Features

The Fantastic Four Reboot is Already a Good Thing

John Travolta and his assorted career comebacks

What playing the piano means in the movies

By Aliya Whiteley

The Strange Life of Captain Blood

Videodrome: How Cronenberg Subverts the Noir Thriller Genre

Tom Kenny Interview: The Voice of SpongeBob SquarePants

Gotham: how many villains is too many?

Why Amy Schumer Feminism Is the Best Feminism

By Daniella Bondar

Sherlock: Steven Moffat on the Ghost Story Aspects of the Special and More

Why X-Men: Days of Future Past Could Only Work In 1973

How You’re The Worst Became One of TV’s Best Comedies

Gritty Little Women and Cultural Gentrification

Steve McQueen's Most Powerful Performances

By Aliya Whiteley

26 incredibly arduous film productions

Vacation Directors: ‘We Didn’t Want to Disappoint Anyone’

By Don Kaye

Welcome to the Golden Age of TV Sitcoms

By Daniel Kurland

Michael Crichton's Runaway: 1984's Other Killer Robot Movie

The top 50 80s kids' TV themes

By Andrew Blair

Andy Daly Talks Rejected Reviews, What to Expect in Review Season 2

By Daniel Kurland

Could Pulp Novels Be Hollywood's Next Comic Books?

Why BoJack Horseman is the new Mad Men

By Gabriel Bergmoser

13 Unlikely Action Movie Stars Who Deserve Another Shot

The Last Man on Earth: Dissecting the Psychology Behind the Apocalypse

By Daniel Kurland

Limmy interview: Daft Wee Stories