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I Love You Phillip Morris review

Mark Harrison


Jim Carrey and Ewan McGregor take centre stage in I Love You Phillip Morris. And Mark's been along to check the film out...

Published on Mar 18, 2010

There are typically only two means through which ‘gay' movies make it into the American mainstream. The first is through prestige and ‘worthiness'. The excellent Brokeback Mountain resides here, but that it lost the Academy Award for Best Picture to racial-tension potboiler Crash was more a statement about America's guilty conscience on the subject than of which film deserved it more.

The second is to portray homosexuality as a joke. This has proven the more financially viable route Stateside, with the lamentable I Now Pronounce You Chuck & Larry taking a lot more at the box office than the award-winning ‘gay Western'. While we're hardly living in the dark ages, there's no denying that cinema-goers aren't entirely comfortable with this supposed taboo just yet.

Enter I Love You Phillip Morris, which crosses between both and has thus had a troubled path to cinemas. Indeed, at one stage it looked likely that the film would go straight to DVD. The subject of the studios' reticence is Steven Russell, played by Jim Carrey, a Texan cop who comes out of the closet in the wake of a near-fatal traffic accident.

Steven then ups and leaves his happy (and more challengingly, Christian) family to live in excess with his boyfriend Jimmy, becoming a conman to fund his expensive new lifestyle. When the law catches up with him, Steven is sent to prison, where he meets Phillip Morris, played by Ewan McGregor. The mild-mannered Phillip has his head turned by Steven, and the two spend the next few years flitting in and out of jail in their efforts to be together.

Jim Carrey has had hits and misses in both his comedic and dramatic roles, and I'm pleased to report that his work in I Love You Phillip Morris counts as a hit. He strikes just the right balance, in a marriage of his more over-the-top acting (Liar Liar), and his more restrained and dramatic performances (The Truman Show).

While Ewan McGregor amiably continues to get his career back on track now he's finished faffing about with George Lucas and Dan Brown, and Leslie Mann makes a brief but memorable impression as Steven's befuddled ex-wife, it's really Carrey's show. He's surprisingly intense in places, but he still has better comic timing than most actors working today, and he's never any less than compelling here.

The mix of comedy and drama in the script itself is often unsettling, but you can really expect nothing less from Glenn Ficarra and John Requa, the writers of Bad Santa.

At key points of the film, you'll have the rug pulled out from underneath you in much the same way as the victims of Steven's cons. It can lull you into a false sense of poignancy and then make you laugh out loud. It can have you chuckling away and then emotionally sucker-punch you. Whatever your thoughts on homosexuality, this isn't a film you can relax into.

The ‘gay thing', as I've heard it referred to by more uncomfortable viewers than I, is never really the punchline to any of the jokes, and the film is better for it. Only one scene stood out as a contrivance. An escape attempt by Steven leads him to procure some clothes from another inmate. Apparently, all he could get was a leopard-print mesh vest and some red hotpants. Either he's the least resourceful inmate ever, or the writers really wanted to put Carrey in that kind of sight gag.

Besides that, the only other off-putting aspect of the film was the appearance of Brennan Brown, better known to cinema fans as Mr. Dresden, the mind-addled film producer from those Orange ads before the film begins. Just as in last year's State Of Play, it's really jarring to see him doing anything serious when you saw him just a short while before, trying to get Danny Glover to promote ‘Dial Hard'.

On the whole, I Love You Phillip Morris is funny as hell, and in several instances, it's really profound. Ficarra and Requa never shoehorn homosexuality into any of the parodic tropes you've seen elsewhere, and it's just a very well-written and likable comedy.

I don't doubt that The Bounty Hunter is a more likely romcom prospect this weekend, but shame on the American distributors, anyway. In this case, audiences should choose Ewan McGregor as the lead love interest over Jennifer Aniston any day.

4 stars

 

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Re: I Love You Phillip Morris review
Posted By Sarah_Jayne 1 March 19, 2010 08:32:24 AM

If it is that good then you would never at all know it from the trailer. The trailer looked very Chuck and Larry and had my vote as the worst of the year so far with all the emphasis being on 'ha ha they are gay'.

Re: I Love You Phillip Morris review
Posted By MadProphet 1 March 19, 2010 09:09:53 AM

I think that's sadly symptomatic of how Hollywood thinks they have to market it to draw audiences. Time will tell how it fares, but regardless of the marketing, it IS that good :) Mark

Re: I Love You Phillip Morris review
Posted By MadProphet 1 March 19, 2010 01:28:49 PM

If anyone listens to Kermode and Mayo's Film Review, that's me stammering and doing a really crap impression of Steven on today's show/podcast. Curse them. Mark.

