Excision review

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Review Sarah Dobbs 19 Nov 2012 - 06:51

An uncompromising high school horror, Excision is a bold debut from writer and director Richard Bates Jr, Sarah writes...

Usually, you can guess how a movie about a teenage misfit will turn out. By the time the credits have rolled, the main character will have found a way to fit in – either they’ll have changed something about themselves to become more acceptable, or they’ll have proved themselves to the world and earned some grudging respect. It’s the kind of narrative we’re comfortable with, and it’s a reassuring type of story; it tells us that everyone’s alright really, and everything will be okay in the end.

Excision is not that kind of movie. It’s dark, and bloody, and painful, and it isn’t at all interested in making you feel comfortable. But it’s definitely going to make you feel something.

Playing massively against type, AnnaLynne McCord is Pauline, an incredibly unlikeable teen with bad posture, terrible skin and greasy hair. (She also appears to be permanently thrusting out her jaw in an effort to look uglier and more aggressive; McCord is virtually unrecognisable here.) She’s rude, abrasive, and almost impossible to relate to.

Pauline dreams of becoming a surgeon… and she also dreams about sex. The two things seem to be linked in her mind, as her elaborately staged masturbatory fantasies are full of blood, gore, and corpses. Considering herself too intelligent for school, she teaches herself the skills she thinks she’ll need while annoying her teachers and disgusting her peers.

See, it’s not just that Pauline is unpopular because she’s a bit strange: she actively tries to freak people out. She wants to provoke a reaction. She clashes constantly with her mother, but there is one person she really does care about. Her younger sister, Grace, is pretty, sweet, and much more pleasant than Pauline; she’s clearly her parents’ favourite, and Pauline adores her, too. The only problem is that Grace has cystic fibrosis, and is becoming more ill by the day. Researching her condition, Pauline becomes determined to do something to help her…

That’s really all there is, in terms of story. Once the basics are set up, the film meanders towards its inevitable endpoint, letting Pauline do whatever weird things occur to her at any given moment. We’re party to her thoughts and plans through her prayers to a God she purports not to believe in, and her actions betray her increasingly disturbed mind.

And it seems, for a while, like things might turn out to be okay in the end after all. Despite Pauline’s repulsiveness, her parents are doing their best to find ways to accommodate her and help her get her life in order; although she’s not liked, she’s avoided more than bullied at school; and her affection for her little sister reveals a tender side to her that suggests she might not be so awful after all. There are moments of dark comedy, and the film allows us a few glimmers of hope.

Pay attention to the details, though, and you’ll realise that there’s no way this can end happily. The final scenes are truly shocking, as much because our expectations have been thwarted as because what happens is horrible. All the way through, the movie has played with the established tropes of the genre, offering characters and scenarios that appear to be familiar but really aren’t.

Even the casting is in on the joke; it’s not just McCord that’s playing against type here. Pauline’s religious, controlling mother is played by Traci Lords, best known for starting her career in porn; the caring (but clearly out of his depth) priest is played by John Waters. All of the performances are fantastic – it’s not about stunt casting, at all – but the actors chosen offer an extra hint that you’re not going to get what you’re expecting. Ignore those hints, and you’ll feel the bottom drop out beneath you when you get to the end, when suddenly the whole film comes into a new, horrible kind of focus. It’s enough to take your breath away.

Excision might be writer/director Richard Bates Jr’s first film, but it has the kind of confidence you’d expect from a much more experienced filmmaker. It’s bold, daring, and utterly devastating. This isn’t the kind of story that’s told very often, and it’s deeply unsettling. If you’ve got the stomach for it, it’s a hell of a piece of work.

Excision is out on DVD and Blu-ray now.

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