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Movies
Features
Black & white movies that might just completely destroy you
By
Kirsten Howard
News
Speed 2: why Keanu Reeves turned it down
By
Simon Brew
Reviews
Pan Review
By
Matthew Schuchman
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Features
Bryan Singer’s X-Men 2: what it got right
By
Rob Leane
Features
The Other Frankenstein Monster: The Strange Fate of Glenn Strange
By
Jim Knipfel
Reviews
Knock Knock Review
By
Don Kaye
Features
Studio Ghibli: its final films, the future of 2D animation
By
Ryan Lambie
Features
Steven Spielberg & Tom Hanks Talk Bridge of Spies, Coen Brothers & Putin
By
David Crow
Features
How The Godfather Killed The Mafia
By
Tony Sokol
Reviews
Sicario review
By
Ryan Lambie
Reviews
Turbo Kid review
By
Andrew Blair
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Reviews
The Green Man DVD review
By
Aliya Whiteley
Features
Ash vs. Evil Dead: Bringing Horror Back from the Dead
By
David Crow
Features
Robert Zemeckis Interview: The Walk, Modern Filmmaking
By
Louisa Mellor
Reviews
Steve Jobs Review
By
David Crow
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Features
Jon Watts interview: Cop Car, Clown, Spider-Man, Eli Roth
By
Rob Leane
Features
The Martian: Isolation in Space Movies & Loneliness in Cinema
By
James Clayton
Features
25 Great Directors Working Outside Mainstream Cinema
By
Wil Jones
Reviews
The Walk review
By
Louisa Mellor
Features
All That Jazz: The Musical’s Closest Brush with Death
By
David Crow
Features
Harry Gregson-Williams Interview: The Martian, Ridley Scott, Hans Zimmer
By
Ryan Lambie
Features
Cinematographer Roger Deakins on Sicario and Blade Runner 2
By
Don Kaye
Features
Brit Marling: The Keeping Room ‘Felt Really Fresh’
By
Don Kaye
Features
Spawn: did the movie deserve more love?
By
Matt Edwards
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