It’s as if it’s a concession to the filmmakers: make the first one a hit, and you get to make the story you really want to make with the follow-up.

The inevitable problem the company faces is that it continues to set itself the kind of standards that 99.9% of filmmakers have little to no chance of getting anywhere near in their lifetimes

Disney was making a sequel without us, and we were aware of it, of course, and we were very unhappy about it. It was the darkest time in Pixar's history.

Three movies crack $30 million, two can't even break $1 million. Welcome to the weirdest summer ever.

I haven't seen anything so simultaneously epic and emotional since the Mount Doom scenes in The Lord Of The Rings, and if it can't get a response out of you, you're probably Emperor Zurg or something.