Videogames make a convenient scapegoat, particularly in the aftermath of shocking and unpleasant events.

Videogames need to stop being afraid of us missing out on portions of games, in favour of an approach that creates a narrative based on our actions

Few games are dealing with the emotional and physical consequences of drug abuse, and fewer still the familial repercussions

Christopher Walken munches through so much digital scenery it's a wonder he can still stand by the end of the game

Times have moved on visually of course, but it remains a masterclass in ambience, wit and scope