Exclusive Interview: Jerry Ferrara on Last Vegas
We sit down with Jerry Ferrara (yes, Turtle from Entourage) to talk about his new film Last Vegas, as well as the legacy of his legendary show and his recent casting as boxer Arturo Gatti in a new biopic.
You likely recognize Jerry Ferrara as the fourth corner of the ulimate friendship square from HBO’s Entourage, but he is making sure you’ll know him for a lot more than that. For example, he was just recently cast as Arturo Gatti in a new boxing biopic and he can soon be starring alongside Mark Wahlberg in the latest Peter Berg movie. But before all that, he sat down with us this week to chat about his latest work that once more brings him back to Vegas with four friends….friends played by Michael Douglas, Robert De Niro, Morgan Freeman and Kevin Kline. The movie is Last Vegas and this is our exclusive interview with Ferrara. Den of Geek: So let’s start with the question I’m sure you’ve been asked a hundred times or more by now, that I’m sure you’re sick of answering; you get a call saying, “Hey Jerry, we want you to be in a movie with Kirk Douglas, Robert De Niro, Morgan Freeman, Kevin Kline, Mary Steenburgen, and others…” Do you even look at the script at that point? Jerry: Ferrara: Well you know what, that would have been the way it went down, but it kind of went a little bit in reverse. I had actually gotten the script first without hearing or knowing who was involved. I’m not even sure they had finished those guys’ deals at that point, but I’m not really sure why they didn’t say who was involved. I read it and I responded to it without knowing who was in it. Then when they told me who was in it, I was like, “Okay, do I have to pay you guys to be in this?” At that point it was a no brainer, “let’s lock this down.” When you knew then, did you have an idea of what you expected on set? Did you want this to be an extra learning experience or did you prefer to just kick back, have fun, and see how things go? It was sort of a mixture of both. I did make a promise to myself that I wasn’t going to “fanboy” out, and be “that” guy, because it’s easy to become that. There are questions that I wanted and could have asked, so I definitely decided to tame that part down a bit. There is something to be said about just laying back and observing, and watching. I have a front row seat to history in a way. These four guys have never worked together before, which is completely insane to me. You look at all the movies they’ve done in their careers, and they’ve never crossed paths acting wise, till this movie. I just decided that I was going to pull up my seat and watch this thing play out. Now your character, it’s easy to say when you first meet him, that he’s a complete tool. Then it gets to the point where, you don’t have to care for him, but he’s somebody you have to be compassionate toward in a certain manner. As an audience member, we have to start to love him, like the main characters do. Did you want to create large backstories for him, or did you just go with what was in the script and see how it flowed? You know what, it was pretty easy in the sense that, I know guys that are kind of like Todd; or should I say, I’ve seen guys like Todd. Maybe I had even been like that when I was much, much younger and dumber. To me, the interesting part of it was my job early on was to annoy the audience enough that when De Niro punches me that they almost want to cheer. Then the second half was like when you hear about guys who people say something about them like, “Oh, you know he’s only like that because he’s insecure.” Though, you never see that guy act insecure. So, I wanted to play it where there was this admission of, “Here’s why I act like an ass; because I don’t know how to talk to girls, and I have to get drunk to talk to girls.” I kinda’ played him like he was a virgin, that’s how bad he is with girls and social situations; he doesn’t even know what he’s doing. Are those points that all came from the script, or did you work on those ideas with Jon (Turtletaub) or Dan (Fogelman)? That’s all stuff that came out of just talking with Jon and Dan. I told them, this is how I see it, and just tell me if you think that is a good direction to go in, and they were very supportive of that. They said, “We’ll pull you back if it’s too much or push you if it’s not enough.” That’s exactly what they both did, and Jon particularly; he just can’t get enough credit for this movie. Talk about being the captain of a very big ship. That’s exactly what Jon Turtletaub was. You know, thinking about Jon [Turtletaub], a lot of times when I hear his name, I only think of things he’s done recently, and I kind of forget all of the different genres of films he’s made over the years. When he walked onto the set, did you have this feeling that he was immediately in control of things, or do you feel you saw him still growing as well? He absolutely had control of it all, but that’s the things I have always noticed about Jon; he’s in control, but he’s not controlling. There’s a difference between being in control of something, where you’re confident and there’s an ease to everything, as opposed to being controlling. Obviously, he wasn’t micromanaging those four guys, but I can’t think of another director who could have done as good as a job [as] Jon. He was just perfect for directing this movie.


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