ve never guessed it.

Now, a bad plot twist is one you see from a mile away. Sometimes you have the hope that, since it’s so obvious, the twist will be something else. But no, it’s just a bad script on a poorly made plot. These are the most obvious plot twists we’ve found, so we’re not that sorry to spoil most of them.

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Thanksgiving

Eli Roth sprinkles clues almost immediately, beginning with the opening sequence. By the halfway point, many viewers had already narrowed down the killer, making the eventual reveal feel more like confirmation than a genuine surprise.

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Spiral

Marketed as a fresh take on the Saw formula, Spiral telegraphs its central reveal early. Genre fans quickly suspected the true mastermind, leaving the final act with far less impact than intended.

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Alien: Covenant

The moment Walter and David disappear together, many viewers expected a switch. The reveal that David had replaced Walter plays out dramatically, but countless fans saw it coming long before the finale.

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Ghost Ship

Ferriman is mysterious, always appears at convenient moments, and even has an ominous name. It doesn’t take long for audiences to suspect he isn’t an ordinary salvager, making the supernatural reveal fairly predictable.

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MaXXXine

The mystery surrounding the killer generates suspense, but many horror fans identified the likely culprit early. The film succeeds more through style and performances than through keeping its central reveal secret.

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Intruder

Slasher fans often point out that simply studying the film’s promotional artwork gives away the killer. Once that clue is noticed, the mystery becomes far easier to solve before the ending.

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The Prowler

Despite some memorable kill scenes, The Prowler doesn’t hide its mystery especially well. Many viewers correctly identify the killer after only the opening stretch of the movie.

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Scream 4

Longtime Scream fans were already looking for the least obvious suspect, making Emma Roberts’ Jill an early favorite. Her motive is memorable, but her identity surprised fewer viewers than intended.

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Prometheus

Charlize Theron’s Vickers behaves less like a corporate executive and more like someone with a personal stake in Weyland’s mission. Her eventual connection to Peter Weyland felt obvious to many audiences.

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Reindeer Games

Charlize Theron’s character appears almost too perfect from the beginning. Thriller fans quickly suspected she was manipulating Ben Affleck’s character, making her betrayal one of the film’s least shocking moments.

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Incredibles 2

Evelyn Deavor’s name alone raises eyebrows, and her constant criticism of superheroes points suspicion in her direction. Many viewers guessed she was the Screenslaver long before the official reveal.

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The Forgotten

The film spends so much time insisting everything has a rational explanation that many viewers immediately suspected something far stranger. When aliens finally enter the story, the twist felt surprisingly unsurprising.

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Saltburn

The closing montage spells out Oliver’s manipulations in detail, but many audiences had already pieced together his schemes. Instead of revealing new information, it mostly confirms what attentive viewers already believed.

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Smile 2

Even before release, trailers led many horror fans to predict exactly where the sequel’s curse would end up. The marketing unintentionally made the movie’s final direction easier to anticipate than expected.

15 of Our Fittest Celebrities

Often, celebrities need to stay in shape because a given role demands it. That is not the life for all of them, however, since some of them want to stay in shape at all times. They include marathon runners and triathletes, martial artists and even endurance athletes; these stars have proven their dedication extends well beyond a movie set or concert stage.

Many have completed major races, embraced demanding training regimens, or spent decades mastering physically challenging disciplines. Their commitment isn’t about looking good on screen, rather about discipline, consistency, and pushing personal limits. These celebrities have earned reputations as some of the fittest and most athletic figures in entertainment.

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Terry Crews

Before becoming an actor, Terry Crews played in the NFL. He still maintains an intense workout routine focused on strength training and has become one of Hollywood’s most recognizable advocates for lifelong fitness.

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Jennifer Connelly

Jennifer Connelly is an accomplished distance runner who has completed the New York City Marathon multiple times. She has spoken about running as both a physical challenge and a way to clear her mind.

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Ryan Reynolds

Ryan Reynolds has transformed his physique repeatedly for action roles like Deadpool. His long-term commitment to strength training and conditioning has made fitness a consistent part of his career.

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Gordon Ramsay

The celebrity chef is also a dedicated endurance athlete. Gordon Ramsay has completed numerous marathons, Ironman triathlons, and other demanding races, often sharing his training progress with fans.

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Ellie Goulding

Singer Ellie Goulding is passionate about running and endurance sports. She has completed multiple half marathons and regularly discusses how fitness plays a major role in her mental and physical well-being.

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Mark Wahlberg

Known for his famously disciplined daily routine, Mark Wahlberg trains year-round with a combination of weightlifting and cardio. His commitment to fitness has remained consistent throughout decades in Hollywood.

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Zac Efron

Zac Efron embraced demanding workout programs for films like Baywatch and has maintained an active lifestyle involving hiking, climbing, swimming, and outdoor adventure sports beyond movie roles.

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Hugh Jackman

Preparing to play Wolverine required years of strength training and disciplined nutrition. Even between superhero films, Hugh Jackman has continued lifting weights and maintaining an impressively athletic lifestyle.

