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Speed 2: why Keanu Reeves turned it down

Pan Review

By Matthew Schuchman

Bryan Singer’s X-Men 2: what it got right

The Other Frankenstein Monster: The Strange Fate of Glenn Strange

Knock Knock Review

By Don Kaye

Studio Ghibli: its final films, the future of 2D animation

Steven Spielberg & Tom Hanks Talk Bridge of Spies, Coen Brothers & Putin

How The Godfather Killed The Mafia

Sicario review

Turbo Kid review

By Andrew Blair

The Green Man DVD review

By Aliya Whiteley

Ash vs. Evil Dead: Bringing Horror Back from the Dead

Robert Zemeckis Interview: The Walk, Modern Filmmaking

By Louisa Mellor

Steve Jobs Review

Jon Watts interview: Cop Car, Clown, Spider-Man, Eli Roth

The Martian: Isolation in Space Movies & Loneliness in Cinema

By James Clayton

25 Great Directors Working Outside Mainstream Cinema

The Walk review

By Louisa Mellor

All That Jazz: The Musical’s Closest Brush with Death

Harry Gregson-Williams Interview: The Martian, Ridley Scott, Hans Zimmer

Cinematographer Roger Deakins on Sicario and Blade Runner 2

By Don Kaye

Brit Marling: The Keeping Room ‘Felt Really Fresh’

By Don Kaye

Spawn: did the movie deserve more love?

By Matt Edwards

The Inhumans: How Marvel is Getting Them Ready for Stardom

By Gavin Jasper

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