Switch episode 2 review
Despite strong cast chemistry, Switch is beginning to test Caroline's patience. Here's her review of episode two...
This review contains spoilers.
Last week’s premiere of new ITV2 comedy-drama Switch admittedly had its moments, but was still on pretty shaky ground when it came to crafting a believable blend of flatmate drama, fantasy, and comedy into one package. The moments between the four girls where what shone through the gimmicky fantasy elements and half-hearted witchcraft, and this second episode had the task of keeping those strengths while showing the rest of its cards. Based on this week’s offering, though, it looks like what we’ll be getting is more of the same, and most of the problems have only gotten more noticable.
That isn’t to say that those who enjoyed the premiere will hate the episode, as there’s still plenty of fun to enjoy. I was someone who found a lot of cosy nostalgia in the show right away, and could overlook the more cheesy elements of the coven’s witchcraft, but there are still too many storylines that don’t really go anywhere. Last week’s cliffhanger involved the Witches of Kensington, and we jumped straight into the drama as the episode opened. The trouble is, said coven are an infuriatingly clichéd bunch of half-baked characters who’d be much more at home in a children’s programme and don’t really pose much of a threat.
What they do get up to causes the episode’s other cringe-worthy scene, in which Hannah ruins an interview at Stella’s company. If it wasn’t unbelievable enough that a top advertising firm were that impressed by Hannah’s spirited gap year tales, a hex put on her by the Kensington girls causes her to lash out at the executives in the room. They don’t press charges and Stella isn’t reprimanded by the boss who last week made her life a living nightmare. Instead, she’s given a big new campaign to work on. In general, the show treats the girls’ careers as very trivial, which is a problem when you’re dealing with four driven young women in the city.
Jude’s storyline is the most irritating, since it comes and goes without any development or growth for the character. Wishing she could have a new boss because the old one didn’t tolerate her getting drunk on the job, the girls do another unnecessary spell to grant her wish. What she gets is a work-shy superior who lets the store get trashed before the end of lunch. Eventually, he gets sacked and replaced by Jude (after she sleeps with him, of course), and it’s a dubious message to send considering the focus the show puts on these characters’ working out their young lives. If they can do a spell every time they don’t like something, where are the boundaries?
I’m aware that this is supposed to be a light-hearted series, but right now it plays like a child’s wish-fulfilment fantasy with the f-word and dildo jokes thrown in to make it more ‘adult’. The characters are likeable and all four actresses have a brilliant chemistry on-screen, but it’s the storylines that let them down this week. Similarly to Stella and Jude, Grace gets her own time away from the group with the date from hell. Meeting up with a guy who’s had the worst life imaginable, he quickly crosses over to borderline stalker territory, and she cuts him loose. There’s a little tie-in with her attraction to Jude’s slacker boss, but otherwise this is another thread that goes absolutely nowhere.
I’m still waiting for the moral implications of their actions to come and haunt the girls, but I’m becoming increasingly suspicious that it may never happen. Using magic for everything from a bad haircut to a strict boss removes the tension from a show that spends ten-minutes solving petty issues, and the episode becomes a weird mish-mash of random encounters. Did we need to see Grace cut her fringe too short? I don’t know, but there were surely some more interesting storylines to get through. It was also odd in that the last fifteen-minutes felt like a different episode, as we’re introduced to Stella’s hindered dating life. Bringing back an ex-girlfriend for episode three could lift interest, but we’ll have to wait and see.
This week was a mixed bag of things that worked and things that didn’t, and wasn’t nearly as promising as the premiere. The characters are all still strong, and Switch has the potential to be good, fun, girly entertainment if only it’d add a bit more depth to the girls’ weekly shenanigans. I’m still on board, but I don’t know for how long.
Read Caroline's review of the previous episode, here.
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I for one liked it young boys added great fun and great twist , young Sam really great acting as was Toby
Good review and I agree although I'd have to disagree about the characters being likeable. I don't recognise any of the characters as real women. They're written like an upper class toff thinks the working classes are like. Look at their careers - beauty therapist, shop girl, advertising assistant and babysitter - all predictable - not to mention their private lives of drunkenness, drug use and promiscuity. Is this what's seen as the pinnacle of female achievement nowadays? Sad.
The fact that it's on ITV2 says a lot about the nature of the programme.
At the end of the day the reason it feels like a kids show is basically because it is. It doesn't seem to be aimed at the traditional genre audience and is instead going for the same kind of audience as those who follow the rest of it's shallow programming.
It feels very much like it's taking the Torchwood season 1 route of 'adult' storytelling. It may mature but who knows.
I'm checking it out simply because I want to give it a chance to grow up in a second series although I have to admit there is something about it that allows me to totally suspend my critical faculties and enjoy the ride rather than feeling like I should be tearing it apart.
Maybe I'm being condescending but at least ITV are trying to do a genre show after a fashion and perhaps my basement-level expectations mean that it's not an unpleasant hour spent watching it.
Again reading over the net it's coming over ok again I like the twist with the light sabre and young SAMs face (playied by DYLAN STANDEN) to keep a straight face , bold too of itv2
That's completely accurate and fair. Stuff the witchcraft, those characters could write their own fun if you left them in the house and locked the door. And that's what it's all about. Characters and dialogue, then plotline.