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David Goggins

Although better known today as an author and motivational speaker, David Goggins has appeared in films and television. His resume includes ultramarathons, Ironman triathlons, and some of the toughest endurance races on Earth.

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Natalie Dormer

Natalie Dormer completed the London Marathon in an impressive time while raising money for charity. She has consistently emphasized running as an important part of her overall fitness routine.

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Jason Statham

Before acting, Jason Statham competed nationally in diving for England. His background in athletics, combined with martial arts and functional strength training, helps him perform many of his own action sequences.

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Matthew McConaughey

Matthew McConaughey is an avid runner who has completed major road races and frequently trains outdoors. His lean physique has long reflected a lifestyle built around consistent physical activity.

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Joe Manganiello

Joe Manganiello’s muscular build comes from years of disciplined resistance training and careful nutrition. He has openly discussed treating fitness as a long-term commitment rather than something reserved for film roles.

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Chris Hemsworth

Chris Hemsworth has built his career around athletic roles, but fitness remains a priority off camera as well. He regularly trains with functional workouts, surfing, boxing, and high-intensity conditioning, even launching his own fitness platform.

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Cameron Diaz

Cameron Diaz has long been known for her commitment to an active lifestyle. She has completed the New York City Marathon and has frequently spoken about strength training, nutrition, and exercise as lifelong habits rather than temporary goals.

15 Vintage Photos of Gaming in the ’70s & ’80s

Video games have been around for quite a while, and it’s always a good time remembering the roots of it all. Mostly because, for most of us, the golden era of gaming is behind us. We might envy the children that grow up with today’s gaming scene, but we aren’t kids anymore.

For those of us that can still enjoy gaming, it’s still a warm feeling to remember the good old days. Back then, the sky was the limit, a few pixels represented eternity and you got what you paid for. These pictures represent a trip down memory lane, with all its ups and downs.

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Indie Developers

Gaming was for everyone, even back in the 70s. Here, we see soon-to-be engineers preparing to finish their final senior project, their very own video game.

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Ads In Comic Books

The comic book and video game scenes are somewhat related today, at least in terms of audience overlap, but back then it was even more so. Here, we see an ad for a video game on the back of a, you guessed it, comic book page.

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Video Game Wonder

The children born in the back end of the 80s were the first generation that grew up with video games. Of course, that wasn’t the case for the whole population, but like this picture shows, it was the case for some of us.

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Steven And E.T.

You might not know the legend, but the E.T. video game is considered by most the worst game ever made. That makes this image of Spielberg testing the game with awe on his face a little bit sad.

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The Video Game Store

Nowadays, the video game store is slowly dying in favor of purely digital purchases, but here we can see the craft on its first legs. Of course, before having dedicated stores, games were sold alongside other products, like at a cafe in this case.

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Test Your Future Games

A very common practice in video game stores was letting customers try out the games, like what we today know as a demo. Some people used these opportunities to beat entire games in one sitting, something frowned upon by the store owners.

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Space Invaders Competition

Unlike other, more casual competitions, the ones held for Space Invaders in the early 80s were quite organized, with devices made specially for the event. Since PvP wasn’t really a thing, players competed for the highest score.

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Trying The Atari Controller

As we know, adults were into video games just as much as children, and with home consoles, they were the ones that needed to know how the system worked. A small child wasn’t going to fix the console if something broke, after all.

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Perfect Distraction Tool

I think we can all agree that having a waiting area at the dentist, one filled with toys and video games, would make going there less of a hassle. This doctor was ahead of its time.

r/OldSchoolCool

Mystery Game

Here, we can see a bunch of kids hunched over a computer with excited poses. Now, we don’t know what they’re watching, but we doubt that’s homework; they’re more likely playing some new videogame at someone’s house.

r/OldSchoolCool

Waiting Game

The dentist wasn’t alone in modernizing the way we wait for things, since the Powell Street BART Station added Atari consoles for people waiting for their trains. We can only imagine the number of trains lost due to people having a bit too much fun.

r/OldSchoolCool

Console Wars

You might think that the console wars were always between Sony, Microsoft and Nintendo, but these companies weren’t reality a thing the further back you go. The original console wars were between the Coleco Vision, Intellivision and Atari.

r/OldSchoolCool

The Tech Store

The one place where you can still see physical video games being sold is at department stores around the world. The things on offer today may be different, but visually, little has changed at these places.

r/OldSchoolCool

The One That Started It All

No vintage video game list is complete without mentioning the progenitor of the medium, Pong. Here, we see some kids enjoying an afternoon of gaming, bouncing that ball around like their lives depended on it.

r/OldSchoolCool

First Spinach, Then Video Games

As we all know, the concept of Popeye was conceived so kids in America would eat more vegetables, spinach in particular. Well, Popeye did such a good job at that, that he was then used to sell other things like video games. Sadly, to lesser results.