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The production design of Outland (1981)

Martin Anderson


With the SF actioner set for a remake, we look at the amazing environs of Peter Hyams' original...

Published on Aug 19, 2009

Warner Bros pending remake of Peter Hyams' 1981 sci-fi actioner Outland poses whoever makes the film a very high benchmark to live up to in terms of production design. I'm not the biggest fan in the world of this tale of a lone marshall who pits himself against a corrupt mining company in the gritty and high-pressure (in every sense) environs of an ore-extraction operation on Jupiter's most disruptive moon. The film got greenlit originally for two reasons: a) Star Wars was a hot property and every studio in town was looking to ride the sci-fi boom and b) Outland is fundamentally High Noon in space, and as such not really sci-fi in any but a superficial sense.

However, that's one reason why the film's fans love it, and I can't say that a remake is an unlikely box-office prospect.

Production designer Philip Harrison's work is going to be a hard act to follow. He and Hyams did possibly the best job in movie history of suggesting the enormous dangers of working in a highly pressurised environment. Just check out how intimidatingly solid the sets appeared in the film...

With that, here's a pictorial tribute to the extraordinary look of Outland....

Io mining base (miniatures by Martin Bower)

First death by high-pressure as a drugged-out worker loses it and breaks the pressure seal on his space-suit...

Kika Markham makes breakfast for Sean Connery & Son in their living quarters...

The worker's dorm

Meeting in the canteen to welcome new Marshall Connery

Suiting up at the airlocks (second death coming)

Medical centre (looking a lot like the Ron Cobb medicentre from Alien)

Jilted Connery gets consoled by James B. Sikking in his now-lonely quarters

'Times Square' - the series of semi-exposed corridors provide a shortcut to a crime scene

Looking for clues at medicentre

Live sex shows by laser-light at the canteen (prefiguring Taffy Lewis's bar in Blade Runner and nicking the illuminated bar surfaces of 1980's The Shining)

The holding cells

The squash court

Cat-and-mouse with the assassins on the solar array

Bonus factoid: Outland was originally entitled Io, after the moon on which the story is set, but the producers feared it would read in listings as the Dudley Moore comedy 10, a huge hit the previous year.

 

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Re: The production design of Outland (1981)
Posted By cordas 1 August 19, 2009 08:29:04 AM

Outland is a great film that I haven't seen in years, will have to see if i can dig up a copy of it somewhere.

Re: The production design of Outland (1981)
Posted By xanderchan 1 August 19, 2009 10:10:29 AM

Not to be pedantic, but it's low pressure atmosphere that makes you explode, not high pressure. (And exploding people are a myth anyway, but it does make for good movie magic).

Re: The production design of Outland (1981)
Posted By DohBama 1 August 19, 2009 08:31:06 PM

Not available on DVD at Netflix? WTF?

Re: The production design of Outland (1981)
Posted By kail 1 August 19, 2009 09:07:46 PM

I don't remember the white arrow in Outland, some sort of flying bot? ;)

Re: The production design of Outland (1981)
Posted By evanjdooner 1 August 20, 2009 04:10:16 AM

God damn this film is good! I saw the DVD in a shop one day; Sean Connery holding a shotgun = instant purchase.

Re: The production design of Outland (1981)
Posted By Discrespective 1 August 20, 2009 09:11:10 AM

Ohhhh Shit ! Man I should read this first before making comment on other outland post ! I'm such dumbass :-(
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Philip Harrison's amazing work on Outland (1981)

Philip Harrison's amazing work on Outland (1981)

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