Re: I Love You Phillip Morris review
Posted By Sarah_Jayne 1 March 19, 2010 03:46:19 PM

lol...I am a total Wittertainment head. I missed today's show because of the different time but I will listen out for you on the podcast. Should we all say 'hello MadProphet' when that happens?

Re: I Love You Phillip Morris review
Posted By MadProphet 1 March 19, 2010 04:46:38 PM

Having listened back to the podcast, I don't think I was bad as I'd originally cringed about. They only gave me a minute before I was on air, and they flustered me. Mark in Los Angeles wanted to shut up Mark in Middlesbrough to review a Jackie Chan film, so I don't know if they'll join you in saying hello :P

Re: I Love You Phillip Morris review
Posted By Sarah_Jayne 1 March 21, 2010 01:41:14 AM

Heard it today and you did fine. They were just rushed for time.

Re: I Love You Phillip Morris review
Posted By solaco111 1 March 21, 2010 05:32:42 PM

I completely agree :) saw it last week, probably the first film I've seen at the cinema that I truly enjoyed in a long time :)

Re: I Love You Phillip Morris review
Posted By MadProphet 1 March 22, 2010 04:19:36 PM

Thanks Sarah_Jayne :)

Re: I Love You Phillip Morris review
Posted By serendipia 1 September 26, 2010 02:24:41 PM

Como resultado de mis experiencias de vida y de la observación de la vida de los demás, hace bastante tiempo descubrí que existen dos clases de manipulación: perversa-agresiva, y perversa-afectuosa. La primera es obvia; la segunda, peligrosamente sutil e invisible. Ambas, perjudiciales y funestas, por supuesto. Es común hallar ejemplos de manipulación negativa en los ámbitos familiares, laborales y en los vínculos de amistad y pareja. Además de haberse escrito una vasta literatura al respecto, hay una película que podría considerarse el “Manual del Buen Manipulador”. Esta película es horrible, malísima, pero muy útil a la hora de espabilarse y aprender a identificar a los manipuladores y a cómo conducirse sabiamente con ellos. La película es “Basic Instinct II”. El perfil psicológico de Catherine Tramell aparenta ser ridículamente exagerado, sin embargo, en la realidad todo es posible. Lo que sucede es que no nos enteramos o no prestamos atención. En el film puede verse con total claridad las tres actitudes posibles hacia un manipulador: enfrentamiento, cuya consecuencia incluye riesgo de violencia explícita; indiferencia, la reacción perfecta; y la atracción, la peor decisión, porque aniquila en vida. La segunda modalidad de manipulación es, como ya comenté, peligrosamente sutil, porque se basa en las emociones y afectos. ¿Cómo puede ser posible que el amor cause tanto caos y sufrimiento? En realidad, no es amor. El amor es inequívoco, estable, positivo, nos inspira alegría, paz, felicidad, nos hace sentir buenos, generosos, eternos, potenciando lo mejor de nosotros mismos y de los demás. Casos como el de “I love you Phillip Morris”, conozco a montones. Personas que sin haber resuelto su identidad, sin haber superado los conflictos de la infancia, del pasado, se largan a la vida a provocar, inconscientemente o no, el mismo sufrimiento que han experimentado desde siempre. Tan peligrosa y demencialmente manipuladora es esta clase de gente, que el personaje de Ewan Mc Gregor, después de decirle unas cuantas verdades y alejarse prudentemente de él, termina claudicando y ensalzando sus “cualidades”. Un proverbio árabe dice: “La primera vez que me engañes será culpa tuya. La segunda, será culpa mía”. Todo aquel que no acepta y supera su pasado, es decir, que no MADURA, se convierte en manipulador y verdugo de todos a quienes se acerca: mentiras, estafas, aniquilación en vida. Hay que estar muy atento y tomar las decisiones adecuadas para no caer en sus redes. Para ello hay que, fundamentalmente, amarse a sí mismo, a fin de respetar el primer y único mandamiento: vivir una vida sana y plena, basada en el verdadero AMOR.

Re: I Love You Phillip Morris review
Posted By MadProphet 1 November 3, 2010 01:48:52 PM

Wow! Had to put that through Google Translate, but that was really insightful. Gracias!

Re: I Love You Phillip Morris review
Posted By 04BennettCH 1 January 3, 2011 05:41:24 PM

Spanish from what I can tell using google. I think the translation may not have done it justice, but interesting point. I watched this last night, rented it from Blockbuster despite it being in the cinema, what up with that? I agree that it was a brilliant performance by Jim Carey, but in my opinion I think Ewen McGregor had the better performance, I really liked his innocence and sweet portrayal I would normally associate with a female love interest.
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I Love You Phillip Morris

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