If the occasionally breathtaking photography of Ghost Protocol gives you spectacle, it’s the willingness to cut the sound to the bare minimum that injects plenty of tension

Puss In Boots relies heavily on wit and charm to overcome the fairly straightforward narrative and sense of déjà vu

New Year’s Eve might be the least romantic and least amusing film of the year, if not the whole of existence

Don’t mistake the joy for simple nostalgia. Segel, Stoller, and Bobin have taken the traditional Muppet formula and have reinvigorated it. The Muppets feel fresh again

James Cameron reportedly said that Hugo’s 3D is the best he’s ever seen, and he may be right – this is 3D used to heighten our sense of wonder rather than paper over storytelling cracks.

Like any number of films shown on TV after 10pm, Justice begins with a strong premise, but then sallies forth along a path so familiar that its events can be predicted quite accurately within minutes

The gods are seen lounging about with what look like Christmas tree decorations around their heads, as if they were awaiting a poor man’s Jean Paul Gaultier photo shoot

In Time has nothing approaching the depth of the cerebral Gattaca, and seems perfectly happy in its own silly skin