It seems as if Soderbergh doesn’t really understand the genre at all, and if he does, then it feels as if he’s looking down on it, which is even worse

The whole first act feels like Farming: The Movie

There are undeniable flashes of brilliance within Shame, but they can’t stand up under the pressure of its inescapable monotony

This is playful, funny stuff, but strewn with enough fictional Kensington gore, cleavage and violence to appeal to fans of both camp and horror.

I have never heard an entire theater groan en masse like I did at the finale of this particular movie

A curiously airless film which gallops through a congratulation of Thatcher’s career at such a pace you’d feel better informed by a Wikipedia page

It’s like Fight Club on ice at times, with every slug, every drop of blood and every beating heavily focused on

In this alternate universe, the moral and emotional heart of the First World War resides in Joey, a young nag from Devon.

If the occasionally breathtaking photography of Ghost Protocol gives you spectacle, it’s the willingness to cut the sound to the bare minimum that injects plenty of tension

Back in the 80s and 90s, Dizzy was little short of a grinning, rolling maniac

Puss In Boots relies heavily on wit and charm to overcome the fairly straightforward narrative and sense of déjà vu

New Year’s Eve might be the least romantic and least amusing film of the year, if not the whole of existence

If you’ve enjoyed previous entries in the series, then you’ll love Mario Kart 7