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Music in the movies: Spotlight on Tom Waits

Glen Chapman


Glen's weekly look at movie music considers Tom Waits, and the highlights of an impressive career...

Published on Feb 2, 2010


"The devil doesn't have the best tunes. Tom Waits does." - Johnny Depp

I've been wanting to write a piece on Tom Waits for quite some time so thought that it would be a good fit now that I'm doing this Music in the Movies column. I will attempt to provide a fairly brief overview of some of the great man's work. This will be by no means an exhaustive list (that would be obscenely long), more of what I consider some of his highlights of his career

Music career

Tom Waits has had a long and successful music career that began in the 1970s and continues to this day. Musically, what he's producing now is considered slightly more experimental than his earlier output. Listening through his work chronologically, it's interesting to chart his evolution as an artist.

Even with the move to experimental material, he remains a great storyteller with his songs. Frequently his songs focus on deadbeat characters that wouldn't be out of place in novels by Bukowski, Burroughs or Kerouac.

Waits is able to draw out a number of emotions from listeners (well, this is the case for me, at least) with albums that can contain songs that can make you laugh, terrify you and break your heart.

I didn't start listening to Waits until I was in my early twenties, however, I distinctly remember watching 120 minutes on MTV one night when I was a teenager and seeing the video to What's He Building In There? and being utterly terrified. I'm not sure who directed the video, but the imagery works perfectly with Waits' track.

I go through phases of favoring a number of different Waits albums, depending on what mood I'm in; mostly it's Real Gone which is his most recent full studio album.

Soundtrack work

Waits' music has appeared in a number of movies and TV shows, but his first attempt at composing an entire film earned him an Academy Award nomination. The soundtrack was for Francis Ford Coppola's 1982 musical One From The Heart, which is, perhaps, best known as the film that bankrupted Coppola due to the costs of the production spiraling out of control. Waits, accompanied on a number of songs by Crystal Gayle, provides a near perfect soundtrack and one that provides a great match for the narrative of the film. As a standalone album it's also up there with the best of Waits' back catalogue.

Waits appears briefly in the film as a trumpet player, but his work with Coppola here lead to him appearing in a number of his later films in slightly more substantial roles. Due to him being a close family friend of the Coppolla's' he performed at the wedding of Spike Jonze and Sofia Coppolla. I can't think of a cooler person to perform at a wedding.

Acting career

Tom Waits in Rumble Fish (1983)

Waits' made his acting debut in Sylvester Stallone's 1978 movie Paradise Alley, playing a piano player called Mumbles. Since then he has gone on to appear in a number of excellent movies, working with some acclaimed directors along the way. He has collaborated with indie auteur Jim Jarmusch and Francis Ford Coppola (as mentioned previously) a number of times. Indeed. after his debut he appeared in three straight Coppola movies (four if you count an uncredited appearance in One From The Heart), The Outsiders, Rumble Fish and The Cotton Club.

His conversation with Iggy Pop in Jarmusch's Coffee And Cigarettes is, perhaps, my favorite segment of the film, although it is close between that and Bill Murray's conversation with Rza and Gza. He also appears as Zack in Jarmusch's brilliant Down By Law and lends his vocal talents to the role of radio DJ in Jarmusch's Mystery Train.

Tom Waits in Coffee And Cigarettes (2003)

Waits' most praised performance to date would be as Mr. Nick, the Devil, in Terry Gilliam's The Imaginarium Of Doctor Parnassus, a role that, according to Gilliam, Waits was born to play. As good as his performance in Parnassus is, his role as Doc Heller in Mystery Men remains my personal favorite. At the time of writing this I haven't seen the Book Of Eli, so can't comment on the quality of his performance as the Engineer, however, from the clip I've seen it looks very promising.

Tom Waits in Mystery Men (1999)

Songs in other media

Versions of Waits' song Way Down In The Hole (from the 1987 album Franks Wild Years) are used to accompany the title sequences for The Wire. Wait's original accompanies season 2 and the other series' credits are accompanied by The Blind Boys Of Alamama, Neville Brothers, DoMaJe and Steve Earle.

There's a documentary on the possible reconciliation between the sons of Pablo Escobar and the sons of some of his victims entitled Sins Of My Father after the Waits song, which also features in the documentary.

Waits has collaborated with his wife, Kathleen Brennan, and Robert Wilson on three plays: The Black Rider, Alice and Woyzeck. Waits and Brennan composed the music for the three plays whilst Brennan directs. The Black Rider also features contributions from William Burroughs and is a strange listen, to say the least. This is certainly not one for newcomers to Waits. Alice and Woyzeck (album is titled Blood Money) are excellent albums that are well worth a listen.

