I compared Die Hard with one of the sequels. One of them was directed, and the other one there was a lot of coverage that was then flung at a team of editors

There’s been talk of doing about a minute and a half, two minutes, of new animation for it, that were some sequences that we designed in the original, that I think were cool

If the occasionally breathtaking photography of Ghost Protocol gives you spectacle, it’s the willingness to cut the sound to the bare minimum that injects plenty of tension

By the time that moment appeared in the film, I’d gone beyond boredom, and was 500 words into a thesis on just how long arm hair could grow