In terms of what's next for Waits, there's no news on an album currently being worked on by Waits. His latest release, Glitter & Doom, is a live album taken from his 2008 tour of the same name. I rather stupidly chose not to attend any of the European dates - a combination of me being tight (would have cost around £300 including ticket, travel and hotel) and not being able to convince anyone to go with me (mainly because of the price). It's something that I hugely regret and I really hope there's a tour in the not too distant future.Iif there is if won't be making the same mistake again, regardless of cost.

With regards to acting, there's no news on any projects being lined up for release after The Book Of Eli. I can't imagine that it will be too long before Waits appears on our screens.

Here are a few of the many tracks that I listened to whilst writing this:
Step Right Up
Frank's Wild Years
Big In Japan
Long Way Home
I Hope That I Don't Fall In Love With You
You Can't Unring A Bell
Goin' Out West
Way Down In The Hole
Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen)
Downtown Train
What's He Building In There?
Singapore
Falling Down

Let us know what your Waits favorites are in the comments below.

 

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Users Comments

Re: Music in the movies: Spotlight on Tom Waits
Posted By Nocturne 1 February 2, 2010 11:28:05 AM

Another great article Glen, I have to confess I haven't really heard any Tom Waits stuff but I'll check out the list you listened to. Is there a particular favourite you'd recommend ?

Re: Music in the movies: Spotlight on Tom Waits
Posted By GlenChapman 1 February 2, 2010 01:40:10 PM

Thank you very much. I'm glad you enjoyed it. If I had to chose particular tracks from the list I'd go with Big in Japan, Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen) and Step Right Up. Although I love all of them. The album Real Gone is closest to my tastes, but isn't considered his best work. In terms of what albums are considered his best work; I'd suggest Small Change and Rain Dogs as good starting points. You should be able to pick up most of his albums for under £5 each.

Re: Music in the movies: Spotlight on Tom Waits
Posted By cbrigden 1 February 2, 2010 02:37:09 PM

Surprised at no mention of DRACULA, his nutty Renfield is my favourite thing from that film aside from Woljech Kilar's incredible score. Understand why you didn't mention DOMINO though, as much as I love it. Not too familiar with Waits outside of movies, but this and other forces has tempted me to dip in next payday. Great work, Glen!

Re: Music in the movies: Spotlight on Tom Waits
Posted By GlenChapman 1 February 2, 2010 04:07:22 PM

Ha, yeah. He's good in Dracula. I've got nothing against Domino either - just tried to keep it to my favorite performances so I didn't get too carried away. Could have easily gone in to a lot more detail on the acting and music career sections, but tried to keep the piece to a reasonable length. I'm delighted that you and Nocturne are considering checking out his stuff. I only got in to him about 6-7 years ago, but I listen to him a hell of a lot. I can’t imagine that you’ll be disappointed.

Re: Music in the movies: Spotlight on Tom Waits
Posted By sdeal 1 February 3, 2010 01:22:19 PM

I've been listening to Tom Waits since the 70's and Actually play a few of his tunes myself. He's an amazing musician and, as an actor, always steals the show when I see him on screen.Dracula, Rumblefish, Down by law, etc..where all better films because of Tom's character drenched influence...Favourite song is "Postcard from a hooker in Mineanapolis" or maybe "franks wild years" or maybe...

Re: Music in the movies: Spotlight on Tom Waits
Posted By James-Clayton 1 February 4, 2010 07:50:45 PM

It's always great seeing Waits pop up in as film. His devilish turn in The Imaginarium of Doctor Parnassus is sublime and when others are embarassing themselves in Dracula, his Renfeld is excellent. Great stuff, I need to see more of his movies...

Re: Music in the movies: Spotlight on Tom Waits
Posted By Geordie2004 1 February 4, 2010 10:19:57 PM

Good read. :) I'm a fairly big Tom Waits fan as well when it comes to his music, and I loved his performance in The Imaginarium Of Dr. Paranassus. Question: Why did you pick a French poster as your image for this article? Is that the only place such a Waits-centric poster was used for the film?

Re: Music in the movies: Spotlight on Tom Waits
Posted By GlenChapman 1 February 5, 2010 08:53:52 AM

Hi, I picked the French poster as I stumbled accross it and thought it was ace. Not sure if an English version exists.

Re: Music in the movies: Spotlight on Tom Waits
Posted By ardinlalui 1 September 15, 2010 05:33:30 AM

Awesome post. I love Tom Waits and his music and acting has transformed all of these films.
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